
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/320 sec, f/2.8, ISO 100 — map & image data — nearby photos
Honest Life's Work
farmer deep in the mountains of northern Kyoto, Japan
I went out on a leisurely photo-expedition drive the other day with Paul Barr and Anastasiya Bulkavets, whom Paul and I met a couple of years ago in a story I've been meaning to tell, during this outing when she happen to recognize Damien and his red hat from having seen them on my blog. We all occasionally get together since.

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/2.5, ISO 100 — map & image data — nearby photos
Anastasiya
out of focus, sorry, 'cause I was focusing on what was inside the rusty wheel

Nikon D4 + Voigtländer 125mm f/2.5 — 1/200 sec, f/5.6, ISO 6400 — map & image data — nearby photos
Inside the Rusty Wheel

Nikon D4 + Voigtländer 125mm f/2.5 — 1/125 sec, f/5.6, ISO 6400 — map & image data — nearby photos
Hungry Babies

Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/5.6, ISO 100 — map & image data — nearby photos
Mommy Returns with a Tasty Snack
I've lived in this area for more than a decade and have driven in the mountains many times over the years, but until I started cycling through them last year, I didn't really have a sense for locations and connecting roads... all the places in the mountains were just “in the mountains”, and I relied on my having geoencoded photos to be able to recall where something was or how to get there.
But now that I cycle through these mountains all the time, I'm intimate with the roads and what they connect, and the world is a much smaller place.
It was interesting to see some of these roads from the car.
To get to this first stop, we drove up through Ohara and onto the small mountain road that goes to Momoi Pass, a heinously-steep route that I first cycled in July. At least it's steep for me... toward the end of its 7km length it has a 1.2km section at an average of 12%.
It was much easier in the car.
We stopped at a small village with no services of any kind, except for one hidden drink vending machine, and a very old phone booth:

Nikon D4 + Voigtländer 125mm f/2.5 — 1/200 sec, f/2.5, ISO 180 — map & image data — nearby photos
“Phone · Telegraph”
There's also a nice field of irises that I hoped would be in bloom, but they weren't. Rather, here's a photo from this trip to the same place nine years ago...

Nikon D200 + Nikkor 17-55mm f/2.8 at an effective 25mm — 1/180 sec, f/5.6, ISO 320 — map & image data — nearby photos
Irises In Bloom
9 years ago
Not far away was a small shrine...

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 160 — map & image data — nearby photos
Shikobuchi Shrine
思子淵神社
I go by all the time (this “Entering a Small Village” picture snapped on the fly during one cycle trip was taken just as we passed the shrine) but I had never stopped to check it out.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 58mm — 1/200 sec, f/2.8, ISO 2800 — map & image data — nearby photos
Difficult to Read
“思子淵神社”
even if the paint were fresh, I couldn't read that name

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/125 sec, f/2.8, ISO 6400 — map & image data — nearby photos
Modern Construction
beautiful light

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/4, ISO 6400 — map & image data — nearby photos
This kind of place can be a mixed bag... it is of relatively recent construction, so it lacks the old feeling that provides a certain appeal, yet because it's built simply to serve the local community, its has a level of honesty and purity that the big ostentatious temples and shrines have long abandoned.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 250 — map & image data — nearby photos
Old Tree In Front
Across the way were active small-plot farms, which certainly have an appeal to me.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 48mm — 1/500 sec, f/3.2, ISO 100 — map & image data — nearby photos
Working the Fields
We continued on up past Momoi Pass, then over Hanase Pass and down into the small village at its northern slope.

Nikon D4 + Voigtländer 125mm f/2.5 — 1/320 sec, f/2.5, ISO 100 — map & image data — nearby photos
Little Roadside Temple

Nikon D4 + Voigtländer 125mm f/2.5 — 1/200 sec, f/2.5, ISO 110 — map & image data — nearby photos
Private Footbridge

Nikon D4 + Voigtländer 125mm f/2.5 — 1/200 sec, f/2.5, ISO 140 — map & image data — nearby photos
Some Building
that I normally pass at a breakneck pace

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/320 sec, f/2.8, ISO 100 — map & image data — nearby photos
Another Shrine Entrance
this one I had seen before
The shrine back in the mountains behind this gate made an appearance in “Visiting the Back-Mountain Hiyoshi Shrine with Jon Van Dalen” six and a half years ago.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/500 sec, f/2.8, ISO 100 — map & image data — nearby photos
Someone's House
I'm guessing that this is one homestead, with the original house in the center, the storage kura at left, and a (relatively) modern 2nd-generation house for the now-adult oldest son at right.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 35mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
Cowbell's New Sign
The letters are made of Styrofoam, so it gets broken easily. Compare with the same sign a year ago. Sometimes I'll stop by Cowbell for coffee while cycling, such as on this trip last year. Yet, I'd never noticed the cycle rack they have for road bikes:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
Road-Bike Rack
Road bikes don't have kickstands, so one parks using a rack like this by hooking the seat over the pole, as seen here.
Then the drive brought us deeper into the mountains, where we stopped by a tunnel that I cycle through every so often...

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/7.1, ISO 560 — map & image data — nearby photos
Well, Now that You Mention It
yes, this does look a bit familiar
I was shocked recently when I realized that this bridge/tunnel/bridge combo, which I'd been cycling through without a second thought, is the “Kyoto’s Road to Nowhere” that I posted about nine years ago (and then re-connected with four years ago).

Nikon D200 + Nikkor 17-55 f/2.8 @ 17mm — 1/80 sec, f/4.5, ISO 320 — map & image data — nearby photos
Nine Years Ago
9年前
During both of those visits, the location in my mind was merely “in the mountains somewhere”, so when I started cycling through it on this ride last May, I never made the connection.
The 600m (⅓ mile) bit of road that it bypasses is still as pleasant as it was the first time I took it, so I still have no idea why what must have been such a large amount of money was spent.

Nikon D4 + Voigtländer 125mm f/2.5 — 1/200 sec, f/2.8, ISO 6400 — map & image data — nearby photos
Always Lovely
entrance gate to the Joshokoji Temple (常照皇寺)
We then made our way over to the Joshokoji Temple (常照皇寺), which I first visited four years ago for photography. I've stopped by a few times while cycling, including during Bridget and Sarah’s Tour de Kyoto last fall.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 1400 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/4.5, ISO 2800 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 1000 — map & image data — nearby photos
After while we started back to home, stopping by a shrine that has been on my blog many times...

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 450 — map & image data — nearby photos
Uncharacteristically Green
Iwato Ochiba Shrine (岩戸落葉神社)
The property is dominated with towering ginkgo trees, which are richly yellow in the fall. Here's a photo from early during last fall's season, from “Cycling to Kyoto’s Ochiba Shrine Amid the Fall Colors”...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Early Last Fall
去年の秋
My first visit to the shrine had been five years prior to that, with Paul, as chronicled in “Carpet of Yellow at the Iwato Ochiba Shrine, Deep in the Mountains of North-West Kyoto”. As with all the photos on my blog, the “nearby photos” link under each pictures brings you to other visits to the same place.
Closer back to Kyoto, I showed Paul and Anastasiya a little natural spring that cyclists often fill their water bottles at (as seen here)...

Nikon D4 + Nikkor 24-70mm f/2.8 @ 27mm — 1/200 sec, f/2.8, ISO 1250 — map & image data — nearby photos
When I cycle by, I'll often find folks filling up big jugs in the back of their car, to bring home. I guess the water is supposed to be very good, or blessed, or something. It is tasty, I know.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 52mm — 1/200 sec, f/2.8, ISO 1400 — map & image data — nearby photos
Tasty
This is near the Kyoto Mountain Restaurant “Yama no Ie Hasegawa” that has also appeared many times on my blog. We would have liked to have stopped in, but time had run short. (I made up the visit by stopping in a couple of days ago on the end of this 127km ride with Gorm and Manseki.)
All in all, a relaxing, enjoyable day.
What a wonderful entry. Many thanks for the detailed links and stories in this post; I appreciate that it must have taken quite some time to compose. Never underestimate the brightness your entries bring to others.
Another awesome post! Love the pictures of the countryside. I was wondering, do the ginko trees have any color on them in mid October, or do they usually turn in November with the maples?
The “nearby photos” link brings you to posts at a variety of times throughout the fall, so one can get a sense of when they turn and how long they stay, though I suppose there are year-to-year variations. Of course, this gives an indication only for this site… the trees at a site in the city, for example, likely turn much later. —Jeffrey
Thanks! After looking at past foliage reports, I’ve pretty much given up on seeing any real color in October, but that’s okay–plenty of beauty in green trees too.
i enjoy your blog posts. I took lots of photos with a film camera in 1953-1956 in Japan. All black and white until both Kodak and Fuji came out with color that we had to mail to Honolulu for processing. The cameras were great for that time but are obsolete compared to this digital age.