
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/250 sec, f/2.8, ISO 1400 — map & image data — nearby photos
Recently-Cleared Destruction
remnants of trees that were blown across the road
This past weekend Typhoon #21 of the season (“Lan”) blew past, and it was quite the different experience from most. (It was the 21st typhoon in the western Pacific this year, but only the second or third to have much effect on Kyoto.)
It looked like it would make its closest approach to Kyoto late in the evening, so the day leading up to it was blustery and rainy. I find it fun to ride in weather like that, so just as I did a ride in the lead-up to a typhoon in August, I went out for a bicycle ride in the blustery afternoon, doing a simple Kyoto Heart Loop in the clockwise direction.
The ride (see at Strava) ended up being much tamer than I expected. The rain was nonstop, which is why there are no photos from the ride, but despite it seeming “blustery” while at home, out on the road and in the mountains there was surprisingly little wind.
However, the eerie and unexpected dead-air calm that existed for most of the three-hour ride was broken just a few times by sudden, ridiculously violent “wind shear” moments of terror that threatened to blow me right off the bike. I was hoping for “wild blustery”, but this was well beyond that. Luckily, this kind of wind didn't total more than 30 seconds for the whole ride.
One thing I learned on this ride was that the “Glacier Glove” Waterproof Glove is anything but waterproof. They completely soaked through.
Anyway, I was home by 6pm, six hours before the typhoon made its closest approach to Kyoto.
As the intensity of the rain increased throughout the evening, the Kamo river started to get higher and higher, as it tends to once every couple of years (as seen here, here, and here), so I went out again just to check out the river.
Here's the radar view as I left the house at 10pm:

sort of intense
Kyoto is at the black dot lower-right of center

Panasonic LX100 at an effective 28mm — 1/15 sec, f/2.1, ISO 3200 — map & image data — nearby photos
Under the Marutamachi Bride
water is high, but not flooding

Panasonic LX100 at an effective 24mm — 1/20 sec, f/1.7, ISO 3200 — map & image data — nearby photos
Under the Sanjo Bride
water is 2m lower than I've seen in the past

Panasonic LX100 at an effective 24mm — 1/50 sec, f/1.7, ISO 3200 — map & image data — nearby photos
Southwest Sanjo-Bridge Area
To compare with a big flood a few years ago, note the small bridge above-center in the previous photo. That's the same bridge that was wiped out a few years ago.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 1250 — map & image data — nearby photos
Angry Enough
the Kamo River

Panasonic LX100 at an effective 24mm — 1/80 sec, f/1.7, ISO 3200 — map & image data — nearby photos
Riverside Path
is under water here
So, it seemed to be relatively mild for Kyoto, which was 300km (190mi) from the eye's closest approach.
So, I was surprised in the morning to see that almost all the roads in the mountains were closed:
Wow. What happened? I jumped on my bicycle to go take a look.

Panasonic LX100 at an effective 49mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
“Road Closed Ahead”

Panasonic LX100 at an effective 24mm — 1/1600 sec, f/6.3, ISO 200 — map & image data — nearby photos
“All Lanes Closed”
“from here to pretty much everywhere”
My first destination was the road to Hanase Pass, which goes through Kurama (the village with the temple that I blogged about a few weeks ago). The main sign above says that the road is closed to various destinations, and it's sitting in front of a different sign that I assume was announcing road closures related to the Kurama Fire Festival, which had been scheduled for the previous day.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Messy Road
taken at 18 kph (11 mph)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Lady Cleaning Slime from Road
taken at 16 kph (10 mph)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Wow
road positively littered with leaves, twigs, and fronds

Panasonic LX100 at an effective 28mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
Unfired Wood
it looked like the Fire Festival didn't happen
(this shrine is where most of the photos on my Fire Festival post were taken)
I continued through the village toward the mountains...

Panasonic LX100 at an effective 40mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Closed Due to Power Outage
Kurama Onsen

Panasonic LX100 at an effective 62mm — 1/125 sec, f/2.8, ISO 500 — map & image data — nearby photos
Wow!!
This road is normally completely clear pavement (as seen here), but now it looks like a little-used track road through the wilderness. The untouched detritus in the middle of the road is as thick as a pillow.
Everywhere in the mountains, the smell of fresh ceder (from all the broken branches) was absolutely luscious.
It's easy to see where the road goes because of the tracks laid down by vehicles that passed since the storm, but it must have been eerie and scary for the first vehicle in the morning, trying judge where the road was merely from the lack of trees.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
Bus Squeezes Under
taken at 12 kph (7 mph)

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Still Passable
though perhaps not so safe

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/120 sec, f/1.8, ISO 32 — map & image data — nearby photos
Not Passable
a worker guessed that the road would be closed for a week,
due to a landslide farther up

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 200 — map & image data — nearby photos
Heading Back Down
I didn't have a lot of time, but I popped over to the road that goes through Kumagahatta, the west-of-center section of the Kyoto Heart Loop cycling route that so many use.

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Super-Thick Super-Slime
a thick layer of evergreen fronds turned to pulp

Panasonic LX100 at an effective 28mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Clearing Work in Progress

Panasonic LX100 at an effective 35mm — 1/80 sec, f/2.3, ISO 200 — map & image data — nearby photos
Holy Cow!
an estimated 40 trees had fallen across the road in just this short stretch
This was the end of my exploration for the day.
Sadly, one of the five workers seen above would be killed a few hours later when he was crushed to death by a section of tree trunk they were working on.
With that sad news fresh in our minds, Damien and I made a somber visit to the area the next day....

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/6.3, ISO 6400 — map & image data — nearby photos
Roughly Cleared
it's neither safe nor complete, but vehicles can pass

Nikon D4 + Nikkor 24-70mm f/2.8 @ 36mm — 1/250 sec, f/2.8, ISO 1800 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/250 sec, f/2.8, ISO 2200 — map & image data — nearby photos
Hidden Pavement
starts directly under the guardrail

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/250 sec, f/2.8, ISO 2000 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 50mm — 1/250 sec, f/2.8, ISO 1400 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/250 sec, f/2.8, ISO 560 — map & image data — nearby photos
Workers
near a concrete utility pole that was snapped like a twig
The road was officially closed, but we received permission to venture in so long as we stayed out of the way. Now that the road was physically passable, they were working to get power restored to folks down the line, and planning on how to clean everything up, restore the road, replace the lost utility poles, and re-string all the utility cables.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/320 sec, f/2.8, ISO 100 — map & image data — nearby photos
Concrete Utillity Pole

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/250 sec, f/2.8, ISO 1100 — map & image data — nearby photos
Looking Up the Hillside
representative of what long stretches of roadside hill looked like

Nikon D4 + Nikkor 24-70mm f/2.8 @ 44mm — 1/250 sec, f/2.8, ISO 1100 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/250 sec, f/2.8, ISO 400 — map & image data — nearby photos
Downed Lines
the next few utility poles were completely down

Nikon D4 + Nikkor 24-70mm f/2.8 @ 52mm — 1/250 sec, f/4.5, ISO 720 — map & image data — nearby photos
Hanging

Nikon D4 + Nikkor 24-70mm f/2.8 @ 48mm — 1/250 sec, f/7.1, ISO 2200 — map & image data — nearby photos
Remnants
the pole falling into the river in the lower part of the photo,
had been standing on the right side of the road

Nikon D4 + Nikkor 24-70mm f/2.8 @ 35mm — 1/250 sec, f/7.1, ISO 720 — map & image data — nearby photos
Same Pole
it had stood in the guardrail gap at left,
but was sheared off at ground level and fell across the road

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/250 sec, f/7.1, ISO 3600 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 62mm — 1/250 sec, f/2.8, ISO 2800 — map & image data — nearby photos
Foot-Thick Trunk
snapped like a toothpick

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/250 sec, f/2.8, ISO 500 — map & image data — nearby photos
Precarious

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/7.1, ISO 800 — map & image data — nearby photos
Passable
but still a dangerous mess

Same Spot the Previous Day
before any vehicle had made it that far
photo by Joshua Levine
used with permission

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/7.1, ISO 1400 — map & image data — nearby photos
Very Precarious

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/160 sec, f/7.1, ISO 6400 — map & image data — nearby photos
Stringing Power Lines
on the road leading to the Shimyouin Temple (志明院)
Eventually we made our way around the left half of the Kyoto Heart Loop heart, passing many crews working on various things. Nearing Kyoto toward the end of that loop, I was surprised to find that the restaurant Yama-no-ie Hasegawa was actually open, so we stopped in.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/7.1, ISO 640 — map & image data — nearby photos
Entrance Steps
are now camouflaged

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/7.1, ISO 6400 — map & image data — nearby photos
Cheesecake and Coffee
I've stopped in this place many times while out with the bicycle or the camera, as the “nearby photos” link under these photos shows, but it turns out that it was Damien's first visit.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/320 sec, f/7.1, ISO 5600 — map & image data — nearby photos
Seat Warmer

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/800 sec, f/7.1, ISO 320 — map & image data — nearby photos
Uncharacteristically-Clear Air
the mountain in the far distance is Mt. Misen, and even 100km (67mi) away

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/200 sec, f/7.1, ISO 6400 — map & image data — nearby photos
Descending From Kyomi Pass
The tree above is being held up by utility wires, which are causing a metal utility pole to bend:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 28mm — 1/125 sec, f/7.1, ISO 900 — map & image data — nearby photos
Tightly Strung
As a bonus (and nice counterpart) to all the destruction, Damien showed me the entrance path to a temple, a path I have passed dozens and dozens of times without ever having noticed:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/9, ISO 2000 — map & image data — nearby photos
Lovely Entrance Path
Koetsu-ji Temple (光悦寺)
I'll have to visit again in a few weeks once the leaves have started to turn.
In the week that I've been trying to get this blog post written, most roads have been reopened, though the Kumagahatta section covered at length above is not, and likely won't be open for a while.
Typhoon #22 is approaching, and should be here soon.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 60mm — 1/400 sec, f/2.8, ISO 4500 — map & image data — nearby photos
Whimsical Statue
at the Enkoji Temple two years ago
今回は二年前の圓光寺(京都市)の写真です。撮影日は11月17日でした。
It's gotten suddenly chilly here in Kyoto, Japan, reminding me that the fall-foliage season is approaching. So just as with last year's “Looking Ahead To Fall with a few Shots from Last Season” post, this post is to help get me in the mood. All the photos on this post are from the same mid-November 2015 visit to the Enkoji Temple (圓光寺) in northeast Kyoto.
This temple has been featured on my blog many times, so the “nearby photos” link under any photo brings you to other posts from the temple.

Nikon D4 + Nikkor 24mm f/1.4 — 1/400 sec, f/4.5, ISO 1800 — map & image data — nearby photos
Entrance Rock Garden

Nikon D4 + Nikkor 24mm f/1.4 — 1/400 sec, f/5, ISO 2000 — map & image data — nearby photos
Paul Barr

Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/1.8, ISO 900 — map & image data — nearby photos
Edge of the Main Garden
The whimsical statue seen at the top of this post is just off to the left of this path, a tiny smudge of darkness in the photo above.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 34mm — 1/400 sec, f/2.8, ISO 3600 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/400 sec, f/3.5, ISO 3200 — map & image data — nearby photos
It Usually Attracts a Crowd
though still difficult to see in this photo

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/400 sec, f/5.6, ISO 4500 — map & image data — nearby photos

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 1100 — map & image data — nearby photos
Ignoring his $8,000 Camera
for a cell-phone snap

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 1400 — map & image data — nearby photos
Paul Selfie
Of course, the little statute is just one small feature of the lovely moss-covered garden....

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/400 sec, f/2.8, ISO 1000 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/5.6, ISO 1000 — map & image data — nearby photos
Me
and my squished nose
photo by Paul Barr

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/5.6, ISO 4500 — map & image data — nearby photos
Garden-Viewing Room

Nikon D4 + Nikkor 24mm f/1.4 — 1/400 sec, f/1.4, ISO 1250 — map & image data — nearby photos
From Inside
the garden-viewing room
It can get quite crowded, but even when it's not, it's almost impossible to get a people-free view of the room and the garden. I (almost) did once, as seen in “Impossible Shot at Kyoto’s Enkoji Temple: Garden *and* Garden-Viewing Room at the Height of Fall Colors, Devoid of People”. That was five years ago... I should try it again this year.

Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/1.4, ISO 800 — map & image data — nearby photos
Another Statue
“Sleeping Man with Rats”?
( not so popular for some reason )

Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/1.4, ISO 560 — map & image data — nearby photos
Serendipitous View
but I've got my 35mm lens mounted

Nikon D4 + Voigtländer 125mm f/2.5 — 1/250 sec, f/5.6, ISO 6400 — map & image data — nearby photos
Better at 125mm
but I would have liked somthing in between

Nikon D4 + Voigtländer 125mm f/2.5 — 1/320 sec, f/5.6, ISO 6400 — map & image data — nearby photos
Different Angle

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 2500 — map & image data — nearby photos
Serious-Looking Camera

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 3200 — map & image data — nearby photos
At Least Five Cameras
for this couple

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 2800 — map & image data — nearby photos
So He Goes With the iPhone

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 2500 — map & image data — nearby photos
Happy Shoes
but maybe a bit vibrant for the location

Nikon D4 + Nikkor 24mm f/1.4 — 1/400 sec, f/1.4, ISO 4000 — map & image data — nearby photos
Big Lens
and kimono, a lovely combination in my book
This is the couple that posed for “Wigglegram of a Pleasant Couple Among the Fall Colors at Kyoto’s Enkoji Temple”

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 3600 — map & image data — nearby photos
Paul Found a Leaf

Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Even the Bathroom
is tastefully done

Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/1.8, ISO 160 — map & image data — nearby photos
Exit
back to the rock garden
Here's a wigglegram of Minh and Nghia at the Murin'an Garden in Kyoto. The last photo of “Nghia and Minh in Kyoto, Part 2” is actually part of this wigglegram.
















写真の上をマウスで左右にゆっくり動かすと「3D」な感じが出ます。

Panasonic LX100 at an effective 25mm — 1/400 sec, f/4.5, ISO 200 — map & image data — nearby photos
Entrance to the Kurama Temple
a photo from this post a couple of years ago
I'd heard that the Kurama Temple (鞍馬寺), nestled on the side of a mountain in a northern suburb of Kyoto, made for a nice visit, but despite riding past it dozens of times since I got into cycling, I'd never actually entered it. This week I finally did.
The main part of this post is about this week's visit, but first let me recount my prior experiences with this temple...
Normally I just ride past and perhaps snap a photo along the way, such as the following shot from my first “real” bike ride 2½ years ago:

Nikon D4 + 35mm f/1.4 — 1/160 sec, f/13, ISO 280 — map & image data — nearby photos
Flying By The Entrance
not realizing I was about to enter a world of snow
Sometimes I stop at the entrance to take photos, such as the following shot from the two-year anniversary ride of my first “real” ride earlier this year:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 42mm — 1/200 sec, f/10, ISO 160 — map & image data — nearby photos
Kurama Temple
Apparently I had stopped by the entrance to this temple during a photo outing in 2012, with Paul and Damien, when I took this photo of the edge of the entrance stairs:

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 3200 — map & image data — nearby photos
Entrance Detail
Kurama Temple (鞍馬寺)
I post this shot because I really like its richness, its “vibe”, and to contrast it with all the crappy iPhone photos we'll see below, from this week's visit.
On that same drive in 2012, I took these shots of a monkey harassing someone (for, I suppose, food of some kind):

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 1100 — map & image data — nearby photos
No Luck Here...

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 1250 — map & image data — nearby photos
... Nor Here
That day-long outing five years ago, with Paul and Damien, was really great, and many blog posts resulted, including:
- “Kyoto’s Road to Somewhere”
- “A Few Pretty Pictures from Kyoto’s Middle-of-Nowhere Sourenji Temple”
- “A Quick f/1.2 + f/5.6 Pair from the Sourenji Temple”
- “A Wigglegram from the Well-Named “Fallen Leaf Shrine””
- “A Long But Photogenic November in Kyoto”
- “Kyoto’s Souren-ji Temple at f/1.2”
On that wonderful 2012 outing, I also took this slightly-overexposed shot of Damien:

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 10000 — map & image data — nearby photos
from this blog post for Damien's parents
And that photo brings me to the reason that I finally visited Kurama Temple this week.
Damien was about to start his fourth and last “Hell Week” course of chemotherapy, a week-long torture of nausea-inducing drugs that saps the will to live, so he wanted to get out into nature one last time before. He intended to hike from Kibune to Kurama, and then relax at the Kurama Onsen. I wasn't able to make it in time to join the start of the hike, so I went directly to Kurama, hiking up to meet him at the temple at the top of the mountain.
All the rest of the photos on today's blog post are from this recent trip, taken with an iPhone.

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/60 sec, f/1.8, ISO 25 — map & image data — nearby photos
Entering The Temple Grounds Proper
at only 300 yen (US$2.60), a bargain

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/25 sec, f/1.8, ISO 200 — map & image data — nearby photos
Theme For the Day
lots of steps
The path to the top has many different sections, both with steps and just a plain gravel path. The only thing that was consistent was the climb... whether steps or path, it kept going up and up.

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/30 sec, f/1.8, ISO 25 — map & image data — nearby photos
A Road Diverged...
you can take the gravel path to the right, or the steps up through a sub-temple

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/30 sec, f/1.8, ISO 100 — map & image data — nearby photos
More “Up”

iPhone 7 Plus + iPhone 7 Plus back camera 6.6mm f/2.8 at an effective 57mm — 1/60 sec, f/2.8, ISO 250 — map & image data — nearby photos
... and More

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/30 sec, f/1.8, ISO 80 — map & image data — nearby photos
... and So Much More

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/120 sec, f/1.8, ISO 40 — map & image data — nearby photos
Oh Hey, Steps!
Finally, after 20 minutes of brisk climbing, I arrived at the lowest part of the temple proper.

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/610 sec, f/1.8, ISO 20 — map & image data — nearby photos
... where I found Damien waiting for me. I was tuckered out from the hike, but took a quick selfie...

iPhone 7 Plus + iPhone 7 Plus front camera 2.87mm f/2.2 at an effective 32mm — 1/60 sec, f/2.2, ISO 25 — map & image data — nearby photos

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/480 sec, f/1.8, ISO 20 — map & image data — nearby photos
The View of the Mountains is “Meh?”
Apparently there's a huge multi-level complex to be explored, but we had neither the time nor the energy (nor the appropriate camera) to enjoy it, so we headed back down the way I had come.

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/120 sec, f/1.8, ISO 25 — map & image data — nearby photos
Heading Down

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/240 sec, f/1.8, ISO 20 — map & image data — nearby photos
Old Staircase

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/500 sec, f/1.8, ISO 20 — map & image data — nearby photos
Even though we were taking the exact path I'd just come up on, the view was so much more interesting heading down. Time and again you could see much more splayed out before you. It was wonderful.

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/460 sec, f/1.8, ISO 20 — map & image data — nearby photos

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/220 sec, f/1.8, ISO 20 — map & image data — nearby photos
Side View
of he landing seen in the previous photo

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/310 sec, f/1.8, ISO 20 — map & image data — nearby photos
Disconnect
it makes you wonder whether the two sides had ever been level with each other

iPhone 7 Plus + iPhone 7 Plus back camera 6.6mm f/2.8 at an effective 57mm — 1/60 sec, f/2.8, ISO 32 — map & image data — nearby photos
Down Down Down

iPhone 7 Plus + iPhone 7 Plus back camera 6.6mm f/2.8 at an effective 57mm — 1/60 sec, f/2.8, ISO 32 — map & image data — nearby photos

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/30 sec, f/1.8, ISO 64 — map & image data — nearby photos
Hazy Side Area

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/95 sec, f/1.8, ISO 20 — map & image data — nearby photos
All in all it whet my appetite to return with a real camera. Paul will likely be visiting next month, and by then Damien should be recovered from his chemo, so I hope the three of us can spend a day here with the camera. It will be glorious.
After we exited the shrine, we went to the Kurama Onsen, and I tried the outside bath for the first time. Until now, the Kurama Onsen for me was merely the start to one of Kyoto's hallmark tough cycling climbs, the 5km @ 9% climb to Hanase Pass.
In the evening, for his last meal before returning to the hospital for Hell Week, we indulged in American-style Pizza from Dai's Pizza Kitchen...

iPhone 7 Plus + iPhone 7 Plus back camera 3.99mm f/1.8 at an effective 28mm — 1/30 sec, f/1.8, ISO 40 — map & image data — nearby photos
Picking up a Pizza
As I write this, it's the Friday at the end of his last Hell Week, so he's got light at the end of the tunnel. The week after Hell Week is usually filled with all kinds of side-effect problems, so that's still in the way, but he should hopefully be back to normal by the end of the month, just in time for some awesome fall-foliage photo outings.

Panasonic LX100 at an effective 62mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Birthday Boy Reaches the Top
Joshua Levine looking comfortable at the top of a 23% slope
We had an eclectic little ride the other day to celebrate Joshua's birthday. Unlike a common ride that makes a big loop through some gorgeous mountains, this ride stayed closer to home, hopping from interesting point to interesting point, at a slow, fun pace.
It was my 16th time to ride with Joshua, since joining him on a NORU bike tour two and a half years ago.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Starting Out
Joshua · Kevin · David
— as usual, making our way through some suburb to reach the mountains —

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 1000 — map & image data — nearby photos
Unexpected Off-Road Descent
Nigel follows Tomas
It turns out that one can use this dirt trail to get around having to descent the “Nasty” 21% slope. Personally, I'd rather just descend on the road because neither my bike nor my courage are set up for off-road riding.
This little off-road excursion fit within the spirit of the day, which was to throw caution/inhibitions into the wind and just have fun doing crazy things with friends. (That “crazy things” are as mild as a dirt path and the other things you'll see here speaks to the fact that we've settled down in our maturity.)
The first true “crazy thing” came immediately after descending on this dirt trail: we rode up “Old Kyomi”, a road that is now paved but was likely a trail for 1,000 years prior. A car-friendly bypass road appeared in the 1950s, so this older road is now rarely used.
It's very difficult.

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 400 — map & image data — nearby photos
Nigel Suffers up Old Kyomi
Even though the slope is only 19% at this point,
the road surface makes it more challenging than the steeper parts.
The overall average of the segment — 1.6km (1mi) at 13% — belies the true difficulty of the climb. It's really unfair that the photo makes it look flat; it's very steep.
The 100m leading to the point where I took the photo above averages 22%, which for me would not be an insurmountable problem if the road surface were trustworthy. But it's not... just look at it... the road pavement is rough and crumbling to begin with, and on top of that it's littered with rocks, sticks, leaves, moss, sand, etc., all just waiting to take your tire out from under you.
That's why I was taking photos where I was. I had hoped to complete the climb without stopping (something I'd not been able to do when I tried this climb a couple of years ago), but at this point I wasn't able to avoid a rut or something, and my wheel slipped and I had to put my foot down before I fell down. So, I set the bike aside and sat down with the camera to await the others.
Nigel was the first to arrive, and was pushing his bike. He's probably the strongest among us all, and you might remember him from the outlandishly crazy “Ascending Hanase Pass on a Mamachari”, so might wonder why someone so strong would be pushing. The answer is that he was on a single-speed bike, one that didn't have multiple gears to choose from. My bike has 22 gear combinations; some folks' mountain bikes have 30. His had just one, and the road surface was just too difficult for the one he had.

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 800 — map & image data — nearby photos
David and Tomas Actually Ride Up
with some random, selfish guy in between who shouldn't be there
I don't know who the guy in red was, but he shouldn't have been there. Riding close behind someone on this road is simply dangerous, and to try to pass would be as ludicrous as it is selfish. If the other person is part of your group then at least you have some basis of trust on which you can perhaps negotiate the selfish move, but if you don't know them, wow.

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 2500 — map & image data — nearby photos
Crazy-Bad Road Surface
I sooo want to visit with a broom

Panasonic LX100 at an effective 62mm — 1/125 sec, f/2.8, ISO 250 — map & image data — nearby photos
Kevin Powers Up
while Lianca and Tal watch from the side

Panasonic LX100 at an effective 30mm — 1/125 sec, f/2.2, ISO 250 — map & image data — nearby photos
Power and Concentration
both are required for this climb

Panasonic LX100 at an effective 72mm — 1/125 sec, f/2.8, ISO 500 — map & image data — nearby photos
Birthday-Boy Joshua
has the requisite power and concentration, but wears them differently than Kevin
After this bit of fun, we made our way across the northern outskirts of Kyoto toward the next crazy climb, and this involved some short but steep residential roads.

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Pathetic Camera Work
on a sudden steep bit in the suburbs
I'm still hit and miss with the small camera I bought for cycling. The biggest problem that I have with it is that the controls get bumped off to some crazy setting, and I don't always notice right away, especially when I'm trying to take an impromptu shot while riding. Most often the exposure compensation gets bumped to the maximum negative, so all the photos (until I notice) end up almost black. I can recover quite a bit in Lightroom, but the loss of quality is noticeable.

Panasonic LX100 at an effective 25mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
Up Up Up

Panasonic LX100 at an effective 25mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Lots of Smiles
despite lots of blurriness
Another problem I have is severely overestimating the amount of camera shake I can get away with. Many potentially-great shots are ruined because they're crazy shaky like the one above. I include it here mostly because the smiles shine through despite the quality, and to illustrate the point.
We made our way to another steep climb — 580m @ 15% with sections approaching 25% — but this one is much easier than the first because the road surface is good.

Panasonic LX100 at an effective 62mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Exhausted at the Top
Tomas and Nigel collapse on their handlebars as Kevin crests the top
Here's a video of the last half of the segment, after I had gone ahead of the others and rode at my own pace. At the start of the video there's no one close behind me, but then suddenly Nigel and Keven appear on my tail, and then at the start of the super-steep final 120m, in a display of incredible power, Nigel blows by me on his single-speed and rockets to the top.
Remember, Nigel (the first to the top) is on a bike that has only one speed, and it's not a speed designed for 20%+ grades. He's just that powerful.
Also powerful was Tomas, who almost caught me at the top despite my having started so much earlier. In fairness to me, I was just going at a steady pace, and was 30 seconds slower than my best time on this climb. But in fairness to him, despite his speed at the end he was still almost a minute slower than his best time (which also happens to be the “KOM” best-recorded time for the segment).
The photo that leads this blog post shows Joshua and David cresting the top.
At a top is a cemetery (for all the people who have attempted the climb) with a nice view:

Panasonic LX100 at an effective 50mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Enjoying the View
Nigel, Tal, Kevin, Tomas, Joshua, David
This view has appeared on my blog before, here.
I'd made this climb six times prior, but hadn't noticed that the cemetery extends off in one direction, so was happy that Joshua showed me.

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Nature-Centric View

Panasonic LX100 at an effective 24mm — 1/400 sec, f/4.5, ISO 200 — map & image data — nearby photos
Heading Back Down
this shot is a lot more difficult to take than you might imagine,
going down a 23% grade with one hand occupied by the camera

Panasonic LX100 at an effective 24mm — 1/400 sec, f/4.5, ISO 200 — map & image data — nearby photos
Descent
near to far: David, Tomas, Lianca, Tal

Panasonic LX100 at an effective 24mm — 1/320 sec, f/4.5, ISO 200 — map & image data — nearby photos
Three Musketeers
L-R: Joshua, Kevin, Nigel

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 250 — map & image data — nearby photos
Huh Wha?!
Another unexpected section of dirt that Joshua led us on

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Lovely Long-Way Around
the same excursion that Joshua led us on earlier in the month

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Joshua Bids Us Farewell
he had to be home for another appointment

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
So Different
than two weeks ago before the rice was harvested

Panasonic LX100 at an effective 28mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Rolling Through Northern Arashiyama

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Normal Photo Spot
that we're bypassing due to the car and the caution tape
We opted not to stop at this spot this time, but as the nearby photos link under the picture shows, I've stopped many times.
Then on to the next steep little climb, just 315m at 13%.

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 400 — map & image data — nearby photos
David and Tomas
cresting the climb

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 400 — map & image data — nearby photos
Kevin and Nigel

Panasonic LX100 at an effective 75mm — 1/125 sec, f/4.5, ISO 250 — map & image data — nearby photos
Group Shot
Now we were making our way to the Kuuya-taki Waterfall, a place I've been visiting for years, after having discovered it five years ago. When I got into cycling, it was one of the first rides I did.
It'd been a while since I'd ridden there, and the approach was longer and in worse shape than I remembered.

Panasonic LX100 at an effective 26mm — 1/125 sec, f/1.9, ISO 800 — map & image data — nearby photos
Steep, Broken Concrete
as little fun going up as going down

Panasonic LX100 at an effective 26mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
Arriving At the Entrance
to the Kuuya Shrine (空也神社)

Panasonic LX100 at an effective 26mm — 1/80 sec, f/1.9, ISO 320 — map & image data — nearby photos
Quick Cooldown
Lianca didn't realize that a waterfall awaited
Everyone else left their bike at the road, which is probably fine because it's essentially deserted anyway, but out of habit I brought mine with me.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 400 — map & image data — nearby photos
photo by Tomas Svab

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 200 — map & image data — nearby photos
Lianca, Me, Kevin
photo by Tomas Svab

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 640 — map & image data — nearby photos
Getting Closer
photo by Tomas Svab
The short approach hike is beautiful, and I've posted many photos from it over the years, including:
- Discovery On The Way to The Waterfall
- Interesting Bark Near the Kuuya-taki Waterfall
- Beyond The Staircase Ruins at the Kuuya-taki Waterfall
- On The Way From The Kuuya-taki Waterfall'>
- The Effect of Shutter Speed on the Appearance of Flowing Water
Then on top of that you have the beauty of the shrine/waterfall area itself.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 2000 — map & image data — nearby photos
Almost There
you can tell by this composition that Tomas is a real photographer
photo by Tomas Svab

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 800 — map & image data — nearby photos
photo by Tomas Svab

Panasonic LX100 at an effective 54mm — 1/80 sec, f/2.8, ISO 3200 — map & image data — nearby photos
Tomas and David
confirm what we already had guessed: the water is cold
David's pose is a natural one for a waterfall; I did the exact same thing the first time I went in.
We relaxed for a while, then headed out

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 2000 — map & image data — nearby photos
Heading Back

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 400 — map & image data — nearby photos
Natural Spring
along the road
After returning to the city, a few of us thought to get a cup of coffee in Arashiyama. We went through its famous bamboo groves, which had a lot of people, but, thankfully, no where near peak.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 2000 — map & image data — nearby photos
Crowded Road
Arashiyama Bamboo Forest (嵐山竹やぶ)
(and yes, it's a road open to vehicular traffic)

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Main Road is Crowded Too

Panasonic LX100 at an effective 26mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Nope
no coffee is that good

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
So, Heading Home
All in all it was a fun day of relaxing friendship punctuated by short, intense efforts, occasionally with a bit of terror thrown in.
Happy birthday, Joshua.