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Here's a wigglegram of Taiwan-based photographer Valerie Roche near the back entrance to the Eigenji Temple (永源寺) in Shiga Prefecture, from the outing earlier in the month touched on in “A Peek at Not-Yet-Peak Autumn Colors in Japan, To Pique Your Interest”.
If the location seems familiar, it's perhaps because of a wigglegram of Paul Barr in the same place, two years ago, appearing in “The Back Entrance to Shiga’s Eigenji Temple”.
It's such a photogenic temple in autumn, I have to show from that trip for a dozen more postgs, but sadly I got around to only “Rear Courtyard at the Eigenji Temple” and “Anatomy of a Selfie”.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 60mm — 1/400 sec, f/2.8, ISO 1600 — map & image data — nearby photos
Middle of Nowhere
Patrick, Damien, and Valerie
in Shiga Prefecture, Japan
One reason that I don't blog so much these days is that when I do go out with the camera, the places I visit are so overwhelmingly beautiful that I get choice paralysis in deciding what to work on, and what to write about. I start to work on one set of photos, only to get drawn into a hundred side channels for things I want to share, and in the end I share nothing because nothing finds its way all the way to a blog post.
So with the intent to fight agsinst that, I set out this morning to quickly scan the 714 photos I took during a recent outing to some temples in Shiga Prefecture (an hour's drive from Kyoto), and quickly choose a few photos and blog them. What I had hoped would take 30 minutes has, to this point, taken two hours.

Nikon D4 + Voigtländer 125mm f/2.5 — 1/50 sec, f/2.5, ISO 100 — map & image data — nearby photos
Comparing Camera Settings
at the Eigenji Temple (永源寺)
Part of the slowness comes from my desire to tie in today's photos with ones from the past. This helps make my blog a diary for my own consumption later in life, I guess, when my memory starts to.... what was I talking about? 🙂
For example, the lead photo above was taken very near where the lead photo of this post was taken, a couple of years prior during that year's same “Shiga temples tour”. But even closer is this photo, take during “Cycling to Nagoya for Coffee”, which was, at 260km, my longest ride to date.

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 250 — map & image data — nearby photos
Crisp Light
Our first stop of the day, the Eigenji Temple, was not yet at its peak of color, but it was still lovely, and I hope to post much more from the day. When here two years ago, it had indeed been at peak color, as seen in “Anatomy of a Selfie” and a few others. Sigh, that day was so photogenic, there should be 20 more posts just from it. Maybe someday.
We then made our way to the jaw-dropping awe-inspiring emotionally-powerful Kongorinji Temple (金剛輪寺), as introduced a long time ago in “Deep Sorrow at the Kongourinji Temple’s Path of Jizou”, but perhaps better photographed half a dozen years ago in “Uncountable Sorrows: Path of Statues Dedicated to Children who Passed Before Their Parents”, or any of the many other posts that the “nearby photos” link under each picture brings you to.

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 5000 — map & image data — nearby photos
Purification Basin
at the Kongorinji Temple (金剛輪寺)

Nikon D4 + Voigtländer 125mm f/2.5 — 1/125 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Fuzzy Visitor
on the purification basin's dragon

Nikon D4 + Voigtländer 125mm f/2.5 — 1/320 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Offerings

Nikon D4 + Voigtländer 125mm f/2.5 — 1/320 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Simple Basin
at the Sakaejun Temple (栄順寺)

Nikon D4 + Voigtländer 125mm f/2.5 — 1/320 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Plonk
I've felt remarkably uninspired to photograph or write this year, but this was an inspiring trip, so perhaps some of its effects will linger and I'll write more soon. It's five hours after I started writing this post at home, and now I'm finishing it in the Osaka airport as I start a trip to Ohio to visit my folks.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 42mm — 1/200 sec, f/2.8, ISO 2500 — map & image data — nearby photos
Quick Portrait at the Sanzen-in Temple
三千院、Kyoto Japan
The fall colors starting to descend upon Kyoto has woken me up, at least momentarily, from an almost-two-month blogging slumber. Friends Paul and Olesia are visiting, Paul for the 100th time, Olesia for the first, so we took her up to the Ohara area of Kyoto, in the north-eastern mountains, for the first taste of autumn colors.
Walking up from the parking area toward the temples, the path is lined with tasteful shops. Here's a little kiosk selling only autumn-color handkerchiefs:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 36mm — 1/160 sec, f/2.8, ISO 1400 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 34mm — 1/200 sec, f/2.8, ISO 5600 — map & image data — nearby photos
Symbol of the Area
apparently

Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/160 sec, f/2.8, ISO 560 — map & image data — nearby photos
A Few Colors

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/125 sec, f/2.8, ISO 5000 — map & image data — nearby photos
Cucumber on a Stick

Nikon D4 + Nikkor 24-70mm f/2.8 @ 56mm — 1/250 sec, f/2.8, ISO 4000 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/160 sec, f/2.8, ISO 900 — map & image data — nearby photos
Nice Tree
near the entrance to the Sanzen-in Temple (三千院)

Nikon D4 + Nikkor 24-70mm f/2.8 @ 45mm — 1/200 sec, f/2.8, ISO 800 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/160 sec, f/2.8, ISO 900 — map & image data — nearby photos
Main Garden
few colors yet, besides green

Nikon D4 + Nikkor 70-200mm f/2.8 @ 120mm — 1/500 sec, f/2.8, ISO 2500 — map & image data — nearby photos
Green-Tea Instagram Moment

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/5, ISO 6400 — map & image data — nearby photos
Hallway with Nice Light

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/5, ISO 1100 — map & image data — nearby photos
Another Way
to enjoy the main garden
(10 minutes later, she tracked me down and asked for copies of the photos)

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/6.3, ISO 3600 — map & image data — nearby photos
This Tree Can't Decide
what color to be

Nikon D4 + Nikkor 24-70mm f/2.8 @ 44mm — 1/200 sec, f/2.8, ISO 3200 — map & image data — nearby photos
Olesia

Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/160 sec, f/2.8, ISO 3200 — map & image data — nearby photos
Nice Detail

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 1600 — map & image data — nearby photos
“Secret Path”
that's not secret; I had simply never noticed it.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 1100 — map & image data — nearby photos
Nice Place for a Portrait

Nikon D4 + Nikkor 70-200mm f/2.8 @ 125mm — 1/320 sec, f/2.8, ISO 6400 — map & image data — nearby photos
Slumbering Jizo

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 2000 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 48mm — 1/200 sec, f/2.8, ISO 2500 — map & image data — nearby photos
Photographers are Suckers
for moss

Nikon D4 + Nikkor 24-70mm f/2.8 @ 29mm — 1/125 sec, f/2.8, ISO 1100 — map & image data — nearby photos
Fading Light

Nikon D4 + Nikkor 24-70mm f/2.8 @ 50mm — 1/200 sec, f/2.8, ISO 1600 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/125 sec, f/2.8, ISO 3200 — map & image data — nearby photos
Just Peeking
Hosen-in Temple (宝泉院)

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/320 sec, f/2.8, ISO 4000 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 2000 — map & image data — nearby photos
Dressing (as in salad) Shop
On the way in, we stopped by a shop that gave taste samples of their various dressings and ponzu. They were all good, but two of them were “wow!”, so we stopped on the way back to get some.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 26mm — 1/200 sec, f/2.8, ISO 1000 — map & image data — nearby photos
Many Kinds

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 1000 — map & image data — nearby photos
Onion & Garlic
I also picked up a bottle of aka shiso flavor (red shiso). Really crisp and nice.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/160 sec, f/2.8, ISO 3200 — map & image data — nearby photos
Field of Rape
The area used to produce a lot of rapeseed oil (also known as “canola oil”)
We took the long way home to drive through some of the deep mountain roads that I cycle on. When in the forest it was quite dark. In this photo below, it was actually much darker than it seems (I took a longer exposure than normal). Handheld for 1/13th second. It came out okay.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/13 sec, f/2.8, ISO 6400 — map & image data — nearby photos
Much Brighter than Reality
near Momoi Pass (百井峠)
The “warm glow from the setting sun” look is from the car's hazard lights. 🙂
Today's post is a continuation of “SUPER FUN!! Cycling in Supertyphoon Jebi” and its followup, “Surveying Supertyphoon Jebi’s Damage North of Kyoto, Part 1”.
At the end of the previous post, we'd come across a fallen utility pole, as we had a few times earlier....

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
2:40pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
“Caution”
the small sign at left is normally high up in the air, alerting to overhead wires
The photo above is looking back toward where we'd come from, and in it there's a farmer leaning against a truck in front of his house. He'd told me that the road was not passable even by foot, but I'd dismissed it as an exaggeration. I shouldn't have.
What follows are a bunch of photos in chronological order, documenting what we came across....

Panasonic LX100 at an effective 34mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
2:40pm

Panasonic LX100 at an effective 34mm — 1/125 sec, f/2.3, ISO 250 — map & image data — nearby photos
Can Barely See the Road
2:41pm

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
Can Not See The Road
2:41pm

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.1, ISO 200 — map & image data — nearby photos
2:42pm

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.1, ISO 200 — map & image data — nearby photos
Still No Road
2:43pm

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
2:44pm
photo by Joshua Levine

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 640 — map & image data — nearby photos
2:48pm

Panasonic LX100 at an effective 44mm — 1/100 sec, f/2.6, ISO 1250 — map & image data — nearby photos
2:48pm

Panasonic LX100 at an effective 50mm — 1/125 sec, f/2.7, ISO 1000 — map & image data — nearby photos
2:49pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 640 — map & image data — nearby photos
2:50pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 640 — map & image data — nearby photos
2:50pm

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.1, ISO 250 — map & image data — nearby photos
Lucky Car
2:51pm

Panasonic LX100 at an effective 41mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
2:52pm

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.1, ISO 400 — map & image data — nearby photos
2:54pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
This Section Was Difficult
2:57pm
This section that I had just come over was difficult, because not only was the road not visible, we were walking on branches that were well above the guardrail, itself not visible unless your foot fell through the web of branches and made a hole to look down and see it. The only path I could find was right over the guardrail at the edge of the cliff, so if you slipped in an unlucky way, you'd slice your foot on the top of the guardrail, or tumble down into the river.
At this point we met two workers walking from the other direction, and they helped John and Joshua with their bikes.

Panasonic LX100 at an effective 25mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Helping Hand
2:57pm
They said that they had been walking for an hour, and that there were maybe six or seven more almost-impassable sections like the one we were on. It turns out that this was wildly underestimated.

Panasonic LX100 at an effective 25mm — 1/125 sec, f/1.8, ISO 250 — map & image data — nearby photos
Easy Section
2:58pm

Panasonic LX100 at an effective 25mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Actually Riding
2:59pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/1.8, ISO 250 — map & image data — nearby photos
2:59pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
3:00pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/2, ISO 200 — map & image data — nearby photos
3:01pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
3:01pm

Panasonic LX100 at an effective 25mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:02pm

Panasonic LX100 at an effective 25mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:02pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
3:04pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Smooth Sailing
3:05pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Old and New
3:07pm
I'm guessing that the cut trees in the photo above are part of the massive damage from last year's Typhoon #21. The fallen utility pole and the slight landslide are from this year.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
3:08pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Stripped
This tree had its bark stripped clean in parts
3:09pm

Panasonic LX100 at an effective 47mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
3:09pm

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:10pm
At times we faced such a daunting task to get past a section, we thought to turn back. But we knew how tough it would be to retrace our steps, and imagined that it couldn't be that bad going forward.
We were wrong.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
3:13pm

Panasonic LX100 at an effective 30mm — 1/125 sec, f/2.2, ISO 250 — map & image data — nearby photos
3:14pm

Panasonic LX100 at an effective 30mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
3:16pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
3:18pm

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:18pm

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:19pm

Panasonic LX100 at an effective 50mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Mountainside Raped by the Wind
3:21pm

iPhone 7+ + iPhone 7 Plus back dual camera 3.99mm f/1.8 at an effective 28mm — 1/750 sec, f/1.8, ISO 20 — map & image data — nearby photos
This is the Road
3:22pm

Panasonic LX100 at an effective 41mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
3:24pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Passing Through
in some sections we could get by only by passing the bikes separately
3:27pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
3:30pm

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:30pm

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:30pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:32pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
3:32pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
3:39pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2, ISO 200 — map & image data — nearby photos
3:40pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
3:41pm

Panasonic LX100 at an effective 46mm — 1/100 sec, f/2.6, ISO 200 — map & image data — nearby photos
3:41pm

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 250 — map & image data — nearby photos
Oops
3:42pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
3:42pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
Low Ceiling
3:42pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
3:44pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.8, ISO 200 — map & image data — nearby photos
3:45pm

Panasonic LX100 at an effective 27mm — 1/125 sec, f/2, ISO 320 — map & image data — nearby photos
3:45pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
3:47pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
3:47pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
3:48pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
3:48pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.8, ISO 200 — map & image data — nearby photos
3:49pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
3:49pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
3:50pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
3:52pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/1.8, ISO 200 — map & image data — nearby photos
3:54pm

Panasonic LX100 at an effective 25mm — 1/125 sec, f/2, ISO 200 — map & image data — nearby photos
Peek-a-Boo
traffic mirror now easily accessible
3:55pm

iPhone 7+ + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/30 sec, f/1.8, ISO 50 — map & image data — nearby photos
3:55pm

Panasonic LX100 at an effective 56mm — 1/125 sec, f/2.8, ISO 320 — map & image data — nearby photos
3:56pm

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 640 — map & image data — nearby photos
3:56pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 320 — map & image data — nearby photos
3:57pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
4:00pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 250 — map & image data — nearby photos
Vexing Area
4:01pm
We were stumped on how to get past this section when out from it came two guys...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
4:04pm
They had found a long, low tunnel through the debris on the inside edge of the road, and so we dragged our bikes through it.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
We Came From There
the tiny little space between the wall and the branches
4:11pm

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
The Guys' Truck
we imagined
4:13pm
If that was their truck, the road was open from here on into the city. It had taken an hour and a half to travel about 4km (2.5mi), a stretch of road that normally takes just a few (~6 or 7) minutes.
We're lucky that there were no real landslides, as they can often take out a huge chunk of road, leaving absolutely no way to pass (such as seen here).
As it was we were lucky and could make it through. I was covered in scratched and bathed in sweat, and had lost the auto-retracting lens cap for my camera, a cleat cover, and ended up trashing my cleats. First world problems.
I imagine it'll be a long time before the road will be open.
On the way home, I swung by the Heian Shrine to see what had become of the tree that had fallen across the road the previous afternoon....

Panasonic LX100 at an effective 28mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
No Sign
except two green cones doing nothing
4:42pm
Here's the ride at Strava.
In my previous post, “SUPER FUN!! Cycling in Supertyphoon Jebi (2018 Typhoon #21)”, I wrote about cycling while the biggest typhoon in 25 years approached Kyoto. The next day, with fine summer weather, I set off with Joshua Levine and John Chen to see how some of the mountain roads had fared.
Our concern was well founded, as seen in the incredible devastation by a typhoon a year ago (“2017’s Typhoon #21, Lan, was Quite the Doozy”).
We headed out toward Kyomi Pass, on the same road that I'd been on the previous day as the typhoon approached....

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Scattered Debris
but not too bad

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Passable
thanks to someone who had already come by with a chainsaw

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2, ISO 200 — map & image data — nearby photos
Bigger Damage
I'm glad I'd not stuck around longer than I did yesterday

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Concrete Telephone Pole Down

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Another Pole, More Trees

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 200 — map & image data — nearby photos
More Cleared Trees
near the pass
This is near where I had turned around the previous day. The main storm came through perhaps an hour and a half later, I suppose.
Today, we continued on...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
“No Motor Vehicles”
unless you can lift them

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Split in Half
The trunks seen at the bottom and top of the frame were originally one and the same.
(What a violent moment it must have been to produce this.)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
Easy Walking
as the utility lines held the trunks above ground

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Tree Trunk Exploded
the outer trunk was perfectly stripped from the inner,
leaving perfectly-smooth wood

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
Slightly Harder to Pass

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
More Trees Down

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
Finally Reaching The Spring
This spring, where we often stop to fill our water bottles, is not far below the pass. The “nearby photos” link below the photo brings up previous blog posts where this spring was featured.
After filling up, we continued on our way deeper into the mountains...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Common Scene

Panasonic LX100 at an effective 35mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
Yet Again

Panasonic LX100 at an effective 35mm — 1/125 sec, f/2.3, ISO 250 — map & image data — nearby photos
And Again

Panasonic LX100 at an effective 35mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
And Still Again...
We took the turn toward Mochikoshi Pass. In essence, we had started a clockwise “Kyoto Heart Loop”, and were working on the western half.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 400 — map & image data — nearby photos
More of the Same

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.1, ISO 250 — map & image data — nearby photos
“Turn the Fuck Around and Get Out”
guy in red gloves in the center was egregiously rude
We finally came across a crew working to clear the road, and without prompting we were verbally attacked by one of the workers. His lashing out was entirely uncalled for; someone apparently higher up in the food chain of this group stepped in to allow us to pass.

Panasonic LX100 at an effective 28mm — 1/125 sec, f/2.1, ISO 320 — map & image data — nearby photos
Quickly Passing
As we moved away from the area, we passed all the parked cars of the workers, and as we continued toward Mochikoshi Pass, more cars came. This told us that the road ahead was open all the way to the city, as it was the only other way to reach this point. This was good news, and was opposite to what happened last year, as the destruction seen in the previously-mentioned post about last year's typhoon was all on that road that we were soon to return to the city on.
It hadn't been completely unscathed, as we came across one beefy tree that had been cleared:
John had never been on this road, so I was pleased to tell him that it was all downhill from here... a lovely 10-minutes of coasting through pretty woods.....
But then we came to this:

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Totally Impassable To Cars
We were bewildered... where did all the cars we'd seen before come from? They could not possibly have passed here.
The farmer who lived here said that we shouldn't try to go forward, because it's totally impassable even on foot.
It slowly dawned on us that the workers had not come from the city, but from the sporadic houses and sparse villages between where we met the workers trying to clear the road, and here. They weren't the city crew dispatched to clear the road; they were residents trying to get out, trying to clear away for people and goods and medical service. Trying to reestablish a lifeline.
Now I could understand why the guy had snapped at us; I imagine it was an extremely stressful situation.
In any case, despite the farmer's warning, we went past the downed utility pole and headed toward town.
Nothing I'd seen today, or last year, or ever, prepared me for what we were to encounter.