
Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/800 sec, f/2.8, ISO 100 — map & image data — nearby photos
Nghia and Minh
main gate of the Heian Shrine (平安神宮), Kyoto, Japan
Where does the time go? I'm finally following up to “Minh and Nghia Photoshoot Preview” about two weeks later than I expected.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
First Photo
After having a coffee and chat to get to know them a bit, we headed toward the always-photogenic Heian Shrine. I wore Nghia's backpack so it wouldn't bother the photos, and we got down to it...

Nikon D4 + Nikkor 70-200mm f/2.8 @ 102mm — 1/640 sec, f/3.2, ISO 100 — map & image data — nearby photos
Standard Posed Shot
I never really expect anything to come of the first shots, since we're just starting to get comfortable with each other and with the situation, but what came immediately after the shot above pretty much foreshadowed the entire day:

Nikon D4 + Nikkor 70-200mm f/2.8 @ 98mm — 1/640 sec, f/3.2, ISO 100 — map & image data — nearby photos

Nikon D4 + Nikkor 70-200mm f/2.8 @ 98mm — 1/640 sec, f/3.2, ISO 100 — map & image data — nearby photos
I don't recall what it was that set them off, but it didn't take much. They just seemed so easygoing with each other, laughter seemed to come spontaneously.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 200 — map & image data — nearby photos
Proper Form
at the end of the “cleansing” before entering the shrine

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/320 sec, f/2.8, ISO 100 — map & image data — nearby photos
Heading In

Nikon D4 + Nikkor 24-70mm f/2.8 @ 29mm — 1/200 sec, f/2.8, ISO 110 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 28mm — 1/800 sec, f/2.8, ISO 100 — map & image data — nearby photos
Checking Out “Wish Boards”
people write their wishes on these wooden boards

Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
Found a Funny One

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/500 sec, f/2.8, ISO 100 — map & image data — nearby photos
“I wish that stuff I read could happen”

Nikon D4 + Nikkor 24-70mm f/2.8 @ 29mm — 1/320 sec, f/2.8, ISO 100 — map & image data — nearby photos
Laudable
"Practice humility & love. Be thankful for everything & do not be complacent."

Nikon D4 + Nikkor 70-200mm f/2.8 @ 120mm — 1/200 sec, f/2.8, ISO 220 — map & image data — nearby photos
Now This One is Funny...

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/200 sec, f/2.8, ISO 125 — map & image data — nearby photos
“Bye Bye to Donald Trump”

Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/200 sec, f/6.3, ISO 220 — map & image data — nearby photos
Silly Pose
I dunno. Worth a try. For me, their laughing at it makes it.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 105mm — 1/1250 sec, f/2.8, ISO 100 — map & image data — nearby photos

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1000 sec, f/2.8, ISO 100 — map & image data — nearby photos
Heading Out

Nikon D4 + Nikkor 70-200mm f/2.8 @ 82mm — 1/800 sec, f/2.8, ISO 100 — map & image data — nearby photos
Cooling Down
Nghia cools Minh with her little electric fan

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/1250 sec, f/2.8, ISO 100 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/1000 sec, f/2.8, ISO 100 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 48mm — 1/200 sec, f/2.8, ISO 125 — map & image data — nearby photos
“Pretend the Moss is Interesting”
my instructions on this shot

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/320 sec, f/2.8, ISO 100 — map & image data — nearby photos
This Wall Is Interesting
it appeared on my blog nine years ago in “Burning Relief”
(thank goodness it was cloudy, or Minh's new ring would have set the wall ablaze again)

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/4, ISO 400 — map & image data — nearby photos
Entering Murin'an
a quiet garden not spoiled by throngs of tourists

Nikon D4 + Nikkor 24-70mm f/2.8 @ 55mm — 1/200 sec, f/2.8, ISO 280 — map & image data — nearby photos
Amidst Lush Moss

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 720 — map & image data — nearby photos
Watch Your Step

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 320 — map & image data — nearby photos
Lovely View

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 800 — map & image data — nearby photos
Simple Interior
It turns out that this last photo is actually part of a wigglegram , which we see in the next post of this series.
Let me tell you about a short, 16-minute exercise that I did a few weeks ago, an exercise that had an incredibly-unproportional impact, leaving me with the worst muscle soreness I'd ever experienced, by a very wide margin. It wasn't until the 13th day after this simple exercise that I got through the whole day without feeling its painful effects.
This exercise, which involves nothing more than simple bodyweight squats, was introduced to me with the name “Death by Squats”.
It's simple: Start a timer, then do two squats during the first minute, at whatever pace you like. During the second minute, do four squats, then six, then eight, and so on, increasing by two squats every minute until you can't perform all a minutes' requisite squats.
Generally speaking, I've got strong legs. I do a lot of long-distance cycling (100+ miles at a time), and many lessons at the gym include squats and lunges. It's common to do 50+ squats as a small part of an hour's routine. No big deal.
However, a lot has conspired to drive my fitness level down this year. In imagining what this exercise might be like, I thought that 40 squats in a minute wouldn't have been much of a challenge last year when I was in my best shape, but knew that I'd probably not get to that point (the 20-minute mark) in my current condition. Anyway, I gave it a try.
The “whatever pace you like” naturally meant for me that I'd do them quickly, then rest for the remainder of the minute. At first it felt silly, as the first minute's squats are done in three seconds, so I just stood around waiting for the next 57. Actually, during the early stages, I filled the waiting time with some simple tidying, such as putting laundry away. Such was how unchallenging the start was.
I was still fine by minute 10, finishing its 20 squats in about 25 seconds. At this rate, the 20-minute mark didn't feel so far away. But oh, how my hubris would soon be revealed. The insidious nature of this exercise is that while the amount of work increases, the amount of rest decreases.
Soon I was struggling. I was also struggling to keep my balance in the pool of sweat that had formed on the hardwood floor under me.
As fatigue slowed down my pace, the ever-increasing number of squats left less and less time to recover, and I finished the 15th minute's 30 squats with less than 10 seconds to catch my breath. I knew I'd never finish 32 squats in the next 60 seconds, but thought I should at least try to see how far I got. I finished 26 of them. Having failed to do the allotted number, I was done.
All in all, I'd done 266 squats in 16 minutes.
My legs were absolute jelly. I'd experience this while cycling, such as after an explosive effort on a short climb, but in those cases control would return in a few minutes. This time, I was still shaky in the evening, 12 hours later.
The muscle ache the next morning was monumental. Every movement hurt, giving me a certain “that must have been great exercise” satisfaction. In the past, muscle aches the next day are helped by light exercise, just to get the juices flowing, so I went out on very light bike ride. Oddly, I could cycle just fine, but when I got off my bike I could barely move without crippling pain.
I'd hoped that the light movement would have helped relieve the muscle ache, but the pain on the 2nd day after was unlike any I'd ever experienced. And on the 3rd, it was almost unbearable. I literally couldn't stand from a chair (or from the toilet) without plotting tactics on how to support myself on the way up. Attempting to walk down a set of steps was frightening, even while holding the rail, as I simply lacked the physical control to guarantee the legs wouldn't buckle.
Somewhere around this time I started to feel that the name “Death by Squats” wasn't as appropriate as “Suicide by Squats”, since it's something I did to myself. But then I realized that even more appropriate would be “Botched Suicide by Squats”, since I wasn't actually dead and so I was feeling pain and paying the price from what I'd attempted.
Sadly, “Botched Suicide by Squats” doesn't roll off the tongue so well, so “Suicide by Squats” it is.
The 3rd and 4th day after were the worst, but then it started getting better. The 13th day was the first that I felt no effects.
I have no explanation for why such a short little exercise had such a dramatic impact. It'll be interesting to see whether I see the same results next time.
Update... workout log:
#1 | 266 squats over 16 minutes |
#2 | 373 squats over 19 minutes ← new record |
#3 | 457 squats over 21 minutes ← new record |
#4 | 388 squats over 20 minutes |
#5 | 457 squats over 21 minutes |
#6 | 494 squats over 22 minutes ← new record |
#7 | 452 squats over 21 minutes |
#8 | 460 squats over 21 minutes |
#9 | 503 squats over 22 minutes ← new record |
#10 | 516 squats over 23 minutes ← new record |
#11 | 505 squats over 22 minutes |
#12 | 484 squats over 22 minutes |
#13 | 540 squats over 23 minutes ← new record |

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Alexis Turcas
in the mountains northwest of Kyoto, Japan
Alexis, a cycling Frenchman living in England, contacted NORU for a private bike tour around the far-flung mountains of Kyoto. Joshua set him up with a bike and took him around, while I tagged along for photos.

Panasonic LX100 at an effective 28mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Making Our Way
through quiet streets towards the mountains

Panasonic LX100 at an effective 24mm — 1/1000 sec, f/5.6, ISO 200 — map & image data — nearby photos
Side Loop
through the Myoushinji Temple Complex (妙心寺)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Obstacle Course

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Greeting Some Schoolchildren

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Minor Little Lane

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Along Hirosawa Lake
a lake seen in this post a couple of years ago

Panasonic LX100 at an effective 25mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Rice Looks About Ready
for harvest

Panasonic LX100 at an effective 25mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Bit of Bamboo

Panasonic LX100 at an effective 25mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Ugly Trees
but they'll make nice ornamental lumber

Panasonic LX100 at an effective 25mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Quaint Area
north of Arashiyama

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Quintessential Photo Op
in front of a restaurant coincidentally featured prominently
in this week's NHK's Core Kyoto episode “Ayu Sweetfish”
Right after this photo is the first real test of cycling ability, a short, steep climb that averages 10% over 760m (half a mile), but has some 17% sections.
When you're contacted out of the blue by someone for a bike ride, you're not really sure of their level and what would be appropriate/fun/challenging/daunting for them, so this initial climb would be a bit of a “trial by fire” to gauge someone's level.
In this case, Alexis' demeanor on the bike on the steepest sections remained unchanged from when casually cruising among the flat rice fields, as if the effort that was a challenge for me was not at all an effort for him. He seems ridiculously strong, but not particularly interested in using that strength during this ride. This was lucky for me, because the subsequent longer climbs that he was happy to just casually enjoy ended up at a pace that I could, with effort, maintain.

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Enjoying the Views
on the short descent after that initial climb

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
Very Twisty Very Steep

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 400 — map & image data — nearby photos
Challenging
to photograph on the move on this steep a descent
( taken at 13 kph / 8 mph )

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 250 — map & image data — nearby photos
Bottoming Out

Panasonic LX100 at an effective 24mm — 1/100 sec, f/1.7, ISO 3200 — map & image data — nearby photos

Panasonic LX100 at an effective 28mm — 1/200 sec, f/3.2, ISO 200 — map & image data — nearby photos
More Views
above Japan Rail's Hozukyo Station

Panasonic LX100 at an effective 24mm — 1/1000 sec, f/3.2, ISO 200 — map & image data — nearby photos
Entering a Small Village

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2, ISO 200 — map & image data — nearby photos
Steep Section
he looks much more relaxed than I do, let me assure you

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 250 — map & image data — nearby photos
Top of the Atago Climb

Panasonic LX100 at an effective 30mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Terraced Rice Fields
a lovely view seen better in this shot from the other day

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Doesn't Look Like It, But...
this was taken at 57 kph (35 mph)

Panasonic LX100 at an effective 24mm — 1/100 sec, f/1.7, ISO 3200 — map & image data — nearby photos

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Crossing Hiyoshi Dam
with the “velodrome” in the background

Panasonic LX100 at an effective 24mm — 1/250 sec, f/3.2, ISO 200 — map & image data — nearby photos
“足湯” (ashiyu)
foot hot-spring

Panasonic LX100 at an effective 24mm — 1/60 sec, f/8, ISO 200 — map & image data — nearby photos
Heading Back
into the mountains

Panasonic LX100 at an effective 24mm — 0.4 sec, f/8, ISO 200 — map & image data — nearby photos
Finally
finally a photo that captures what a steep climb feels like
( it's easy to inadvertently bump the settings on my cycling camera )

Panasonic LX100 at an effective 24mm — 1/5 sec, f/8, ISO 200 — map & image data — nearby photos
Another
camera-setting mistake

Panasonic LX100 at an effective 28mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
mu +sports!
mimicking Joshua's sales-pitch pose from this spot two years ago

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 400 — map & image data — nearby photos
Lovely Little Climb
taken during a short descent section at 55 kph (34 mph)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.8, ISO 200 — map & image data — nearby photos
taken at 44 kph (28 mph)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Drink Refill

Panasonic LX100 at an effective 35mm — 1/125 sec, f/2.3, ISO 1000 — map & image data — nearby photos
Drink Refill
of a more-natural kind

Panasonic LX100 at an effective 44mm — 1/125 sec, f/2.6, ISO 400 — map & image data — nearby photos
Descending “Nasty”
notice the 21% Grade sign in the background

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 640 — map & image data — nearby photos
Fringe of the City
just outside of Shouzan (しょうざん)

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Almost Done
passing by the Kitano Tenman-gu Shrine (北野天満宮)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Safely Back
to NORU
All in all, Alexis had done 89km with about 1,750m of elevation gain. He seemed to have enjoyed his time, and I enjoyed both his company and that I didn't slow them down too much.
After Alexis bid us farewell, Joshua and I headed east across the city heading to our respective homes...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Shortcut
across the grounds of the Kyoto Imperial Palace (京都御所)
Here's my full ride at Strava:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/200 sec, f/2.8, ISO 2000 — map & image data — nearby photos
Hi!
Minh and Nghia, at Nanzen Temple (南禅寺), Kyoto Japan
I did a fun photoshoot today with Minh and Nghia, vacationing from San Jose, CA.
We're all American, but they had almost as much trouble with my German-ancestry name as I did with their Vietnamese-ancestry names. Her name is pronounced “min”, like the start of “Minnie Mouse”. His sounds like “knee-ah”.
I literally haven't seen more than a smattering of the photos I took, but throwing a few darts at my Lightroom catalog brought up a few I can share right away.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/200 sec, f/2.8, ISO 320 — map & image data — nearby photos
At the Murin'an Garden
They started their vacation as a celebration of five years together, but Nghia had loftier plans...

Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/2.5, ISO 100 — map & image data — nearby photos
New Bling

Nikon D4 + Nikkor 24-70mm f/2.8 @ 48mm — 1/200 sec, f/2.8, ISO 640 — map & image data — nearby photos
Wishes
for a happy future

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/1250 sec, f/2.8, ISO 100 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 1600 — map & image data — nearby photos

Nikon D4 + Nikkor 70-200mm f/2.8 @ 110mm — 1/1250 sec, f/2.8, ISO 100 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 29mm — 1/200 sec, f/2.8, ISO 250 — map & image data — nearby photos

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Such a Lovely Day to be Outside
main gate of the Heian Shrine, Kyoto Japan
I had an enjoyable bike ride of exploration around the nooks and crannies of Ohara the other day, so I thought I'd share some photos. Here's the ride at Strava:
The impetus for this ride was to check out some of the minor roads I'd seen on 路面と勾 配 (literally “road surface and slope”), a blog full of reports on exceedingly-minor mountain roads, each replete with detailed photos and commentary. He's got well over 1,000 such reports so far.
I spend a fair amount of my time updating OpenStreetMaps based on his
articles. These are the maps used by Strava,
Galileo Offline Maps (Name changed Feb 2019 to Guru Maps), maps.me, and many others, so where I've done this these maps are more accurate
than Google Maps.

iPhone 7 Plus + iPhone 7 Plus back camera 6.6mm f/2.8 at an effective 57mm — 1/590 sec, f/2.8, ISO 20 — map & image data — nearby photos
Long Line
waiting for lunch at a restaurant near my house
( the restaurant must be in some kind of tourist guide to get a line like this )
Once I got out of the city, I tried to take any little street that looked like it might go somewhere. Usually they didn't.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
Dead End
above the main road I've taken dozens of times

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
A Pleasant Shortcut
taken at 20 kph (12 mph)

Panasonic LX100 at an effective 38mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Hand-Made Tobidashi-kun
Reminding drivers that children sometimes dash out,
and reminding children not to.
Before heading out, I scoured the satellite view in Google Earth for things that looked interesting, such as this recently-built dam with a road that wasn't on any map:
The approach road, though, was paved only so far, and then I ran into gravel:

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Rocky Road
I knew from the satellite view that it would become paved again, but I didn't have all that much time, so I decided to defer. Plus, I knew there were two other potential approaches to the dam road, so I went to try them...

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Also Not Paved

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
This One Neither
Continuing on, I came to another location I'd spotted via Google Earth, a place I'd ridden by dozens of times without ever noticing....

Panasonic LX100 at an effective 32mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Looks Steep
taken at 16 kph (10 mph)

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Entrance to the Sairin-ji Temple
西林寺
Let's head on up to the first corner...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
That's Steep
but the road surface is just dandy

Panasonic LX100 at an effective 24mm — 1/1000 sec, f/5.6, ISO 200 — map & image data — nearby photos
Looking Up Around the Corner
it's no less steep, but the road surface becomes much worse

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Yikes
Next time I'll use the flat stripe along the wall

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Another Corner
this is about the halfway point, it turns out

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Looking Back to the First Corner

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Looking Back
to the second corner
Until this point the average grade is just over 25%, but it flattens out a bit around one more corner, eventually reaching the temple...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Looking Back at the Road
after having arrived at the top

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Sairin-ji Temple (西林寺)
Because it flattened out at the end, the full climb from the road averages only 22.1% over its short-but-sweet distance of 150m. It's a little longer and a little steeper than the “Nasty” hill in Kyoto.
Sadly, Strava no longer allows one to create that-short a segment. The shortness of the segment, combined with the impreciseness of GPS tracking that non-geek athletes don't really understand, probably results in too much burden on their customer-service department, so they just disallow them now. One Stava user got around the problem by extending the distance to include 170m of the run-up to the climb in the segment, creating the “for Sairinji Climb” segment. Better than nothing. I'm the third Strava user to have made the climb.
I continued on my way to putz around the minor streets. One paved street ended at a little cemetery.
The road continued into the woods, but unpaved...

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Continues Unpaved
as seen on the minor-road blog.
The maps I consulted indicated that in one area I should find some tennis courts, and indeed I did...

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
These Tennis Courts Exist
... but the road that they indicated should have exited from the area, not so much:

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Not a Road
despite what the maps said

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Somewhat Nervious Tobidashi-kun

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Still Wearing His PJs?
I finally made my way to the main road I wanted to check out, the driveway to a temple. I'd often stopped by the pretty area where the driveway meets the road, but it seems I've posted about it only once, here.
For some reason I thought the driveway was off limits to all but pedestrians, but after seeing the report on the minor-road blog, I knew it was okay. There's a parking lot up there.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 320 — map & image data — nearby photos
Heading In

Panasonic LX100 at an effective 24mm — 1/100 sec, f/1.7, ISO 200 — map & image data — nearby photos
Looking Back
from near the start

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 500 — map & image data — nearby photos
Steep and Mossy
Let me say up front that when it's dry, as it was when I was there, the road is perfectly fine to ride up and down.
But the moss on the edges would make me very wary to take this road were it wet. Still, this road is nowhere near as bad as the road to the Ushio Kannon Temple, which is scary-slippery in the best of times.

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 250 — map & image data — nearby photos
End of the Road

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 500 — map & image data — nearby photos
Heading Back Down

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Different

Panasonic LX100 at an effective 43mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Looks Inviting
“Beer 320 yen” (about US$3)

Panasonic LX100 at an effective 37mm — 1/80 sec, f/2.4, ISO 500 — map & image data — nearby photos
Approaching Tobidashi-kun “K”
In his article on this road, the author of the minor-road blog noticed that this tobidashi-kun has a “K” on it, and wondered what it meant...

Panasonic LX100 at an effective 25mm — 1/125 sec, f/1.8, ISO 640 — map & image data — nearby photos
この飛び出し君の「K」は「けん」という現地の子供の意味です。
けん君の父親はこの飛び出し君を作った。
So I asked a local, and it turns out that I was talking to the grandmother of a “Ken”, a young child that lived there. His father had made the tobidashi-kun, so added a “K” for his son's name. The lady went on to explain that people steal these things (“geez, how rotten do you have to be?”, I thought), so the father thought to personalize it in the hopes that no one would take it.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Ken
small child on the push-bike in the center of the (dead-end) road
道の中にいる子供はけん君です

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Another Non-Paved Road
that I'll leave to others to explore

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
I Dunno
what this is
All in all it was a pleasant ride. I returned home to find that I'd whittled another second off my best time on this sprint segment, having taken advantage of a partial tailwind. That puts me tied for seventh out of 1,327 people. Now if I can just shave a few more seconds off....