Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 6400 — image data
Final Adjustments
adding new hooks so that it can be worn even more snugly
チュチュのサイズの調整。Sサイズでも大きすぎる。
Fumie had her annual fall ballet recital yesterday, and it was amazing. Sadly, no video was allowed this time, but she's really progressed in technique and presentation. She is a real ballerina.
She did the technically-demanding “Swanilda” variation from Coppélia's act three, wearing this:
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/5.6, ISO 4000 — image data
Fumie's Pancake Tutu
昨日、妻はこのチュチュを着て踊りました。美しかった。
この記事は長いですが、簡単な要約すると、新しいサイクリング用の靴を慣れてきました。
It's been a couple of weeks since I posted “Trepidation and Anticipation: Moving Up to Cycling Shoes”, which opens with the same photo seen above, and in which I admit my anxiety of riding with shoes that physically clip to the bike's pedals. The fear arose from not being able to put my food down in an emergency, thereby causing me to fall over, perhaps on nasty rocks or at high speed, or, even worse, in front of friends.
Prior to this change, since I first got bitten by the cycling bug in January, I'd ridden 2,978km (1,850 mi) with normal shoes, which is roughly the straight-line distance from San Francisco to Chicago, though with an accumulated 50,507m of elevation gain, what I've actually done has exceeded that hypothetical route by almost an order of magnitude. This is not very much compared to many cyclists around here, but it's a lot for someone like me and I'd grown comfortable with how I was doing things.
Here's how I used to ride:
DMC-SZ9 at an effective 28mm — 1/250 sec, f/3.3, ISO 800 — map & image data — nearby photos
Rodeo-Clown Style
with normal sports sneakers
photo by Manseki Kanemitsu (May 14 2015)
This is from a 60km outing to the mountains of Uji in May, one of the many days of exploration on the bike that I've not been able to write about yet.
There are great benefits to wearing normal shoes when cycling, the greatest of which is the ability to immediately (and without thought or effort) move your feet from the pedals and place them on the ground, saving you from unceremoniously crashing over or into something.
But the ability to walk normally when not on the bike is also a great benefit...
DMC-SZ9 at an effective 58mm — 1/640 sec, f/4.2, ISO 100 — map & image data — nearby photos
Moving From a Dead-End Path
photo by Manseki Kanemitsu
In the photo above I'm climbing up an embankment separating the dead-end path I'd mistakenly taken from the main road I should have been on. The steep climb on slippery grass was difficult enough with the ultra-grippy workout shoes I was wearing, so I can imagine it would have been extremely challenging with hard-soled cycling shoes with smooth-plastic soles suffering from a big cleat-wart on the front. On the other hand, such an attempt would have certainly been humorous fun for those watching.
Later on the same trip, while riding a mountain trail, we stopped at an observation deck, while walking around I didn't have to hobble around.
DMC-SZ9 at an effective 26mm — 1/200 sec, f/3.1, ISO 160 — map & image data — nearby photos
photo by Manseki Kanemitsu
Road-bike cycling shoes are meant for riding the bike, not walking around. The cleat bolted onto the bottom of the sole under the ball of the foot makes for an awkward hobble at best.
Later we got some bad directions and ended up walking down a mile of steep mountain trail...
Nikon D700 + Sigma 35mm F1.4 DG HSM — 1/1250 sec, f/6.3, ISO 1400 — map & image data — nearby photos
It was no problem for me with my sports shoes, but others had to pick and choose their steps much more carefully.
Nikon D700 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/11, ISO 6400 — map & image data — nearby photos
Avoiding the Gravel-Puncture Gods
I realize that I'm new to cycling, but somehow I think they're not doing it quite right...
So, given the advantage to normal shoes, why would anyone physically clip oneself to the bike pedals?
The reason that I heard most often from those that did it (which is pretty much everyone else that I ever road with) is that it made them feel safer and more efficient.
The “safer” comes from not having to worry about slipping off the pedals, and that does sound appealing. I'm not quite sure how or why it happens, but when going up very steep sections of road, I'd have one foot slip off on average perhaps one time a day. At best this was jarring, but sometimes could be painful as my shin hits the pedal or delicate parts slam into the bike.
In any case, I intended to give them a try, and as I wrote I was quite nervous at the idea. I gave them a short little try, and came up with “Gave The Cycling Shoes a Try; Wasn’t So Bad”.
Two weeks have passed, and I've ridden a total of 523km with them.
The first long mountain ride with them, reported on in “Clipped In: Baptism By Fire, But Feeling Well Satisfied”, helped me get over a certain part of the fear, including some of the fear of falling over if I can't unclip quickly enough. Because I did fall over once for exactly that reason, and didn't get hurt to badly, I realized that it wasn't necessarily the end of the world.
Panasonic LX100 at an effective 24mm — 1/100 sec, f/8, ISO 3200 — map & image data — nearby photos
Still Alive
after having fallen over due to an inability to unclip quickly enough
Perhaps my biggest steps forward came a couple of days later with this 83km (52mi) mountain ride with Manseki. We'd originally planned to do a simple, light ride just to get our mojo back after having been away from the bike while having our respective summer vacations, but we ended up doing so much more.
First I learned that you don't actually have to keep both feet clipped in all the time. We'd met for the ride here in town at Kyoto's Nijo Castle, which involved some slow riding through crowds on sidewalks, and I was scared to death of having to suddenly stop my already-slow progress because of someone making a sudden change of direction, but Manseki told me he always keeps one foot unclipped in such situations. This was an enormous relief, and made things much easier.
For our ride, we decided to man up and climb over Hanase Pass (花背峠) to have coffee at Cowbell, a ride I've done before described here. I have a love/fear of the climb to Hanase Pass, 5.6km (3.5mi) of unrelenting steepness that has no flat or downhill parts. I've done it many times but I still feel slightly ill right before each attempt, simply at the prospect of subjecting myself to the climb.
But I made it without stopping or falling over, and that certainly gave me extra confidence.
After coffee, we decided to try the climb to Momoi Pass (百井峠), and again, my level of trepidation spiked. The distance of this climb is short — just 1.2km (0.75 mi) — but the average slope is over 11% and the average for the main 600m of it is over 15%.
In fact, the only other time I'd even attempted this soul-crushing hill, I ended up walking the whole way to accompany a friend who was new to riding clipped in and fell over, right in front of me, at the steepness at the start of the climb. This instilled a lot of fear in me, both of riding clipped in, and of that particular climb.
So, buoyed by my success at Hanase Pass, I decided to confront my feat of Momoi Pass head on.
It was much more brutal that I remember from walking up it some months prior, so much so that I quickly decided to abandon my policy of not using my smallest (of three) front chain rings. A real road bike, when I get one, won't have such an easy gear, so I've been trying to do all my rides without. But this attempt was way too much and I wasn't sure that I could do it even with the easy mountain-bike gearing. Thoughts of falling over onto the horribly-potholed road filled my mind as I decided to downshift to my bike's easiest gear.
In trying to downshift on the slow, steep climb, the chain popped off and I came to an immediate halt. This was exactly one of my main fears of riding clipped in. No forward movement means that you fall over immediately, and this is what happened... except somehow — I have no idea how — in that split second the frantic spasms of my foot freed itself from the clip and I could put my foot down, avoiding the fall that my mind had already decided was a foregone conclusion.
I put the chain back on and continued on up without further incident. Surviving the chain incident, and making it to the top of Momoi Pass, did wonders for my confidence.
That day's ride, which I hope to eventually write about separately, then took us through some wonderful countryside that was new to both of us. At times I forgot that I was riding clipped in, and the sudden re-realization of it would bring a shot of adrenalin and minor fear. I'd been told many times that the biggest chance of falling was when idly coming to a stop and not unclipping because you simply forgot you were clipped in. I could now see how this was entirely possible.
Some of the wonderful mountain roads we took had the nasty combination of steepness and slipperiness (due to wet mossy/green stuff)...
Panasonic LX100 at an effective 72mm — 1/100 sec, f/2.8, ISO 3200 — map & image data — nearby photos
Fun Little Hill Covered With Moss
120m of 19% to start a 700m section averaging 12%
There's a real chance of the entire wheel slipping when applying power up these steep grades, so being able to complete this without falling over, despite the occasional slip, also added confidence.
Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 1000 — map & image data — nearby photos
Slippery 'n Slimy
The return climb up the other side of the same pass is even steeper, and is even more mossy (similar to the photo above, which is of a flat section elsewhere on the road). Confidence goes up again.
The next ride was “Bridget and Sarah’s Tour-de-Kyoto”...
DMC-SZ9 at an effective 30mm — 1/200 sec, f/3.3, ISO 100 — map & image data — nearby photos
photo by Manseki Kanemitsu
On this 100km ride I noticed two changes:
- No longer did I get a shot of adrenaline when I suddenly remembered that I was clipped in.
- I often found myself chatting at stops without any conscious memory of having unclipped.
This told me that I was now comfortable with the shoes in “normal” situations.
This was great, meaning that I had passed through the “slowly roll to a stop and fall over because you forgot to unclip” danger stage, which for me turns out to have been just one ride.
But at times I ride in situations that are not normal, such as this ridiculously steep hill:
DMC-SZ9 at an effective 26mm — 1/400 sec, f/3.1, ISO 100 — map & image data — nearby photos
Heading Up “Nasty” While Clipped IN
photo by Manseki Kanemitsu
I've written about this hill in “Kyoto’s Nasty 21% City-Bike Hill Climb”.
I can do this climb nonstop in my bike's easiest mountain-bike gearing, though it's a different matter to be able to do it and have to do it. I was hesitant (frankly, scared), but I switched to the easiest gear and gave it a try while clipped in. It turned out to be no problem.
In the past I've been able to do this with 28F 23R gearing (1:1.22 ratio), so in theory I should be able to do it while clipped in on the new bike I've ordered, whose easiest gearing is 36F 32R (an easier 1:1.13 ratio), but I'm sure that the stress and fear of being clipped in will play a part, perhaps for the better or perhaps for the worse. We'll see.
My next ride was the next day, again with the two visiting Aussies. It turnd out to be mostly a repeat of the ride a few days ago with Manseki where we did Hanase and Momoi Passes.
Panasonic LX100 at an effective 24mm — 1/100 sec, f/1.7, ISO 200 — map & image data — nearby photos
Feeling Confident
11:25 AM (from start: 3h 45m / 34 km / 20.9 miles)
This time up the feared Momoi Pass, I made sure to get into my lowest gear early on, so I didn't have any chains popping or falling over, and I could do it nonstop.
It remains to be seen whether I could do it on a road bike with normal gearing. Among our group that day, I think Bridget was the only one who could.
The next ride was an easy 108km round trip to Osaka. There are no hills, so nothing to challenge my remaining fears.
Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
No Worries
photo by Manu Mohan
Finally, my most recent ride was the most awesomely epic awesome bit of epicness seen in “Epic Cycling Adventure with Andy and Nigel”. The original plan was less ambitious overall, but did include what for me was a scary challenge: to try again the eastern climb to Maegahata Pass (前ヶ畑峠), the main brutal part of the climb seen in July's “My First Ascent of The Most-Heinous Momoi Pass East”.
It includes some truly heinously steep sections, and is long. I worried that I simply wouldn't have the power and endurance to do the whole thing in a road-bike gear, but I wanted to try. I needed to try. If I couldn't do it, I'd rather fall with my current bike than with the new one.
I took it slowly but surely, and made it. I was slower than last time, but in a more difficult gear and clipped in, so I'm satisfied.
From there we decided to head north, and ended up on an epic journey. I had a chain pop off again (and again somehow didn't fall), a flat tire (my second ever), and a lot of fun.
Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 200 — map & image data — nearby photos
Descending Ogose Pass (尾越峠)
photo by Andy Clark
Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 1000 — map & image data — nearby photos
This Road Is Passable
I can't figure out why the sign said “Road Closed”
I've still got the fear of super-steep roads in a road-bike gear, but maybe a few attempts (and perhaps a few fall) will cure me of that. In any case, that aside, I'm pretty comfortable with the shoes.
I'm also happy to find that I can still use the special pedals (Shimano Dura-Ace) with normal shoes, such as when I used the bike to pop over to church for Mass. That's a nice bonus.
FYI, I've just updated the page for my Photoshop calendar-template-building script to include pre-built PSDs for 2016 (and 2017, 2018, 2019, and 2020), in case you can't run the script but have Photoshop and want to make some custom calendars.
This post picks up from “Bridget and Sarah’s Tour-de-Kyoto, Part 1” about a great ride with a couple of Aussie girls visiting Kyoto. That first part of the story left off 3½ hours and 41km into our ride, after Eric had fixed his flat.
We got almost four whole minutes farther down the road before the next flat, this time on Sarah's bike.
Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 1250 — map & image data — nearby photos
Sarah Goes to Work on Her Flat
Despite the rain, things got bright after that because we didn't get another flat for almost a full 30 minutes!
Panasonic LX100 at an effective 24mm — 1/640 sec, f/1.7, ISO 200 — map & image data — nearby photos
Flat Roulette Picks Bridget
Panasonic LX100 at an effective 24mm — 1/1000 sec, f/1.7, ISO 200 — map & image data — nearby photos
The Culprit
the thorn from a bush plucked from her tire
Panasonic LX100 at an effective 24mm — 1/1000 sec, f/1.7, ISO 200 — map & image data — nearby photos
Scenery
at least we had some for this tube change
The rain abated a bit, so later when after having crested a short mountain pass, I went ahead to try to set up for an “action shot” of the others coming down...
Panasonic LX100 at an effective 70mm — 1/125 sec, f/2.8, ISO 1600 — map & image data — nearby photos
Bridget “Action” Shot
Unfortunately, the whole “come down one at a time” idea seems to have been lost in the translation, because Sarah came down so quickly after Bridget that I had almost no time to prepare for her shot...
Panasonic LX100 at an effective 70mm — 1/125 sec, f/2.8, ISO 800 — map & image data — nearby photos
Fuzzy Sarah
... and Eric came even more quickly after Sarah ...
Panasonic LX100 at an effective 70mm — 1/125 sec, f/2.8, ISO 320 — map & image data — nearby photos
No. Time. To. Unzoom.
And by the split second later when Kumiko came by, I gave up even trying.
After that we had a while to ride on generally-flat country roads...
Panasonic LX100 at an effective 24mm — 1/160 sec, f/1.7, ISO 200 — map & image data — nearby photos
Still Looking Fresh
51km (35mi) into the ride
taken while cycling at 20 kph (12 mph)
Panasonic LX100 at an effective 30mm — 1/800 sec, f/2.2, ISO 200 — map & image data — nearby photos
Pleasant Side Road
taken while cycling at 25 kph (15 mph)
Panasonic LX100 at an effective 24mm — 1/1250 sec, f/1.7, ISO 200 — map & image data — nearby photos
Pink Roadside Flowers
taken while cycling at 25 kph (16 mph)
Panasonic LX100 at an effective 24mm — 1/1000 sec, f/1.7, ISO 200 — map & image data — nearby photos
Sarah Flat #2
Sarah's first flat had been due to a tear in the sidewall of her tire, which left the new tube vulnerable to puncture, and sure enough she got another flat. We had plenty of spare tubes among us as a group, but since Sarah and Bridget had deep-rim wheels, none of our short-stem tubes would work for them.
So, they made do as best they could patching the punctures on the tubes they had, and using patch kits (and candy-bar wrappers) to try to add support where the tire had ripped (support to stop the rubber of the tube from trying to squeeze out under the intense pressure of inflation.)
DMC-SZ9 at an effective 26mm — 1/500 sec, f/3.1, ISO 100 — map & image data — nearby photos
Picturesque Old Farm House
more nice scenery
photo by Manseki Kanemitsu
DMC-SZ9 at an effective 26mm — 1/200 sec, f/3.1, ISO 100 — map & image data — nearby photos
World's Most Annoying Dog
this dog barked angrily nonstop while we were there,
even while the lady of the house was being obviously friendly with us
photo by Manseki Kanemitsu
The only plausible reason that I can come up with for the dog to be that gratuitously annoying is that at least one member of our group must have been a space alien masquerading as a human, and the dog noticed and was trying to sound the alarm. I wonder who it was.
Panasonic LX100 at an effective 67mm — 1/800 sec, f/2.8, ISO 200 — map & image data — nearby photos
Serving-Tray-Sized Leaf
collecting rain water across the street from the annoying dog
Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
On The Road Again
taken while cycling at 22 kph (14 mph)
Panasonic LX100 at an effective 75mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
We've Lost Count
photo by Eric Findlay
Panasonic LX100 at an effective 56mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
Approaching the Joshokoji Temple
the last 50m are a doozie
With all the tire troubles we cut short the intended route and instead popped over to the Joshokoji Temple (常照皇寺), which has been seen on my blog a few times including this introduction and this snowy photo shoot. It's far out in the middle of nowhere, so doesn't see a lot of tourists.
Panasonic LX100 at an effective 37mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Explaining Something or Other
DMC-SZ9 at an effective 26mm — 1/250 sec, f/3.1, ISO 160 — map & image data — nearby photos
Sarah and Something or Other
photo by Manseki Kanemitsu
Panasonic LX100 at an effective 44mm — 1/125 sec, f/2.6, ISO 200 — map & image data — nearby photos
Heading Up
Sarah is a white smudge in the middle of the frame
Just as Sarah was starting up the long flight of steps, Bridget asked her to step aside so that she could get a clean shot, but Sarah didn't hear her and so not realizing she was blocking anyone's shot, took her sweet time to enjoy the pleasant stroll up, leaving Bridget to laughingly complain in mock anger the whole time.
Panasonic LX100 at an effective 31mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Not Waiting Any More
Panasonic LX100 at an effective 24mm — 1/25 sec, f/1.7, ISO 1600 — map & image data — nearby photos
Inside the Sanctuary
it's actually much darker than it looks in this photo
This is the only temple I know that allows photography inside the sanctuary (or whatever it's called; I'm not sure of the proper term).
Panasonic LX100 at an effective 29mm — 1/125 sec, f/2.1, ISO 2500 — map & image data — nearby photos
In Another Building
with many antique items on immediate display
Panasonic LX100 at an effective 30mm — 1/80 sec, f/2.2, ISO 3200 — map & image data — nearby photos
Lighting a Candle
Panasonic LX100 at an effective 24mm — 1/30 sec, f/1.7, ISO 3200 — map & image data — nearby photos
Older Form of Transportation
tiny palanquin from a time when people were apparently much smaller
Panasonic LX100 at an effective 29mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
Rear Garden
Panasonic LX100 at an effective 29mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Small Alcove
Panasonic LX100 at an effective 29mm — 1/80 sec, f/2.1, ISO 500 — map & image data — nearby photos
Return Trip Down
Panasonic LX100 at an effective 24mm — 1/2000 sec, f/2, ISO 200 — map & image data — nearby photos
Back on the Road Again
heading in the general direction of home
taken while cycling at 34 kph (21 mph)
It was a simple 40km ride back to the city... how hard could that be?
To be continued...
Panasonic LX100 at an effective 44mm — 1/125 sec, f/2.6, ISO 1250 — map & image data — nearby photos
Epic River Forging
the waterfall is from the road to where the road's been washed out
They said “Road Closed”, but no road is closed on an epic day of epic cycling done epically.
I wasn't originally planning to cycle today, but a hastily arranged plan for a short ride to attempt the most-heinous Momoi Pass (east) while riding clipped in without falling or otherwise stopping.
But in the end no only did I conquer that personal goal, I went on to have the most epic cycling adventure with Andy Clark and Nigel Randell.
The ride was only 100km (62mi) long, with only 1,841m (6,040') of elevation gain, but it was epic and I'm too exhausted this evening to write about it properly. So, for now, just a few highlights...
Panasonic LX100 at an effective 38mm — 1/200 sec, f/2.4, ISO 200 — map & image data — nearby photos
Epic Friendship
lion sheds a tear of happiness to witness such friendship
Panasonic LX100 at an effective 28mm — 1/80 sec, f/2.1, ISO 1250 — map & image data — nearby photos
Epic Selfie
look what impact with a Canyon did to those cars
( and apparently Andy's face )
Panasonic LX100 at an effective 34mm — 1/320 sec, f/2.3, ISO 200 — map & image data — nearby photos
Epic Gravel
We were so close to turning around, but we forged on, to be rewarded with...
Panasonic LX100 at an effective 24mm — 1/640 sec, f/1.7, ISO 200 — map & image data — nearby photos
Epic Elevation
at least for Kyoto; 888m elevation
Minetoko Pass (峰床峠)
Panasonic LX100 at an effective 38mm — 1/80 sec, f/13, ISO 640 — map & image data — nearby photos
Epic Views
during/after a rain
1:48 PM (from start: 4h 43m / 47 km / 29.5 miles)
Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.5, ISO 200 — map & image data — nearby photos
Epic Barriers
it was either this or retrace hours' worth of ride
Panasonic LX100 at an effective 24mm — 1/40 sec, f/11, ISO 1600 — map & image data — nearby photos
Very Epic Socks
“Do Epic Stuff”
Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 1250 — map & image data — nearby photos
Epic Hospitality
we were freezing; she opened the restaurant for us and fed us hot food
Iroha Cafe (いろはカフェ)
Panasonic LX100 at an effective 24mm — 1/80 sec, f/1.7, ISO 200 — map & image data — nearby photos
Epic Washed-Out Road
this is the area before it starts to get bad
We forged a river for a while, until we got to a spot where the road still actually existed under the water, then could more or less ride again, though the water hid some nasty surprises like open drains just waiting to suck us in. I was most worried about falling and getting the camera wet, but we made it.
Panasonic LX100 at an effective 46mm — 1/100 sec, f/2.6, ISO 1250 — map & image data — nearby photos
Epic Riding
back on the road, so to speak
Panasonic LX100 at an effective 24mm — 1/25 sec, f/1.7, ISO 3200 — map & image data — nearby photos
Epic Tunnel Dash
we could go around, but didn't want to take the time
Panasonic LX100 at an effective 24mm — 1/200 sec, f/1.7, ISO 200 — map & image data — nearby photos
Epic Curves
taken while cycling at 38 kph (24 mph)
Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 1250 — map & image data — nearby photos
Epic... Uh.... (never mind)
photo by Andy Clark
now I know what happens when I give my camera to Andy






