Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.4, ISO 2800 — map & image data — nearby photos
Serious
seriously silly, that is
New (to me) friends Eric and Gigi, seen the other day in “Unexpectedly Snowy Photoshoot at the Joshokoji Temple”, wanted to pick up a kimono before returning to San Francisco, and I got to tag along.
A friend brought them to a small shop in central Kyoto named W'Atelier ENYA (縁家)...
Nikon D4 + Nikkor 24mm f/1.4 — 1/100 sec, f/2.2, ISO 720 — map & image data — nearby photos
W'Atelier ENYA (縁家)
First was Gigi's turn, and she quickly zeroed in on one to try...
I don't know why kimono need to be so complex, but even most Japanese don't know how to put one on themselves.
Gigi tried various kimono....
Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Helping Hand(s)
Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.4, ISO 3200 — map & image data — nearby photos
Bolts
the variety of stuff they had was amazing for such a small location
Gigi's first instinct was apparently correct, because she had to return to the original green one to try again...
Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Surprisingly Well
how a black western turtleneck goes with a traditional Japanese kimono
Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Photo Op
Gigi peeks out of the front of the store while Eric captures her image in medium-format glory
Nikon D4 + Voigtländer 125mm f/2.5 — 1/160 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Inspecting the Results
She decided to buy that one, so got fitted for all the various accouterments a kimono requires, starting with an under-robe kind of thing that requires its own myriad of knots to complete...
Nikon D4 + Nikkor 24mm f/1.4 — 1/100 sec, f/1.4, ISO 320 — map & image data — nearby photos
In Capable Hands
as opposed to Gigi's incapable hands
(but knowing her even as little as I do, I suspect they won't remain incapable for long)
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/1.4, ISO 720 — map & image data — nearby photos
Picture Perfect
posing for Eric
Then it was Eric's turn. Kimono for men are a much more simple affair, and he had one picked out and put on before I knew it.
Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.8, ISO 2500 — map & image data — nearby photos
Harsh
the fluorescent light just above him made for very harsh light
I believe it was his first time in a kimono, but a combination of confidence and being Asian made it look natural on him. Whenever I wear a kimono I feel like a tall white guy playing dress-up. Lipstick on a pig, and all that, you know.
Anyway, I had Eric move to the better light where Gigi had been posing. It's tough to get a real picture of Eric because he's always hamming it up if you point the camera at him. I suspect deep underlying insecurities (even worse than mine, if that's possible), which is probably why, like me, he's a photographer and not a model. 🙂
Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.8, ISO 2800 — map & image data — nearby photos
Lost in Thought
or at least pretending to be
He couldn't even pretend to hold a serious pose for more than a moment...
Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.4, ISO 2000 — map & image data — nearby photos
Real Eric
Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.4, ISO 1600 — map & image data — nearby photos
“Eric, Pretend You're a Tough-Guy Samurai”
I wanted to get a picture of the two together, but stupidly didn't think about the light and put them back under the harsh fluorescent. The initial result was almost unusably blown out, but because I shoot raw, I can often recover from exposure mistakes, and eke something out:
Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.4, ISO 2200 — map & image data — nearby photos
Gigi and Eric
Eric is wearing a hat that I'd jokingly given him to wear (see the opening shot). It's made partially of kimono fabric, and seems to be targeted at a 20-something demographic, but he wore it with gusto and frankly I was surprised how good it looked on him.
Of course, with the camera on him he couldn't pretend to be serious for long, so as the photographer I needed to direct him. Having seen the fantastic Peter Hurley headshot video several times, I know the concepts, but I'm really bad at remembering and executing.
Still, I get lucky sometimes. I think I said “Come on, guys, at least pretend you love each other”...
Nikon D4 + Nikkor 85mm f/1.4 — 1/400 sec, f/1.4, ISO 4500 — map & image data — nearby photos
Apparently No Pretending Necessary
Through the cycle group that I mentioned last week, I met photographer/triathlete Kumiko Mini, who as it happened was expecting photographer friends from San Francisco to join her for a week of photography fun in Kyoto. I got to tag along on a trip into the mountains where they planned to do a little photoshoot at a temple far away from the crowds of the city.
There was no forecast for snow, but as we got into the mountains the flakes started coming and got thicker by the minute. The mountains turned splendid with a puffy, frosty blanket.
By the time we stopped for a picture, I'd gotten to know Eric and Gigi for an hour, by which time they'd cemented themselves as fun to be around and fun to talk photography...
Nikon D4 + Voigtländer 125mm f/2.5 — 1/1000 sec, f/2.5, ISO 100 — map & image data — nearby photos
Eric and Gigi
hamming it up for my lens
They'd come to Kyoto to give their new Pentax medium format(!) SLR and delicious lens a workout.
Nikon D4 + Voigtländer 125mm f/2.5 — 1/640 sec, f/2.5, ISO 220 — map & image data — nearby photos
Checking Settings
Meanwhile Kumiko is shooting her Canon...
Nikon D4 + Nikkor 70-200mm f/2.8 @ 105mm — 1/500 sec, f/4.5, ISO 280 — map & image data — nearby photos
Three different brands, but somehow we remained friends. I just lament that I couldn't borrow lenses(!)
The snow is the heavy, sticky kind, but since Eric and Gigi had only the one camera between them, Eric was available for other tasks while Gigi shot...
Nikon D4 + Nikkor 70-200mm f/2.8 @ 82mm — 1/1000 sec, f/2.8, ISO 100 — map & image data — nearby photos
Making Himself Useful
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/320 sec, f/6.3, ISO 160 — map & image data — nearby photos
Now for Kumiko
We eventually moved on to the temple while the snow increased.
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/320 sec, f/7.1, ISO 320 — map & image data — nearby photos
Entrance Path
Joshokoji Temple (常照皇寺)
I'd been here once before, during cherry-blossom season two years ago, as seen in “On The Way Into Kyoto’s Northern-Mountain Joshoko-ji Temple”. This time it was a bit different.
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/320 sec, f/2.8, ISO 280 — map & image data — nearby photos
Nikon D4 + Nikkor 70-200mm f/2.8 @ 125mm — 1/500 sec, f/5.6, ISO 320 — map & image data — nearby photos
Thin Flimsy Branches
positively pregnant with snow
Kumiko wore a kimono-inspired dress so that she could be a model, and with the snow falling and the place to ourselves, it seemed an opportunity to take advantage of.
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/320 sec, f/2.8, ISO 640 — map & image data — nearby photos
Quick Test
Nikon D4 + Nikkor 24mm f/1.4 — 1/320 sec, f/1.4, ISO 100 — map & image data — nearby photos
(My Quick Test)
Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/2.5, ISO 6400 — map & image data — nearby photos
Quick Triage
My confidence driving in the snow plummeted with this abandon-the-car-in-the-snow event some years back, at least if I don't have snow tires, which I didn't now. So, I was getting a bit worried about the hour's twisty-mountain-drive ride home. But we'd come all this way, so we may as well take a peek at what's at the top of the steps...
Nikon D4 + Voigtländer 125mm f/2.5 — 1/640 sec, f/2.5, ISO 450 — map & image data — nearby photos
Heading Up
... and through the gate at the top we saw this:
Nikon D4 + Nikkor 24mm f/1.4 — 1/100 sec, f/16, ISO 640 — map & image data — nearby photos
Outer Garden
Compare to this August view of the same scene.
I've finally released a new plugin for Adobe Lightroom that I've been working on for some time, my “People Support” plugin. Once configured, it can tell you the age of people in a photo, and include that data in exports.
It's consumed me for weeks. The idea of calculating and displaying a person's age seems quite straightforward and simple, doesn't it? It's not. Date calculations are surprisingly fraught with complexity, and presentation all the more so when you take into account dealing with all the languages that Lightroom can work in.
English is simple in that we use the same “year” word for dealing with how long ago something happened (“this picture was taken five years ago”) and how old someone is (“this kid is five years old”). Not all languages are so simple... Japanese, for example, uses completely different words for “years” when talking about ages.
Then you have to take into account special cases, such as the day of birth, or even when someone is tagged in a photo before they're born (think ultrasound scan).
There's still plenty of features I'd like to add, but what I'm releasing today is a good start. Notably missing, for example, is a way to inject people information into exported captions when you're not using one of my many export/publish plugins. But if you are, the configuration for who's name and/or age should appear is remarkably powerful. A standalone solution will come later.
The plugin is here
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/4000 sec, f/1.4, ISO 100 — map & image data — nearby photos
Pausing for a Quick Photo
on a bicycle ride in the mountains north of Kyoto
left to right: Kumiko Mini, Lianca Van Der Merwe, Antti, and Ross McLean
Today I made my first “real” bicycling ride. Normally the bicycle is just for transportation from one place to the other, and not my first choice for either exercise nor pleasure, but I recently replaced my 10-year-old mamachari (“Mama Chariot”, heavy, built like a tank, and can carry oodles of kids and stuff) with a lighter cross bike.
今日は初めての本物の自転車でツアーイング。新しい友達と一緒に55キロの山巡り。大原と貴船を見に行きました。
Through the Cycling Kyoto Facebook group I learned that some folks would have a “slow easy” ride today, so I thought it was a good opportunity to give it a try.
We ended up going 55km (34 miles) up into the mountains and back. The “and back” part was easier.
We met up at the Sanjo St. bridge at 11am, and soon headed off...
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/8000 sec, f/1.8, ISO 100 — map & image data — nearby photos
City Riding
heading north on Kawabata St.
川端通で北へ
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/4000 sec, f/1.8, ISO 100 — map & image data — nearby photos
Back Street
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/8000 sec, f/1.8, ISO 100 — map & image data — nearby photos
First Sight of Nature
along the Kamo River (賀茂川)
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/320 sec, f/9, ISO 100 — map & image data — nearby photos
Mountains Where We're Heading
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/640 sec, f/9, ISO 100 — map & image data — nearby photos
Heading Up
it's been a mild ascent the whole 25 minutes it took to get here,
but now it's starting in earnest
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/250 sec, f/8, ISO 100 — map & image data — nearby photos
Oh Deer!
construction
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/250 sec, f/8, ISO 100 — map & image data — nearby photos
Village
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/8, ISO 400 — map & image data — nearby photos
Steep
坂がきつい
It wasn't all that steep as far as mountains go, but it was certainly the most steep road I'd ever taken on a bike. It rose 210m over about 900m length. Since it was my first ride I decided that I would always stay at the back. This gave me a great excuse to rest if I wasn't the slowest, and if I was the slowest, well, what do you expect from the guy at the back? 🙂
It turns out that Lianca's normal road bike is in the shop, so she was using a heavy mountain bike, which wasn't really appropriate for this kind of riding. So, I could take it easy most of the time. 😉
The trip down the other side of the mountain was equally steep...
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/320 sec, f/8, ISO 100 — map & image data — nearby photos
Coasting
We stopped by the Family Mart near the Sanzenin Temple. I've visited that temple numerious times in the past, but I would have never imagined going that far by bicycle.
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/1250 sec, f/1.4, ISO 100 — map & image data — nearby photos
Ross's New Bike
taking a break
We then retraced our path part way...
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/3200 sec, f/1.4, ISO 100 — map & image data — nearby photos
Ohara Countryside
(taken 1-handed at 30kph)
This time I thought I'd try to stay with the two guys when we retraced our steps back up the aforementioned steep climb....
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/14, ISO 1600 — map & image data — nearby photos
Starting the Ascent
Coming off an injury, Ross is riding for the first time in a month and so was taking it “slow and easy”, and Antti was kind enough to slow down to keep him company. I hadn't really been taxed in the 20km we'd done so far, but the photo above was the last I saw of them for quite a while. They made it look effortless, but I can assure you it was most certainly not effortless.
Still, I made it to the pass without passing out or even stopping, and so I waited for the rest of the group and tried to catch an “action shot” as they came by (though I realize now that I should have set up a bit downhill, so they'd have some speed...)
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/14, ISO 1400 — map & image data — nearby photos
Kumiko
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/6.3, ISO 140 — map & image data — nearby photos
Lianca
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/16, ISO 360 — map & image data — nearby photos
Single-Handed Snapshot
at 50.3kph, downhill
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/5000 sec, f/1.4, ISO 100 — map & image data — nearby photos
Flat(ish) Countryside
Having retraced our steps for 8km, we headed back into the mountains, toward Kibune.
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/9, ISO 640 — map & image data — nearby photos
Staying With Ross
(for a short moment)
貴船へ
Somewhere near Kibune we stopped for a quick photo, seen at the start of this post.
Sharp readers will of course 😉 recall that the same bridge guardrail appeared on my blog eight years ago, at the end of “Getting Ready for Summer, in Kibune”.
Then some quick individual snaps...
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/1000 sec, f/1.4, ISO 100 — map & image data — nearby photos
Ross McLean
very Mc, very Lean
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/1600 sec, f/1.4, ISO 100 — map & image data — nearby photos
Antti
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/1600 sec, f/1.4, ISO 100 — map & image data — nearby photos
Lianca Van Der Merwe
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/2000 sec, f/1.4, ISO 100 — map & image data — nearby photos
KUMIKO mini
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/800 sec, f/1.4, ISO 100 — map & image data — nearby photos
Ross's Shoe Covers
were so incredibly brilliant pink that the camera couldn't capture them properly
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/1250 sec, f/1.4, ISO 100 — map & image data — nearby photos
Chatting, Oblivious
to the guys already leaving in the background
Since I wasn't in any of the group pictures, I thought I'd at least grab a snap of myself for my own memory, on one of the road-curve mirrors ubiquitous in the mountains of Japan.
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/1000 sec, f/1.8, ISO 100 — map & image data — nearby photos
“OSHA Orange”
is the color of my windbreaker. I call it my “Ninja Jacket”.
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/500 sec, f/1.8, ISO 100 — map & image data — nearby photos
Hitting the Touristy Area
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/2000 sec, f/1.4, ISO 100 — map & image data — nearby photos
Short Pause
at the entrance to the Kibune Shrine (貴船神社)
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/500 sec, f/1.4, ISO 100 — map & image data — nearby photos
Something Is Just Not Quite Right
about this shot, as we head a bit farther up the mountain.
Can you tell what it is, and explain it? (Hint: it's not Photoshop)
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/400 sec, f/1.4, ISO 100 — map & image data — nearby photos
High Point of Our Trip
410m, at the Kibune Shrine Okumiya (貴船神社奥宮)
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/1000 sec, f/1.4, ISO 100 — map & image data — nearby photos
Still Plenty of Snow
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/320 sec, f/1.4, ISO 100 — map & image data — nearby photos
Plotting The Return Home
Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/1.4, ISO 220 — map & image data — nearby photos
It's All Downhill From Here
Since the ride was done save for returning home, the two guys took off at their own speed, and we never saw them again. After getting down into town, I decided to pop over to a park where I knew Anthony was playing with friends. The moment I said “bye” to the other two I'd been returning with and was on my own in the city, the bike ceased to be fun. It was now just drudgery “get to Point B” work.
So, while I enjoyed the first 45km of the trip, it's the social aspect of it that appealed to me. The last 11k was drudgery.
Anyway, here's what the Google Earth shows for my ride:
The red arrow is about where this post's lead photo was taken.
Later that evening, I had dinner at Via Transito, the Italian restaurant located here owned by friend Salvo Mannino. Salvo had helped me buy my new bike, and had introduced me to the Kyoto Cycling group, so I wanted to stop by to thank him and report on my ride.
Damien and Kumiko joined me and Anthony for a wonderful dinner and conversation.
Nikon D3X + Nikkor 14-24mm f/2.8 @ 24mm — 1/60 sec, f/2.8, ISO 1600 — map & image data — nearby photos
Chatting with Salvo
Via Transito Italian Restaurant
I remembered to take a picture of the salad, but then forgot after that. It was tasty.
Nikon D3X + Nikkor 14-24mm f/2.8 @ 24mm — 1/60 sec, f/2.8, ISO 1600 — map & image data — nearby photos
Salad with Cheeze and Potato
Nikon D3X + Nikkor 14-24mm f/2.8 @ 23mm — 1/50 sec, f/2.8, ISO 1600 — map & image data — nearby photos
Making a Pizza
My neck and shoulders are a bit sore from the ride, but otherwise I seem not too much worse for wear. Not sure when I'll do such a thing again, but it was a wonderful day for the experience, made all the better by the company I lucked into having.
Was a good day.
Nikon D700 + Nikkor 70-200mm f/2.8 @ 160mm — 1/1000 sec, f/2.8, ISO 200 — map & image data — nearby photos
Archery Bows
as far as the eye can see
at the Sanjusangendo Temple (三十三間堂), Kyoto Japan
Today was the annual toshiya archery event for new adults at the Sanjusangendo Temple (三十三間堂) here in Kyoto. I blogged about it extensively three years ago starting with “Traditional Archery Like a Boss”.
I then followed up with what turned into one of my most popular series of posts, starting with “Total Discipline: Anatomy of a Japanese Archer’s Shot”, followed by a note about the crowds and the hubub outside and the instructors taking their turn (“More Badass Japanese Archery”) and then a look at the colorful wardrobes of the ladies and then perhaps my favorite post on the subject: “Badass Japanese Archery: Now It’s The Ladies’ Turn” (followed by more and more ladies) and then finally more instructors. Phew!
Nikon D700 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1250 sec, f/2.8, ISO 200 — map & image data — nearby photos
Posing Behind a Veil of Bows
I'll post more about the day later, but for now just a few photos...
Nikon D4 + Nikkor 300mm f/2 — 1/2000 sec, f/2, ISO 160 — map & image data — nearby photos
Camaraderie
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Juggling
phone, lunch, purse
Nikon D4 + Nikkor 300mm f/2 — 1/1600 sec, f/2, ISO 100 — map & image data — nearby photos
Nervous Anticipation
one lifetime, 60 seconds, two arrows
Nikon D4 + Nikkor 300mm f/2 — 1/640 sec, f/2, ISO 125 — map & image data — nearby photos
Celebration
(they perhaps think it's of youth or of archery, but it's really of friendship)
Nikon D4 + Nikkor 300mm f/2 — 1/1250 sec, f/2, ISO 100 — map & image data — nearby photos
A Single Hair
was apparently out of place
(I love the juxtaposition of the rough thick masculine archery glove, and everything else)
Nikon D700 + Nikkor 70-200mm f/2.8 @ 70mm — 1/1000 sec, f/2.8, ISO 200 — map & image data — nearby photos
Wonderfully Colorful
men traditionally wear just black and white, but I for one appreciate the bold color
Nikon D4 + Nikkor 300mm f/2 — 1/800 sec, f/2, ISO 100 — map & image data — nearby photos
Silk, Leather, Feathers, and Wood
Nikon D4 + Nikkor 300mm f/2 — 1/2000 sec, f/2, ISO 560 — map & image data — nearby photos
At Full Draw
yet, something just isn't quite right...





