It took a casual spin around Kyoto last weekend, as the cherry blossoms were starting to come in.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 55mm — 1/250 sec, f/6.3, ISO 160 — map & image data — nearby photos
Kids Oblivious to the Blossoms
Kyoto Imperial Palace Park (京都御所公園)

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Cherry-Blossom Picnic

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Typical Kyoto Scene

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Very Little Person
very great cuteness

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Obnoxiously Rude
In pointing the camera at these ladies,
I took their attention from their ricksha-driver photographer.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/640 sec, f/2.8, ISO 100 — map & image data — nearby photos
Calculated Chaos
Despite the crowds, the photographer can get great shots because
if it's not in frame, it doesn't exist

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/500 sec, f/2.8, ISO 100 — map & image data — nearby photos
Dress-up Play
dressed as a maiko (apprentice geisha), but probably not one

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Parking Lot
traffic in this part of town slows to a crawl this time of year

Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/320 sec, f/2.8, ISO 100 — map & image data — nearby photos
Maruyama Park (円山公園)
still as ugly this time of year as it was 12 years ago

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Temporarily Closed
to traffic

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Nikon D4 + Nikkor 24-70mm f/2.8 @ 29mm — 1/400 sec, f/5, ISO 100 — map & image data — nearby photos
Construction of Some Kind
as happens often, I couldn't remember what had been there
Looking down the street from next to the construction, toward the right, it was a mad house:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 60mm — 1/250 sec, f/5, ISO 200 — map & image data — nearby photos
Not Going to Even Try
So, instead I went up the steep road that goes under the shrine arch seen two photos above.
Not long past the shrine gate, I noticed a huge statue off to the side, and wondered how long it had been there and how I had never noticed it before:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/13, ISO 160 — map & image data — nearby photos
Huge Statue
to the far left
It turns out that it's been there since 1955, and is 24m (80') tall. I guess I'm not very attentive.
I ended up taking the long way around to the other side of the “not going to even try” street, where it was just as crowded.

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Still as Crowded
near the Kiyomizu Temple

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Less Photogenic Approach
to the Kiyomizu Temple

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Ugh
I'll find another way

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Side-ish Approach
Kiyomizu Temple (清水寺)

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So Much Less Crowded

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/9, ISO 250 — map & image data — nearby photos
Kyoto's Lombardi Street
there are plenty of zig-zags all the way down
I'd never noticed this street that pitched down in zig-zag curves like a snake, so was happy to try it despite the bumpy cobblestones.
It eventually brought me to a service road where a trash-truck driver was replacing a “do not enter” rope. I guess there was normally one at the top, but it had been placed aside for him. So, I don't think I'll be able to take the road again, now that I know I wasn't supposed to have the first time.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/125 sec, f/8, ISO 100 — map & image data — nearby photos
Near the Eastern Gate
Popping out of the eastern gate, I made my way up to Shogunzuka, where I used to go often to try to catch a nice sunset.

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Blah and Hazy
Shogunzuka Overlook (将軍塚)
The “nearby photos” link under the photo brings you to some of the many posts I've done from up here, including some amazing sunsets like this and this and this.

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Best I Could Come Up With
for something interesting

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Visiting Larry Ellison's Kyoto Digs
the same place seen in this lovely snow shot
This ride was the first this year not to wear full-on winter gear. It was lovely to be out.

Nikon D4 + Nikkor 24-70mm f/2.8 @ 56mm — 1/250 sec, f/9, ISO 2500 — map & image data — nearby photos
Nanzen Temple (南禅寺)
main gate from the side

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Start of the Philosopher's Trail
哲学の道
the blossoms haven't even started here

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Back Street

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Pitch

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Some Kind of Dance Performance
in the plaza in front of the Heian Shrine (平安神宮)

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My Local Park
taken over by some festival or another

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People Streaming from the Festival
This is the final installment about the races introduced earlier in “Watching My First Cycling Road Race”, cycling races held on closed streets in Moriyama, Shiga, Japan, about an hour's drive northeast from Kyoto.
After the “youth races” were some “C4” races, races for inexperienced riders (or riders who are experienced but slow). If I were to ever try a race, I'd start in “C4”.
This event broke C4 into three different races: “C4H” for men above a certain age (40?), “C4L” for men below the certain age, and “C4W” for women.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/3.2, ISO 110 — map & image data — nearby photos
C4H Rolling Start
As before, I situated myself at a pinch point in the course loop, so I could catch them twice during each loop. Sometime during the first loop, the motorcycle pulls away and the race is on.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/2000 sec, f/2.8, ISO 100 — map & image data — nearby photos
Comedian on the Backstretch
folks seem to be laughing at something the guy at far right is saying

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波多野一隆さん
Kazutaka Hatano
Kazutaka Hatano, whom I would meet a week later on my “bullet train view ride”, was in this race, and I happened to catch some photos of him.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 120mm — 1/2000 sec, f/2.8, ISO 100 — map & image data — nearby photos
Field Getting Strung Out
during the second of four laps

Nikon D4 + Nikkor 70-200mm f/2.8 @ 130mm — 1/2000 sec, f/2.8, ISO 100 — map & image data — nearby photos
Hatano-san Near the Front
I'm at a loss to explain how or why he put himself here
As I discussed in the first installment, it's much more efficient to draft behind someone than to be the leader, who is essentially an “air plow” for those smart enough to follow close enough behind. I've never raced so my understanding is in theory and not practice, but generally one doesn't want to be the leader until the last seconds of the race, camping behind others conserving energy until releasing all the pent-up savings in a final explosive sprint to the finish.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 90mm — 1/2500 sec, f/2.8, ISO 100 — map & image data — nearby photos
“Won't Someone Come Up and Lead?”
what I imagine the guy in black thinking as he finds himself in front

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/5.6, ISO 360 — map & image data — nearby photos
Cartoonish Processing
just playing around in Lightroom

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/5.6, ISO 400 — map & image data — nearby photos
Back in an Efficient Spot

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Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/5.6, ISO 320 — map & image data — nearby photos
Sprint Finish
this guy was strong enough to break away a bit early and win by five seconds

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/1600 sec, f/5.6, ISO 280 — map & image data — nearby photos
“Love Me Tender”

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Fighting for Third
seven seconds behind the winner, and two seconds behind 2nd place
Something strikes me odd about this photo. I know it's a sprint finish and that these guys are all fighting against each other for a spot on the podium. They're giving everything they have, probably going 50~60kph (~35mph). Yet, other than the expression on their faces, there's no sense of movement or urgency in this shot. Even their body positions are not all that aggressive looking. Just feels odd to me.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 120mm — 1/1600 sec, f/5.6, ISO 800 — map & image data — nearby photos
Lone Woman
I didn't realize until it was over, but they started the women's C4 race a half a lap after the men's, so I totally missed it. )-:
Then it was time for C4L, the younger men's C4 race. Before it starts, I'll note that the winner of the older men's C4 race (Mr. Love Me Tender) would have placed 42nd, in the back of the pack, had he been in the C4L race.
Ionut, who we saw riding in the pairs race with Stephanie in the first post, would be in this solo C4L race as well.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/2.8, ISO 110 — map & image data — nearby photos
C4L Rolling Start

Nikon D4 + Nikkor 70-200mm f/2.8 @ 125mm — 1/1600 sec, f/2.8, ISO 110 — map & image data — nearby photos
Ionut Sandu

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/2.8, ISO 140 — map & image data — nearby photos

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/2000 sec, f/2.8, ISO 100 — map & image data — nearby photos
The Race is On
I said earlier that one doesn't want to be up front (except during the last few seconds of the race), but a notable exception is when working as a team. Two or more riders working together might work to pave the way for the fastest sprinter to take charge during the final sprint. Until then, the support riders plow the way, burning their energy in the long leadup to the finale so that the sprinter can conserve.
I don't know whether that was the plan for the rider seen leading above, but there were two others behind him with identical jerseys, so presumably on the same team. If it was their plan, though, it didn't work, as the fastest among the three finished in 30th place (which perhaps sounds much worse than it is... 30th place was five seconds behind the winner).

SC-02H at an effective 26mm — 1/67000 sec, f/1.7, ISO 400 — image data
Me Photographing Ionut
who's in the middle of the pack during this first lap
photo by Manseki Kanemitsu

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/2.8, ISO 125 — map & image data — nearby photos
Starting the Second Lap
after a hairpin turn at the end of the long backstretch

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/3.2, ISO 125 — map & image data — nearby photos
Breakaway Attempt
Another reason to not ride behind someone is if you're so much stronger than everyone else that you can ride faster alone than the others working in a group. This “stronger than everyone else” thing is usually more wishful thinking than fact, so it's common to see such attempts crumble as the energy is squandered.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/3.2, ISO 140 — map & image data — nearby photos
Ionut Smartly in a Group
down the front stretch of the second lap
After the stretch above, the riders disappear from my view for 30 seconds or so, to reappear at the start of the long backstretch...

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/4, ISO 180 — map & image data — nearby photos
What On Earth.....?

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Ionut Leading the Pack
what on earth are you doing Ionut????
(besides plowing the way for the earlier breakaway rider who has now returned to the fold?)

Nikon D4 + Nikkor 70-200mm f/2.8 @ 80mm — 1/1600 sec, f/2.8, ISO 125 — map & image data — nearby photos
Enough Energy to Smile
The reaction of me and those with me was “oh no, Ionut, what are you doing!? Big mistake... get behind someone!”. Those who had raced said that until you had experience, it was difficult to moderate oneself during the heat of the race.
However, yet another reason one might want to be at the front of the race is to control the pace, either setting it fast because you think you can burn out sprinters who might be fast at the end but who don't have the endurance to keep up a blistering pace for the whole race, or to keep things slow so that you yourself don't get burnt out.
It's this final reason, to slow the pace, that Ionut later said was his plan. But we didn't hear that until later, and didn't think of it ourselves at the time, so the whole time he was in front we were cringing.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 150mm — 1/1600 sec, f/2.8, ISO 110 — map & image data — nearby photos
Field Getting Strung Out
on only the second lap
(but they're still almost all faster than me)

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/1600 sec, f/2.8, ISO 125 — map & image data — nearby photos
Spectator Shift
to the other side of the loop

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/2.8, ISO 125 — map & image data — nearby photos
Tactical Game
After the hairpin that ends the loop, there's a descent (seen in the background above) where speeds can get quite high if someone attacks (tries to break away), so I imagine there's a lot of jostling for position during this section. Ionut is finally not leading, but he's also still not drafting so the performance penalty is the same.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/2500 sec, f/2.8, ISO 100 — map & image data — nearby photos
In the Lead Again
as his spectating friends shake their head in wonder

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Starting the Last Lap
still not drafting )-:
In the photo above, Ionut isn't drafting, but someone is drafting him, the guy in the center of the photo in red and black clothes, with a GoPro slung under his white handlebars. He posted the video from the GoPro on YouTube... this link opens the video at the spot the photo above was taken; you can watch from there or move around to see the whole race or just the finish (he came in 9th, 1.5 seconds after the winner).

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/4, ISO 200 — map & image data — nearby photos
Final Sprint
Mr. Blue won, Mr. Red Hat came in second, and Orange Socks came in third
Blue is Satoshi Yoshida (吉田聡), Red is Masayoshi Hieda (稗田正佳), Orange is Seiya Iwata (岩田聖矢)

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/4, ISO 220 — map & image data — nearby photos
Fierce Competitor
middle-schooler Seiya Iwata beating Ionut and 55 other adults
Orange Socks — Seiya Iwata (岩田聖矢) — is in middle school (about 14 or 15 years old) and, according to my web research, has been racing like this for a decade longer than I've been cycling at all. He doesn't appear in any of the photos except these two at the finish because he was always tucked in behind someone, drafting, and not sitting photogenic (but inefficiently) at the head of a pack. He may well be the most experienced rider of the group. That's not saying much for a “C4” race, I suppose. One expects that he should be moving up to “C3”, at least if the rules allow someone that young to do so.
In the photo above, Ionut is at the far left. He came in 6th place, 1.2 seconds after the winner. Full results are published here.
There were, of course, higher-level races held at this event, all the way up to the semi-pro “C1”, but I didn't see those races.

Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/160 sec, f/2, ISO 6400 — map & image data — nearby photos
Early Drinks and Fine Company
Cafe in the Gion area of Kyoto, Japan
I went out for a walk with my camera around Gion in yesterday's drizzly dusk, and snapped a few photos. The combination of the hour and the weather makes them a bit “gritty”.

Nikon D4 + Sigma 35mm F1.4 DG HSM — 1/60 sec, f/1.4, ISO 6400 — map & image data — nearby photos
Nameless Alley

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Weeping Cherry
about to bloom

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Shirakawa River

Nikon D4 + Nikkor 70-200mm f/2.8 @ 170mm — 1/1600 sec, f/5.6, ISO 360 — map & image data — nearby photos
Perfect Form* of Youth
*not really
The cycling races in Moriyama, Japan that I wrote about last week included some youth races. I was struck by the form of the child in the photo above... to my untrained, still-wet-behind-the-cyclist-ears eyes, her form seemed so beautiful and efficient.
However, I don't want to appear stupid on my own blog — at least more stupid than I normally do — so I had the sense to ask an expert about her form as it appears in the photo: I asked professional bike fitter Vincent Flanagan, and his short reply was an education in my own ignorance. Here's his reply:
I'd say they appear comfortable though looking at the left leg extension the angle at the knee length. I think the seat height is a tad insufficient. Also her position on the drops really compromised her ability to expand her lungs. The bars maybe too close.
The handlebar shape looks similar to a track bike bar and the curve from the tops down to the shifter bracket would force the wrist into extension while holding them. On the point of breathing. See how her elbows come back way behind the knees.
Now that you mention it, her leg doesn't look to extent quite as much as it should, combined with the too-close handlebars and she's all squished up with no where for her lungs to expand.
About her elbow coming back behind the knee, it seems there's often some overlap when getting really aero, at least if you don't have aerobar extensions, but her's seems extreme. Compare with this photo from the earlier post, of a lady with minimal overlap despite that she's sitting way forward on the seat:

Nikon D4 + Nikkor 70-200mm f/2.8 @ 90mm — 1/1600 sec, f/6.3, ISO 450 — map & image data — nearby photos
Anyway, it's a joy to see children enjoying sport, so I was happy to click some photos when they raced.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/1600 sec, f/5.6, ISO 220 — map & image data — nearby photos
Slow “Rolling Start” Leadout

SC-02H at an effective 26mm — 1/2900 sec, f/1.7, ISO 50 — image data
Me Snapping Away
photo by Manseki Kanemitsu

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Looking Super Pro!

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Get'em Started Early

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Peanut Gallery Enjoys the Races

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Tot Race Starts

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/1600 sec, f/3.2, ISO 125 — map & image data — nearby photos
U-Turning
into a disaster?
The tot “race” was a short out-and-back affair. I don't know who thought it was a good idea to launch inexperienced children down a lane directly into a sudden hairpin U-turn, but the results were entirely predictable.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/1600 sec, f/3.2, ISO 140 — map & image data — nearby photos
Too Fast To Turn
this too-big-for-me bike

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/1600 sec, f/3.2, ISO 180 — map & image data — nearby photos
Horrific Crash
oops

SC-02H at an effective 26mm — 1/2100 sec, f/1.7, ISO 50 — image data
Turn Turn Turn
photo by Manseki Kanemitsu
It was bedlam for a short while as kids lost control at slow speed, and kids behind them attempted to react.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/1600 sec, f/3.2, ISO 125 — map & image data — nearby photos
More “Relaxed” Wave Approaches

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Home Straight

Nikon D4 + Nikkor 70-200mm f/2.8 @ 78mm — 1/1600 sec, f/3.2, ISO 140 — map & image data — nearby photos
Helping Hand
to get restarted
This little boy couldn't have been much past his third birthday. He'd hit the corner too fast and ended up dropping the bike, causing some accessories to fall off. I and a few other adults tried to help him get going, but it took a while to figure out how to get things remounted, and the whole time I was struck with the poise this child possessed. He was clearly intent on finishing the race, and was clearly a bit shaken up by the “crash”, but he never cried and remained calm and steady and on task. Were it that I had such poise under pressure.

Nikon D4 + Nikkor 70-200mm f/2.8 @ 190mm — 1/1600 sec, f/3.2, ISO 125 — map & image data — nearby photos
But Defiantly Not Least

Panasonic LX100 at an effective 72mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
The Day's Riding Partners
Hatano-san, Okabe-san, Yano-san
In my previous post about a visit to Tokyo last weekend, I mentioned that on the bullet-train ride there I'd passed by a mountain with a temple nestled at the top, and thought it might be nice to investigate the presumably steep road up there. It turns out that it was.
The mountain in question is one of a pair of monadnocks in an area that's otherwise flat as a pancake. Here's the view from Google Earth (with elevation exaggerated for effect):
The taller of the two rises about 350m (1,165') above the surrounding plain, which isn't all that tall, but at least on the map the roads looked to be “interesting”. So, I made a plan to investigate some of the roads on them. It turns out that a couple of friends could join me, so we made a plan to meet yesterday morning on the other side of Lake Biwa, nearer to the mountains.
On the way there, I passed by the entrance to a short but steep side road up to a mountain-top golf course. I had done the 1.1km @ 11% climb only once before, and hadn't planned on doing it on this ride except that I'd lost the KOM (“King of the Mountain” — the fastest registered attempt) when someone rode it faster the previous day, so why not? I tried it again and regained my KOM. It's a hollow crown, though, because, inexplicably, only two other folks have ever attempted it. 🙂 If someone even remotely strong gives it a try, it'll be out of my range.
I was looking forward to the nice decent from Tochu Pass toward Lake Biwa, which I think I could KOM easily if I got lucky with traffic, but the blast of a headwind the moment I started told me not to bother. Luckily, the wind turned out not to be much of an issue for the rest of the ride.

Panasonic LX100 at an effective 72mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Big Crab
and, at far right, a big bridge over Lake Biwa

Panasonic LX100 at an effective 38mm — 1/400 sec, f/5, ISO 200 — map & image data — nearby photos
「♪ロード」
“♪ Road”
One lane of this bridge has groves cut in the pavement that cause music to be heard (presumably only when traveling about the speed limit). You can hear it as cars go by, with the same strong drop in pitch as when an ambulance passes. (Here's a video with an example of what it sound like in a car.)

Panasonic LX100 at an effective 75mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Change in Note
the spacing to the right is wider than at the center and left

Panasonic LX100 at an effective 75mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Top of the Bridge

Panasonic LX100 at an effective 62mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Still Snow
in the mountains to the northwest

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Still Hazy
in the view to the northeast

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5, ISO 200 — map & image data — nearby photos
Chance Meeting
Yano-san, at left, just happened by and decided to join us
I'd met Yano-san briefly at the Moriyama Criterium the other day. We've seen Okabe-san on last year's post about cyclocross.

Panasonic LX100 at an effective 24mm — 1/800 sec, f/5, ISO 200 — map & image data — nearby photos
On the Way

Panasonic LX100 at an effective 75mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
I Love The Backdrop

Panasonic LX100 at an effective 24mm — 1/1600 sec, f/5.6, ISO 200 — map & image data — nearby photos
A Bit Windy
but we kept up a steady 30kph (19 mph) on the long flat ride to get there

Panasonic LX100 at an effective 33mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Approaching a Minor Mountain
that has no roads, just foot paths up to a temple

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Unique Tobidashi-kun
the silhouette is common to the area, but this one is painted quite different

Panasonic LX100 at an effective 41mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Another Unique Tobidashi-kun
it turns out that the town we were passing through, Omi Hachiman, had tons of them

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Bridge with a View

Panasonic LX100 at an effective 75mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
View
this area is apparently popular for period dramas to be filmed in

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Another Cute Tobidashi-kun

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Narrow Alley

Panasonic LX100 at an effective 28mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
? ? ?
It seems to be a standard pachinko parlor with styling dating back to the 80s,
but I don't know what “bicycle” has to do with it
Finally we got to the first climb, 1.8km @ 9.2% up to the Kawarayazen Temple. As is my habit with new climbs, I took it easy. The KOM earlier, on the way to the meeting spot, was my one hard effort for the day.

Panasonic LX100 at an effective 24mm — 1/1000 sec, f/5, ISO 200 — map & image data — nearby photos
Hatano-san Climbing

Panasonic LX100 at an effective 24mm — 1/1250 sec, f/5, ISO 200 — map & image data — nearby photos
Arriving at the Top
to the Kawarayazen Temple (瓦屋禅寺)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
I've Just Explained my Plan
The road at the top is fed by two approaches, the easier of which we'd just taken. My plan was now to descend halfway down the way we came, turn off to the other approach and descend all the way down, turn around, and climb it right back up to where we were now.

Panasonic LX100 at an effective 62mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Heading Down
The other approach brought us down past a shrine, so we stopped for a bit.

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Hairpin at the Shrine
the road falling away at a preciptious rate
( the shrine is behind me )

Panasonic LX100 at an effective 44mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Photo Op

Panasonic LX100 at an effective 75mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
View from the Shrine
even though it's halfway down the mountain, it still feels quite high

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Zooming Down
sending chills up our spine that we'll be turning right around to climb this

Panasonic LX100 at an effective 38mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Aforementioned Shrine

Panasonic LX100 at an effective 24mm — 1/1000 sec, f/5.6, ISO 200 — map & image data — nearby photos
Grinding Up

Panasonic LX100 at an effective 24mm — 1/1250 sec, f/5.6, ISO 200 — map & image data — nearby photos
After reaching the temple at the top again, we descended back down the way we'd come the first time. I'm still not feeling my descent mojo, but even when I'm taking it easy I tend to be fairly zippy, so I was bummed that I missed the KOM on the descent because my water bottle bounced out on a bump. Even though I had to stop, ride back up a bit to pick it up, and then get myself going, I missed the KOM by only 14 seconds. Maybe next time.
(To be clear, I know that descent KOMs are sort of meaningless... the real work is in going up, but I'll take my warm fuzzy feelings where I can.)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.8, ISO 200 — map & image data — nearby photos
Lunch
Smile Kitchen (スマイルキッチン)
We had a comically-difficult time finding a place to eat, with every place we tried being closed. Eventually I resorted to a simple search for “restaurant” on Google Maps, and one with the name “Smile Chicken” caught my eye. I loves me some chicken. We went, and it was great... it was a simple all-you-can-eat buffet for 1,100 yen (about US$10).
It was only when writing this post that I realized I'd been dyslexic in reading the name, transposing two characters to end up with an oddly-pronounced “Smile Chicken”. It's actually “Smile Kitchen”. Still just as tasty.

Panasonic LX100 at an effective 50mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
On to the Next Monadnock

Panasonic LX100 at an effective 28mm — 1/250 sec, f/5, ISO 200 — map & image data — nearby photos
But Not This Way
Sigh. I've since added the “no access” gate to OpenStreetMap

Panasonic LX100 at an effective 65mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
Serendipitous Discovery
we ended up on this lovely cycling route that wasn't on the maps
( but I've since added it )
The third climb of my plan was one of the approaches to the Kannonsho Temple (観音正寺), the temple I'd seen from the bullet train that started all this.

Panasonic LX100 at an effective 46mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Bullet Train Crossing the Plain
the white line from the center to the right edge of the screen
( with the first mountain we climbed sitting there in the background )

iPhone 6 + iPhone 6 back camera 4.15mm f/2.2 at an effective 29mm — 1/350 sec, f/2.2, ISO 32 — map & image data — nearby photos
At the End of the Road
before a long set of stairs to the Kannonsho Temple (観音正寺)
photo by Koji Yano (via timer)
The climb was comparable to the first one we did, and like that first one, there were two lower approaches leading to the same final road, so like that first one, we descended and turned right around to head back up.

Panasonic LX100 at an effective 75mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Descent #1
I should have tracked him to make him sharp and the background blurry

Panasonic LX100 at an effective 75mm — 1/125 sec, f/2.8, ISO 250 — map & image data — nearby photos
Starting the Other Attempt
On the second descent I didn't stop for photos or lose my water bottle, so I made the KOM.
Now that we'd done these two approaches to the temple, we moved around to the other side of the mountain for a third approach, the North Approach that goes quite a bit higher: 2.4km (1.5 miles) @ 10%.
That out of the way, I had one more climb on the agenda, one that I hadn't looked at closely but seemed to be short and mild. I wanted to bother with it only because I wanted to do all the climbs on these two mountains.
It was ridiculous. The short road is about 1km @ 15% average, which turned out to be more or less several “Nasty” segments tied together by road whose steepness was merely jaw-dropping. I'm getting used to these kinds of steep, especially after this place, but it was still demoralizing to come around a hairpin and see a stretch before you that didn't look humanly possible.
I was happy to survive without stopping, for I don't think I would have been able to clip in and restart.
Eventually, Okabe-san came along...

Panasonic LX100 at an effective 33mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
Final Push
this picture might actually capture the sense of steepness
The other two never made it... they came around one of those hairpins and decided that discretion was the better part of valor.

Panasonic LX100 at an effective 75mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Returning Home
into the setting sun

Panasonic LX100 at an effective 24mm — 1/80 sec, f/1.7, ISO 3200 — map & image data — nearby photos
Dinner
at Sobokkuru (そぼっくる)
All in all it was 172km (107mi), my ninth-longest ride. There was 2,070m (6,800') of elevation gain.
I fared much better than last week's Century of Bonk, mostly because I ate better.
Somewhere between the last climb and dinner, my left cleat gave out and wouldn't stay clipped in.
I'm just so thankful that it didn't give out during that last steep climb, or sometime before; I wouldn't have attempted it if I knew my cleat was iffy.
These clips lasted since this ride last fall, meaning that I got 6,075km (3,775mi) out of them, which is comparable to what I got with the previous set. I don't quite know why they get so roughed up, though, since I generally use cleat covers when not riding.