Nikon D200 + Nikkor 17-55 f/2.8 @ 17mm — 1/180 sec, f/3.5, ISO 800 — map & image data — nearby photos
Path at the Hougon'in Temple
As I mentioned in my previous post, I made a rain-drenched visit to the Hougon'in Temple (宝厳院) in the Arashiyama area of Kyoto yesterday. Like the nearby Giouji Temple (祇王寺) that I recently discovered, there's lots of moss and architecture elements made with only natural materials.
In that last category, Hougon'in seems to have the edge, because it has such a wide variety of things (fences, gates, barriers, path markers, ...) and all seem to be made from bamboo and twine... no nails, wire, screws, or the like.
Nikon D200 + Nikkor 17-55 f/2.8 @ 38mm — 1/125 sec, f/3.5, ISO 800 — map & image data — nearby photos
Curved Bamboo Path Edging
On the other hand, it's also much more “busy” a site, with the garden packed with all kinds of features (most of which probably have little meaning beyond their apparent beauty unless you're into the whole Buddhist thing). It's really quite nice, but in this respect Giouji has the edge for me because it's serenity incarnate.
In any case, the Hougon'in Temple is a beautiful, pleasant place to visit....
Nikon D200 + Nikkor 17-55 f/2.8 @ 26mm — 1/160 sec, f/2.8, ISO 800 — map & image data — nearby photos
First View After the Entrance
Nikon D200 + Nikkor 17-55 f/2.8 @ 17mm — 1/320 sec, f/2.8, ISO 800 — map & image data — nearby photos
Staging Area
(Bathrooms to the Left; Garden to the Right)
Nikon D200 + Nikkor 17-55 f/2.8 @ 24mm — 1/200 sec, f/3.5, ISO 800 — map & image data — nearby photos
“Rock Sea”
Nikon D200 + Nikkor 17-55 f/2.8 @ 19mm — 1/160 sec, f/3.5, ISO 800 — map & image data — nearby photos
Lots of Curves
Nikon D200 + Nikkor 17-55 f/2.8 @ 40mm — 1/90 sec, f/3.2, ISO 800 — map & image data — nearby photos
“Hougan Fence”
(whatever that is)
Nikon D200 + Nikkor 17-55 f/2.8 @ 38mm — 1/100 sec, f/3.2, ISO 800 — map & image data — nearby photos
Obligatory Stream
Nikon D200 + Nikkor 17-55 f/2.8 @ 55mm — 1/125 sec, f/3.2, ISO 800 — map & image data — nearby photos
Wet “Arhat” Statues
Nikon D200 + Nikkor 17-55 f/2.8 @ 20mm — 1/160 sec, f/2.8, ISO 800 — map & image data — nearby photos
Barrier of Some Sort
Nikon D200 + Nikkor 17-55 f/2.8 @ 23mm — 1/125 sec, f/2.8, ISO 800 — map & image data — nearby photos
All-Natural Construction
Nikon D200 + Nikkor 17-55 f/2.8 @ 55mm — 1/750 sec, f/2.8, ISO 800 — map & image data — nearby photos
Rain
Today was entirely miserable, weather wise, with an unrelenting rain that just would not, er, relent. The rainy season has started, where the key phrase seems to be “100” (at which the temperature, humidity, and chance of rain converge and stay). At least it should finish by.... oh.... August.
Having noticed the Hougon'in Temple (宝厳院) while in the Arashiyama area of Kyoto yesterday, and finding out that it was about to close to the public for the summer, I wanted to pay it a visit. It's open through Sunday, but I wanted to avoid the weekend crowds, and I thought a garden temple might have a nice ambiance in the rain, so decided it had to be today.
Nikon D200 + Nikkor 17-55 f/2.8 @ 44mm — 1/180 sec, f/5.6, ISO 500 — map & image data — nearby photos
Arashiyama's famous Togetsukyo Bridge (渡月橋)
I went with a huge umbrella, a rain jacket, and my D200. It was somewhat awkward trying to hold the umbrella while shooting, and I got wet anyway. A little rain shouldn't hurt the D200 because it's weather sealed, so I eventually gave up on the umbrella.
I kept the lens hood on the Nikkor 17-55/2.8, which kept the glass free of water. Everything got wet, but worked fine.
Nikon D200 + Nikkor 17-55 f/2.8 @ 32mm — 1/100 sec, f/5, ISO 800 — map & image data — nearby photos
Inside the Hougon'in Temple
The Hougon'in Temple was small but nice. It had a very different feel from the Giouji Temple three quarters of a mile away, the latter being off the beaten path and originally designed for self enjoyment. It seems that Hougon'in was designed for the public to enjoy, and it has a wide variety of garden features and statues and such.
Nikon D200 + Nikkor 17-55 f/2.8 @ 55mm — 1/100 sec, f/3.5, ISO 800 — map & image data — nearby photos
Nikon D200 + Nikkor 17-55 f/2.8 @ 34mm — 1/100 sec, f/3.5, ISO 800 — full exif & map
Path in the Hougon'in Temple
Nikon D200 + Nikkor 17-55 f/2.8 @ 55mm — 1/320 sec, f/2.8, ISO 800 — map & image data — nearby photos
Will Be Red and Yellow in the Fall
The leaf in the center of the picture above turns brilliantly yellow in the fall (see the first pic on this post), while the momiji at left will turn some vigorous shade of red or orange (see the background leaves in this post).
On the way home, I passed a private residence with many odd flowers in front, including the water-laden pinkish redish ones seen below.
Nikon D200 + Nikkor 17-55 f/2.8 @ 55mm — 1/200 sec, f/5.6, ISO 800 — map & image data — nearby photos
Here's the front to someone else's house. It's got a certain “modern traditional” minimalistic Japanese flair to it.
Nikon D200 + Nikkor 17-55 f/2.8 @ 17mm — 1/180 sec, f/5.6, ISO 800 — map & image data — nearby photos
“Modern Traditional” Japanese Look
Nikon D200 + Nikkor 70-200mm f/2.8 @ 140mm — 1/80 sec, f/8, ISO 400 — map & image data — nearby photos
Watering the Flowers, Kyoto Style
I spent the most enjoyable day today playing tour guide to some friends from The States, and although it's not as if I'm lacking pictures from Kyoto, of course I brought my camera along. We visited Kibune, drove through the mountains (seeing this village and these rice paddies), and then headed over to the Arashiyama area of Kyoto to take a look around. (While there, we stopped by Giouji knowing that it would be closed for the evening, just so they could scout its location for a later visit.)
Nikon D200 + Nikkor 70-200mm f/2.8 @ 150mm — 1/500 sec, f/2.8, ISO 640 — map & image data — nearby photos
Lawrence Solum, in Kyoto
My guests were Lawrence Solum, his sister Alex, and their 81-years-young mom Pat. Lawrence is a professor of law (but, to his credit, not a lawyer :-)), Alex is a portrait photographer, and Pat (who still works at 81!) is in a field of psychology that I didn't exactly understand.
Nikon D200 + Nikkor 17-55 f/2.8 @ 48mm — 1/60 sec, f/2.8, ISO 200 — map & image data — nearby photos
Alex, in Kibune
Nikon D200 + Nikkor 17-55 f/2.8 @ 55mm — 1/125 sec, f/2.8, ISO 400 — map & image data — nearby photos
Pat and her son
Both Lawrence and Alex are avid photographers, so it was especially enjoyable for me to not only share my Kyoto, but to share it at that level.
In the shot below, photographers will appreciate the sibling rivalry evident in the camera straps.
Nikon D200 + Nikkor 70-200mm f/2.8 @ 98mm — 1/40 sec, f/2.8, ISO 800 — map & image data — nearby photos
Sibling Rivalry
Below are a few random shots from the far-western Arashiyama (嵐山) area of Kyoto.
Nikon D200 + Nikkor 70-200mm f/2.8 @ 75mm — 1/400 sec, f/2.8, ISO 640 — map & image data — nearby photos
Roof and Mountains
Entrance building to the Hougon'in Temple (宝厳院)
I'd never heard of the Hougon'in Temple prior to looking up this evening
what I'd taken a picture of from the street earlier, but if the outside
part we saw as any indication, the inside holds much promise. Apparently,
it's not normally open to the public this time of year, but this year it's
open until tomorrow Sunday, so I may have to head back there. The forecast is for rain,
so we'll see...
Nikon D200 + Nikkor 70-200mm f/2.8 @ 200mm — 1/500 sec, f/2.8, ISO 250 — map & image data — nearby photos
Flowers and Cone
The shot above didn't really turn out quite like I wanted. The yellow and white thing in the background (top center) is a big plastic ice cream cone, but it's too out of focus to really tell. Somehow, I thought it might make a nice shot.
Nikon D200 + Nikkor 70-200mm f/2.8 @ 75mm — 1/1000 sec, f/2.8, ISO 640 — map & image data — nearby photos
Random Wall
Nikon D200 + Nikkor 70-200mm f/2.8 @ 110mm — 1/750 sec, f/2.8, ISO 640 — map & image data — nearby photos
Tofu Restaurant
Specializing in deep-fried tofu
Nikon D200 + Nikkor 70-200mm f/2.8 @ 200mm — 1/800 sec, f/2.8, ISO 800 — map & image data — nearby photos
Leaves outside the Hogon'in Temple
Nikon D200 + Nikkor 70-200mm f/2.8 @ 70mm — 1/45 sec, f/2.8, ISO 800 — map & image data — nearby photos
Siblings
I'm joking about the sibling rivalry, of course. In the shot above, the first of a group of three rickshaws had just passed, and Alex was following the first while Lawrence was tracking one of the others.
Nikon D200 + Nikkor 70-200mm f/2.8 @ 200mm — 1/30 sec, f/2.8, ISO 800 — map & image data — nearby photos
Moss at the Giouji Temple, Kyoto Japan
When I was at the Giouji Temple (祇王寺) the other day (intro · gates and walls), I overheard a taxi driver tell his customers that there were 18 different types of moss at the temple. I believe it, and they seemed to be mixed and matched all over.
Nikon D200 + Nikkor 17-55 f/2.8 @ 55mm — 1/20 sec, f/2.8, ISO 640 — map & image data — nearby photos
More Moss
Nikon D200 + Nikkor 70-200mm f/2.8 @ 70mm — 1/40 sec, f/2.8, ISO 800 — map & image data — nearby photos
And Still More Moss
Nikon D200 + Nikkor 70-200mm f/2.8 @ 180mm — 1/200 sec, f/2.8, ISO 800 — map & image data — nearby photos
Oh, and Over Here... More Moss!
They had a little display showing the types of moss to be found on the grounds. The names are in Japanese (and seem to be native Japanese, rather than phonetic representations of the Latin names).
Nikon D200 + Nikkor 17-55 f/2.8 @ 35mm — 1/45 sec, f/2.8, ISO 800 — map & image data — nearby photos
Types of Moss at the Giouji Temple
We awoke this morning to find Anthony was playing with his cars, which, as normal, means lining them up in some neat arrangement. I'm not quite sure what little imaginary world he'd built for himself, but understood that it had something to do with an airport.
Nikon D200 + Nikkor 17-55 f/2.8 @ 35mm — 1/60 sec, f/2.8, ISO 800 — full exif
Anthony's “Airport-Related” Project
He's been lining things up since before he could walk, and for the last four years, he's loved lining up cars, either caravan style or parked neatly. The scene above was one he made today, but he could have made it just as well three years ago or any time in between. I feature today's car parking simply because I thought the three VW Beatles were lined up in a particularly photogenic way, and I like the photo I took.
We have a dozen or so of these little Beatles, having gotten one free with each bottle of Coke during a promotion last summer. They're a tad over an inch long.
Here are the busses. (Compare to the last picture in this post.)


