
Panasonic LX100 at an effective 31mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
A Little Snowy
on a ride two weeks ago
二週間まえの雪の後
Two weeks ago we had a fair bit of snow in Kyoto (a rarity, since many years we have none), so that probably meant that the mountains in the north (which get lots of snow) were impassable, so I took a bicycle ride south-west towards Kobe. I still found snow.
Here's the 100km ride:
The first climb was the eastern Yanagidani climb, which I had descended before but never ridden up. I took my time, stopping for photos like the above when I ascended above the snow line, and at one point to help a group of elderly hikers find their way.

Panasonic LX100 at an effective 49mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Local Peak
60m below the pass

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
More Snow

Panasonic LX100 at an effective 47mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Blacktop Harder to Find

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Nope
I had planned to take this road, but bailed due to snow and ice
Just after I took this photo, a station wagon came by with writing on the side along the lines of “City of Ibaraiki Bicycling Support”, which piqued my interest. I have no idea what the two guys in city-worker uniforms intended, but they apparently didn't have snow tires and their trip stopped when they hit this road and their wheels just spun on the ice. I asked whether they needed a push, but they waved me off, so I took a less-snowy road down the mountain into the city.
Along the way I came across construction for the “Shin-Meishin Expressway” (“New Kobe-Nagoya Expressway”), which is slicing through sparsely-habited mountains, and redrawing maps with construction closures and reroutings.

Panasonic LX100 at an effective 41mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Massive Construction Project
one little bridge out of hundreds of bridges and tunnels
The cost of leveling mountains and filling in valleys, of making huge concrete bridges and boring long tunnels, must be huge. The cost of just the one massive bridge above is inconceivable to me, but it's just one small piece of the whole thing, slated to be done in another six years.
The social and economic benefit to the first trans-national expressway is pretty easy to understand, but since this “new” expressway more or less parallels the current one (+/- 20km), the benefits seem marginal at best... is it really worth the cost in money and in displaced people (and displaced serenity)? Eminent domain is a very big hammer best used exceedingly sparingly and with specific purpose. I realize that I'm utterly ignorant on this project, but at first blush my mind boggles.

Panasonic LX100 at an effective 38mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Some Undisturbed Serenity
Working my way through the suburbia and back up into the mountains, I took the next old mountain road I could find.

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 1000 — map & image data — nearby photos
Pleasant
a bit messy, but pleasant

Panasonic LX100 at an effective 49mm — 1/100 sec, f/2.7, ISO 1250 — map & image data — nearby photos

Panasonic LX100 at an effective 24mm — 1/80 sec, f/1.7, ISO 200 — map & image data — nearby photos
Where's My Road?
The road I take dives down to the left, out of sight

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Discovering More Construction

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Old Bridge
as the map is redrawn around it
I wanted to go down to look at the obviously-old bridge, but there was no access to it anymore. Looking at Historical Imagery in Google Earth, I could see that even just 15 years ago, it led to a couple of farmsteads (that had been on the flat areas to the left in the photo above), but then about 10 years ago the big bridge I took the photo from was built, obliterating the farms.
Now, the road along the right side of the river has been taken over by construction for an exchange for the new highway, so the little old bridge looks like it will be forever cut off.

Panasonic LX100 at an effective 50mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
Old Little Bridge
with remnants just beyond of a temporary construction-use bridge

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Another New Road
new, but still steep

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.8, ISO 200 — map & image data — nearby photos
Quaint Pass

Panasonic LX100 at an effective 28mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
“Watch Out for Kids”

Panasonic LX100 at an effective 40mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Square Tunnel
under the new expressway, in what used to be the middle of nowhere

Panasonic LX100 at an effective 24mm — 1/125 sec, f/9, ISO 2500 — map & image data — nearby photos
Hidden Thatched Roof
caught my eye from the road above,
so I went back to look...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.5, ISO 200 — map & image data — nearby photos
Looks Fun
Madama Mura Cafe (まだま村カフェ)

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
Dodged a Bullet
the new-expressway construction slices through a few bus-lengths behind me

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2.2, ISO 200 — map & image data — nearby photos
Small Roadside Shrine
also spared the eminent-domain hammer

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Not So Lucky
When I got to a local pass, I noticed a road heading up to the side, so I gave it a try, and found a short but pleasant area that I bet would be wonderfully cool in during a hot summer...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 500 — map & image data — nearby photos
Pleasant Side Road
It led to a little village with a few houses, a restaurant, and this unexpected find:

Panasonic LX100 at an effective 28mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Ibaraki City Christian Artifact Museum
茨木市立キリシタン遺物史料館
They didn't have all that many artifacts inside, but I was surprised to learn that the first Catholic church in the area dated to 400 or so years ago.
I gave the small restaurant a try...

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 1250 — map & image data — nearby photos
Gyudon Lunch
It was getting late, so I headed out of the mountains and through the ugly city until I got to the riverside path presented in the previous post (“Discovering a New Cycling Route from Kyoto to Osaka”), and headed home.

Panasonic LX100 at an effective 60mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Lots of Photographers
lined up like this for kilometers
Every time I go by this wetland area I see some photographers lined up with big lenses, standing around looking cold, but this time there were hundreds stretching as far as the eye could see. I stopped to ask someone what was going on... it seems that there's some kind of owl that they're trying to photograph. Good luck to'em.
On the way home I stopped by the Morning Glory Cafe for crepes and coffee...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
Crowded Parking

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 250 — map & image data — nearby photos
End-of-Ride Reward
The first time I rode a bicycle from Kyoto to Osaka, a year and a half ago (“Cycling Along the River from Kyoto To Osaka Castle”), the 55-kilometer (34-mile) route we were lead on followed roads and paths that traced the eastern bank of the Katsura River and then the southern bank of the Yodo River. For the most part it's a fine route, on nice paths closed to motor vehicles.
The initial paths out of Kyoto are the least developed part of the trip, so I came up with a less muddy, less bumpy exit from Kyoto, but otherwise I'd take the same route every time I went to or from Osaka (including rides blogged about here, here, here, and here).
I got to wondering why we always used only the one side of the river and not the other, and so while I was stuck at home sick over the New Year break, I spent days inspecting data (satellite photos, Strava ride data, etc.) to figure out what roads and paths were on the other side of the river, and updated OpenStreetMaps accordingly. It looked very promising.
Finally, on Jan 7th, I put it to use and gave it a try, resulting in a 101-mile ride down one side of the river and up the other (view at Strava), with various excursions in Osaka, including an all-out assault of the notorious Tenpozan (Mt. Tenpo) climb.
I started out at about 8:40am. I took my standard route south out of Kyoto, but then made my way over to the Katsura River, and at the 11km mark of the ride, crossed the bridge to start exploring areas I'd never ridden in.

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Crossing the River
into no-man's land
Initially there's only a road (not a cycle path) hugging the river, but it has little traffic, and it gives way to a cycle path after a mile or so:

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Cycling Road
(sort of)
This entrance has the first of what turns out to be many of these infuriating gates. Ostensibly they are designed to keep scooters and motorcycles out, but practically speaking, they bang your bike and ankles and cause blood pressure to rise.
The “(sort of)” caption relates to the little sign to the right of the entrance, which says "this is not exclusive to bicycles; if you ride, share the road with pedestrians and mind your manners". Common sense that must be sufficiently uncommon to have prompted the sign. 🙁
Over the next 42km (26 miles) until the ocean, the route jumps on and off paths and roads in a simple, easy-to-follow way, except for at two locations where another river joins, and the way to connect across the wide mouth of the joining river is not straightforward.
It wasn't always apparent in my research just how reliable a path was. The first such iffy spot crossed the mouth of a joining river on a path that looked to be gravel, and indeed it was:

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Shortcut
Short section of dirt
9:34am - taken while moving at 10 kph (6 mph)
This short span (770m / half a mile) of dirt isn't too bad on a road bike, and cuts off a somewhat complex (but paved) route that's 2½ times longer. I'd take the latter if it were rainy.
The dirt path ends at a wide, beautifully-paved cycling path, but with a fully-closed gate that you have to lift the bike over...

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Unsociable Gate
the sign says “No Parking”
I didn't think anything would make me appreciate the ankle-biter gates, but here we are. I suppose I should just skip the shortcut dirt road and avoid the gate altogether.

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Wide, Beautiful Path
with a baseball game going on at right
9:38am - taken while moving at 22 kph (14 mph)
There are parks along much of the river on both sides, collectively known as the Yodogawa Riverside Park. Among the 30-ish miles of park are, as best I can figure from their online reservation system: 28 baseball fields, 7 additional tot-sized baseball fields, 49 tennis courts, 9 soccer fields, 2 mini-soccer fields, 7 gateball fields, 2 track-and-field areas, and numerous park-like places for kids to play and people to walk their dogs.
But even all that doesn't fill up the space much, and much of it is lovely nature:

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Middle of Nowhere
9:42am - taken while moving at 28 kph (17 mph)

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Wide Open
10:04am - taken while moving at 31 kph (19 mph)

Panasonic LX100 at an effective 70mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Landmark Across the River
10:05am - taken while moving at 30 kph (19 mph)
My geographical knowledge is apparently quite compartmentalized, because even though I had ridden nearby (on the path on the other side of the river) many times, I had no real sense for where I was until I noticed the unique water-level-observation tower across the river, which is a landmark about halfway between my house and Osaka Castle.

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Construction Detour
blue wall blocks the cycling path down below
I had to exit the big nice cycling path at one point due to construction slated to last for a few more months, so I returned to the road on the embankment above. There was a less-traveled road down below on the other side (to the right in the photo above), so once the construction is done, this area will have three roads to choose from.

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Unmitigated Asshole
I caught this asshole chucking a can into the weeds, and made him go back to pick it up. He was all nice and apologetic when I first framed it as “you dropped something”, but when I asked whether he thought this country was a trash can, he got all pissy at me.
I just can't comprehend what goes through some people's minds. Sigh. I'm sure he chucked it again the moment I was gone.

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Runway 16 Right
10:54am - taken while moving at 18 kph (11 mph)
What we have above looks to be “IR16.0”, but it's really a line pained across the path, followed by “R 16.0”, and it means “16 kilometers until the river ends, right bank”. in Japanese, banks of a river are labeled “left” and “right” based on what side they are on when standing in the river and facing in the same direction as the flow of the water, so in this case, the north side I was riding on is the “right bank”, and occasionally these distance markers are painted large on the path.

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
First Sign of Downtown Osaka
large buildings of the city visible in the far distance
10:54am - taken while moving at 29 kph (18 mph)

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Three Paths
10:57am - taken while moving at 32 kph (20 mph)
For a while I was riding up on the embankment cycling road. Down on the left is another cycling/service road, and on the right is a normal road. Depending on the wind and your whim, one can mix and match as they like.

Panasonic LX100 at an effective 32mm — 1/800 sec, f/5.6, ISO 200 — map & image data — nearby photos
Big Flood-Control Gates
on the other side of the river, they mark the turnoff to Osaka Castle

Panasonic LX100 at an effective 40mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Path for Shorter Riders
or “Aero position test”, as Antti commented on this photo elsewhere

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Almost There
1.2km to go
11:40am - taken while moving at 29 kph (18 mph)

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
End of the Road
end of the river

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Wildlife Blinds
nearby
Picking my way the 62km (39mi) here took a leisurely three hours.
After a short break, I thought I'd try ascending Tenpozan, Mt. Tenpo, which would require a 12km trip through the city, including through an underground tunnel under a river....

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 800 — map & image data — nearby photos
Going Down
Elevator to an underground tunnel

Panasonic LX100 at an effective 43mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
The Base of Mt. Tenpo
Mt. Tempo Park (天保山公園)
Having arrived at the base, I steeled myself for the brutal climb to the top of the mountain.
Two minutes later, I had put the whole mountain's 4.5m (almost 15 whole feet) of vertical climb behind me, and summited!

Panasonic LX100 at an effective 24mm — 1/1000 sec, f/5.6, ISO 200 — map & image data — nearby photos
Summit of Mt. Tempo
just in front of the lady right of center

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
“Mt. Tenpo Summit”
The surveyed summit is actually a small marker on the ground seen near my bike in the photo above...

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Summit Marker
elevation 4.53 meters
As you may have guessed, it's not really a mountain, but it's officially designated one by the Japanese Government. You can read about it, as I did, on its Wikipedia entry.

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Well-Earned Victory
As a joke, I made a Strava segment for the “full climb”, though it's sort of meaningless even beyond the meaninglessness of the 4.5m “climb.” It suffers from “Undesirable Segment Trait #7”, and all the top matches to the segment are mistakes. Still fun.
The mood at the little park was decidedly eerie because there were swarms of people walking around silently, aimlessly, in moving together in small groups but individually just looking at their phones. It was my first encounter with mass “Pokemon Go”.

Panasonic LX100 at an effective 75mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Aimless Zombies

Panasonic LX100 at an effective 24mm — 1/800 sec, f/5.6, ISO 200 — map & image data — nearby photos
Wheel

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Maze of Steel
a common sight throughout Osaka

Panasonic LX100 at an effective 24mm — 1/1250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Oops
As I flew by the scene, I took in that the truck had obviously taken the corner (just out of frame to the right) too quickly and dumped a bunch of its load, and thought perhaps I should stop and help, but there seemed to be plenty of people there. But moments later it sunk in that I had seen only one elderly man and some little kids, so I went back, took a photo, and got sticky.
The first order of business was to get the young kids, who had just stopped by to help while playing, off the busy road and onto the sidewalk side of things. As seen above, I was vibrantly fluorescent, so I worked on the road side of things, and together with others who stopped by to help, we got everything cleaned up and loaded back onto the truck. I asked the guy what would happen to the oranges... maybe donated to a zoo? He reacted like it was a good idea he hadn't thought of.
When we were done, I asked whether I could have a good orange to eat, which of course was given with thanks. My hands were bathed in dirty orange juice, so like the kids before me, I went off to find a place to wash them. Unlike the kids, I found a place close by, and when I returned to get my bike, found the man had put the kids' toys into a pile, along with a few good oranges, for them to enjoy when they returned.

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Waiting Rewards
Continuing on my exploration, I passed by Universal Studios Japan, which I'd heard about often (Anthony has gone with his friends), but had never been to....

Panasonic LX100 at an effective 28mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Passing By
Universal Studios

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Crazy Ramp
to get up to a bridge
This ramp spirals up to get to a big bridge...

Panasonic LX100 at an effective 24mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
No Wheelchair Access
last bit of the ramp

Panasonic LX100 at an effective 28mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Finally Up Top

Panasonic LX100 at an effective 28mm — 1/1250 sec, f/5.6, ISO 200 — map & image data — nearby photos
View from the Bridge
As the bridge approached the other side, the most heinous-looking building I have ever seen came into view:

Panasonic LX100 at an effective 50mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Ugliest Building Ever
I didn't know what it was, but I assumed it must be a Love Hotel with a name along the lines of “The Veined Penis”, or something like that. It is truly hideous. It turns out that it's a trash-incinerator plant, so I suppose it's destined for self-immolation.
I passed by as quickly as I could.

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Nope
access to the next bridge is denied
I suppose I should explain at this point what I was doing. After Mt. Tenpo, I wanted to try to head out to the ocean as far as possible, which meant hopping two man-made islands. I'd made it to the first, but was denied access to the only bridge to the second:
The island that I was on was getting built around the time I first came to Japan (1989). I tooled around it a bit. It has a lot of nature areas devoid of anything but a path going through, and occasionally a toilet:

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Seemingly Mild-Mannered Toilet
in the middle of nowhere on an island off the coast of Japan

Panasonic LX100 at an effective 30mm — 1/80 sec, f/7.1, ISO 320 — map & image data — nearby photos
Most Self-Important Bathroom Ever
The sign to the left of the entrance says “Location Shooting Prohibited Without Permit!!” and “If Discovered, Police Will Be Contacted!!”, each sentence replete with dual exclamation points.
Geez. It really difficult to imagine what events would have had to transpire to result in the need for a sign like this.

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Returning to the Mainland

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
End of the Yodo River
or so I thought
The picture above is looking up the river toward Osaka and Kyoto, but it turns out that it's not the Yodo River, but the confluence of it and two other rivers. Perhaps officially it's considered open sea? In any case, I had to ride almost a mile along the bank until I got to the river:

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
End of the River
officially, “L0.0”, across from where the land stops on the other side

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
“Yodo River Distance Marker”
Left Bank 0.0 Kilometers

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
60km to Kyoto
I had 10km (6.2mi) to get to the turnoff to Osaka Castle, where I'd then join the cycling road that I've taken many times.

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Starting Off Beautifully
with downtown Osaka ahead in the distance
2:46pm - taken while moving at 28 kph (17 mph)

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Yuck, Gravel
some spans early on are gravel

Panasonic LX100 at an effective 24mm — 1/160 sec, f/5.6, ISO 200 — map & image data — nearby photos
Approaching The Osaka-Castle Turnoff
to finally join roads I'd done before, 50km from home
When riding from Kyoto to Osaka, we'd never come through the gate here, so I somehow thought it was not possible. OpenStreetMap also showed it was not possible, but it was most assuredly possible, via the same ankle-biter gates seen everywhere else along this river. (After returning home, I updated this in OpenStreetMap, as well as many hours' worth of other updates based upon my actual experiences on the ride.)

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 320 — map & image data — nearby photos
Just Desserts
Crepes at Cafe Morning Glory, southern Kyoto
While enjoying my coffee and crepes, I noticed that I would almost have a 100-mile ride by the time I returned home, so I took a longer path home, so I got my 12th “century ride” (100+ mile ride).
Here's the Relive video of the ride:

Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1.6 sec, f/14, ISO 1600 — map & image data — nearby photos
Kyoto in the Snow
from a big snowfall two years ago
今回の写真は二年前の大雪の時の写真です。
Kyoto recently had a fairly big snow, but I didn't get out for photos, so I thought I'd post some additional photos from a pair of big-snow days that Kyoto had two years ago. First there was “Kyoto’s Biggest Snow in 58 Years” and its followup, about the big snow that started on New Year's day (2015). Then, two days later, there was an even bigger snow that garnered “Kyoto At Night During a Heavy Snow” posted in three parts (parts one, two, and three).

Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/320 sec, f/2.8, ISO 1100 — map & image data — nearby photos
City Bus

Nikon D4 + Nikkor 70-200mm f/2.8 @ 120mm — 1/500 sec, f/2.8, ISO 560 — map & image data — nearby photos
Heian Shrine
平安神宮

Nikon D4 + Nikkor 70-200mm f/2.8 @ 78mm — 1/320 sec, f/2.8, ISO 720 — map & image data — nearby photos
Man & Dog

Nikon D4 + Nikkor 70-200mm f/2.8 @ 160mm — 1/640 sec, f/2.8, ISO 3600 — map & image data — nearby photos
Roof Detail

Nikon D4 + Nikkor 70-200mm f/2.8 @ 86mm — 1/800 sec, f/2.8, ISO 400 — map & image data — nearby photos

Nikon D4 + Nikkor 70-200mm f/2.8 @ 150mm — 1/640 sec, f/2.8, ISO 900 — map & image data — nearby photos
Omikuji
(described here)

Nikon D4 + Nikkor 70-200mm f/2.8 @ 116mm — 1/500 sec, f/2.8, ISO 450 — map & image data — nearby photos

Nikon D4 + Nikkor 70-200mm f/2.8 @ 86mm — 1/400 sec, f/2.8, ISO 220 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 66mm — 1/8 sec, f/2.8, ISO 1600 — map & image data — nearby photos
Evening Long Exposure
which reminds me that I need to
redo “Shutter Speed’s Effect on Falling Snow”

Nikon D4 + Nikkor 24-70mm f/2.8 @ 31mm — 1 sec, f/9, ISO 1600 — map & image data — nearby photos
12:45 am

Nikon D4 + Nikkor 24-70mm f/2.8 @ 40mm — 2 sec, f/2.8, ISO 1600 — map & image data — nearby photos
Out of Focus
so given somewhat of a funky/creamy treatment

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1.3 sec, f/2.8, ISO 1600 — map & image data — nearby photos

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1.6 sec, f/8, ISO 1000 — map & image data — nearby photos
Nanzen Temple (南禅寺)

Nikon D4 + Nikkor 24-70mm f/2.8 @ 45mm — 30 sec, f/11, ISO 2500 — map & image data — nearby photos
Nanzen Temple Main Gate

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 6 sec, f/11, ISO 2500 — map & image data — nearby photos
Shoin'an (正因庵) at the Nanzen Temple (南禅寺)

Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1 sec, f/8, ISO 2500 — map & image data — nearby photos
The Same Bus Stop
as seen in the 2nd photo

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/5.6, ISO 3200 — map & image data — nearby photos
A Pretty Picture
a kusaridoi at the Eigenji Temple (永源寺), in Shiga Japan
Rob Cole used to be one of the more prolific engineers creating plugins for Adobe Lightroom, until two years ago when he seemed to have fallen off the face of the Internet. His web site vanished, taking with it his valuable trove of solutions for photographers, and at the same time, his active participation in online forums stopped.
For the past two years no one in this facet of his life knew what had happened, but I've finally learned today that Rob passed away unexpectedly in January 2015.
This situation brings to mind “On the Permanence of One’s Online (and Offline) Presence” from seven years ago, but in this case the online presence disappeared at the same time he did. Judging by the various messages from his users that I've received since Rob disappeared, I know his work had helped a lot of people. For what it's worth, I've reached out to his family to see whether they'd like to find a way to make it available again, if they even have access to it.
Anyway, since his disappearance was so unsettling, I'm posting this to provide some closure to those that knew him online. Rest in peace, Rob, and condolences to your family.
I had a long and interesting bicycle ride down to Osaka last weekend that I've been wanting to write about, and I thought I might finally get around to it yesterday, but I went on a ride instead. Today, I'll just share some pictures from yesterday's shorter (76km/48mi) ride (view at Strava).

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Destinations One and Two
the hill in the foreground and the mountain in the background
( they don't look like much from here )
First I visited a bump of a hill covered in bamboo and bamboo farming, with quaint roads running here and there through it.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/2, ISO 200 — map & image data — nearby photos
Entrance to the Bamboo Forest
( one of several )

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 640 — map & image data — nearby photos
Road Sliced Through the Grove
I didn't know what to expect when I got to the bamboo-grove hill (“mountain” is too much for this), but the road I happen to have entered on started off with quite the little climb, 300m (330yd) at 15%. The two photos above are from that road. I guess it's not well known, because I made a Strava segment for it and only seven people had ridden it prior. A shame.
Once you're up top, you can see bamboo put to use with various fence designs...
Each design is explained a bit with little signboards. The one below describes the photo above, along the lines of “infinitely rolling waves”...
This was my first visit by bicycle, but I'd actually visited part of this grove some years ago by scooter, a few of the photos from that trip later appearing on “Photos of Farming in Japan for Captain Bill” three years ago.
This time by bicycle I made sure to do all the roads. It was nice.

Panasonic LX100 at an effective 35mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
View from the Bottom
The picture above, which I took while exiting the hill, happens to show just how flat the area is; it's near the bottom of the hill, but the view is sweeping. I didn't take the photo for the view, though, but as a memo to myself that the road jigs to avoid a barrier and some steps. As I mentioned the other day in “Updating Maps for Cycling, Including Japan’s Pseudo One-Way Roads”, I spend considerable energy updating OpenStreetMap, so I take photos like the one above to remind myself to ensure that the map is correct.
I meandered around to try different roads through the groves...

Panasonic LX100 at an effective 43mm — 1/125 sec, f/2.5, ISO 1600 — map & image data — nearby photos

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
Happy and Sad
While wandering around I came across this little side alley diving down the mountain, bathed in rich light filtering through the bamboo. The beautiful scene makes me happy, as well as the small sign on the right pointing down the road to a “kids' (play) area”, but the sign on the left makes me sad, saying “beware of perverts”. I shudder to think what prompts the need for such a sign, but they're not all that uncommon. Here's another one.
The alley doesn't go very far, but halfway down is the turnoff for the kids play area, which I thought had a lovely mood despite the previous sign...
It had the kind of ambiance I'd expect to see a movie scene shot in.
Unfortunately, the whole alley was just 100m long, but at 18%, a bit steep. It probably wasn't worth it, but I made a segment for it.
From there I made my way to the next destination, the mountain road on which the Yoshimine-dera Temple sits, a temple on a large picturesque site that I've been to a number of times, most recently “The Whole Gamut of My Blog In One Spectacular Visit to the Yoshiminedera Temple”.
The first half of the climb, up to the temple's parking-lot entrance, is 2.6km (1.6mi) at an average grade of 10.4%, though the last half a kilometer averages 17%. Passing the parking-lot entrance, you then start what seems to be an even steeper set of more than a dozen switchbacks up the mountain, above and behind the temple, though in reality this second half of the climb averages only 9.5% for its 1.4km (0.9mi).
These distances and slopes are just guesses, because it's difficult to figure out just how long the road is. For some reason, all the maps I've seen of the second half of the climb are wrong, each disagreeing wildly from the others and from reality (the latter I can check via the meager satellite-photo views that are available, and by trying to follow the maps while viewing video from my bike's front camera of my climbs).
GPS tracks are worthless as references because of the bad signal one gets in these steep mountains. Even the government road-outline data I use (described here) is patently wrong.
I've updated OpenStreetMap for the area as best I can, but not yet confidently enough to make one of my “surveyed” segment for Strava.
Anyway, about yesterday's ride, I had a lot of apprehension about the climb. I'd done the first half only once before, early on in my cycling life, as reported in “A Day of Vertical-Climb Cycling Torture in Western Kyoto”. When I did that ride, its 2,490m (8,170') of vertical climb was a record for me. Now, a year and a half later, it just slips into my top 25. It wouldn't be a noteworthy ride for me now, but the memory of how tough the climb was is vibrant.
So goal was simple: do the whole thing (both halves) in one go, without stopping. This harks back to when I was just getting started in cycling and my goal for a tough climb improved from “don't quit” to “don't stop”.
In the end, it was easier than I thought, especially since the road was dry and so I didn't have to worry too much about slipping on the steepest parts.
I stopped for a few minutes to eat some energy cookies and chocolate yokan at the place described in “Without Fate: Dumping Ground of Monumental Proportions”.
It was a mistake to take a break at the top of the mountain, as the combination of sweat and cooling down made me quite cold once I got on my way. My route took me deeper into the mountains, so the actual temperature fell as well, down to just a smidge above freezing.
The route went up and down mildly for a while, and then I took a turn I'd not taken before, and the road dropped like a rock. The first kilometer dropped at 13%, and as is my tendency when my first exposure to a road is as a descent, the thought of climbing it sent figurative chills up my spine to match the literal ones from the previous paragraph.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5, ISO 200 — map & image data — nearby photos
“Village”
seems too generous a word for a few houses in the middle of nowhere
I eventually descended into Kameoka City and rode across it toward Mt. Atago.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
From the Pre-Climb Foothills

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 — map & image data — nearby photos
Passable by Bike
The OpenStreetMap data that my routing was based upon wasn't very good in the village just before the climb, and I was routed over some questionable “roads”, including some short unpaved areas. The road above is lovely, but had I been in a car, the bollards would have been quite the surprise.
I've since updated the map.

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Getting Near Sunset

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Atago Shrine
I assume associated with the Atago Shrine at the top of the mountain

Panasonic LX100 at an effective 24mm — 1/60 sec, f/1.7, ISO 320 — map & image data — nearby photos
Pre-iPhone-Era Selfies
One serendipitous side effect of the bad routing is that I came across these statues, which of course immediately reminded me of this place. These statues were less whimsical, but still interesting in their unexpectedness. According to a plaque, they are self portraits done by class-of-1989 graduating seniors of the local high school.
I then climbed up Mt. Atago via a little-used road that I'd been on only once before, as a descent, on this ride in October. The road can be a bit rough in spots, but otherwise it's a lovely climb and so I was shocked to find that there wasn't even a Strava segment for it. I made a quick segment from my ride data, and found that only eight others had done before. Very surprising.

Panasonic LX100 at an effective 26mm — 1/100 sec, f/1.9, ISO 3200 — map & image data — nearby photos
Lovely

Panasonic LX100 at an effective 24mm — 1/80 sec, f/1.7, ISO 200 — map & image data — nearby photos
River-Observation Platform
at a dam, without much river at the moment
After that it was just a straight shot home, though I did divert a bit to do a little 23%-grade climb on the way home.
Overall, it was a satisfying ride.