In my previous post, "Changing Lenses", I showed a picture of a friend in front of a serious splash of fall colors. The leaves were so low in the view because we were at the top of a set of stairs. From the bottom of the stairs, looking up, the view was the impressive canopy seen above.

The view was pretty impressive from most everywhere...

In the background of the center of the shot above, you can just barely make out bits of the namesake for my "Gate of Disrepair" post.

The shrine area itself is fairly small, but picturesque...

From our visit last month that yielded the "Gate of Disrepair" post.

Continued here...

So, the other day, I posted the above photo without a title, soliciting captions. Almost two dozen suggestions later (all of which were kept hidden until after I posted this followup, so as not to influence subsequent suggestions) and the overwhelming theme is "layers" and "strata".

Of course, the wonderful banding of different colors and textures is what prompted me to take the photo in the first place. It took it from my balcony, looking across the little stream next to our place to the path on the other side. I've lived here for four years and never noticed it [...]

This post – #1,392 on my blog – is by far the longest I've ever endeavored to write, and yet at the same time one of the least fulfilling to present.

Great vistas like the Grand Canyon or an old palace find their magnificence in the wide view, in the sum of their parts, but the gardens around the workshop of the centuries-old Nishimura Stone Lanterns find their magnificence in an attention to detail. A wide view can help present a context for something of interest, but this site is definitely a case where the sum of the parts is [...]

As I mentioned yesterday, the visit to the workshop and gardens of Nishimura Stone Lanterns (a fifth-generation hand stone-carving business) and their back garden was an amazing, overwhelming, mentally draining experience.

I haven't even given my photos a first-pass inspection, but soon after taking the photo above I knew it was emblematic of our time there, and knew that I would post it early.

Here's a photo by Paul Barr of me taking it...

As you can see in Paul's shot, the leaves are resting on a fairly simple square column, with a few adornments at the top, ending with [...]