Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/8, ISO 110 — map & image data — nearby photos
Shodensanso Villa (松殿山荘), Uji Japan
As I mentioned in “Oppressive Crowds at the Shodensanso Villa” the other day, I paid my first visit to the “mountain cottage” Shodensanso (松殿山荘) this weekend. It's a half-hour drive south-east from my place in Kyoto, just over the border into Uji City.
From the makeshift parking area created for the special event, the path up to the villa looked like an empty river bed or canal.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
around the corner
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/320 sec, f/13, ISO 2500 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 60mm — 1/250 sec, f/8, ISO 1000 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/125 sec, f/2.8, ISO 100 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/160 sec, f/10, ISO 1000 — map & image data — nearby photos
(some hours later)
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/6.3, ISO 360 — map & image data — nearby photos
(even more hours later)
Anyway, after coming up through the gate, one can approach the main house...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 31mm — 1/125 sec, f/2.8, ISO 1000 — map & image data — nearby photos
on the left
likely the one used by the family on a day-to-day basis
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/125 sec, f/2.8, ISO 100 — map & image data — nearby photos
on the right
I didn't notice it at the time, but the lowermost tiles along the edge of the roof have the name of place embedded in them. I took a photo of similar tiles at another spot when I noticed it some hours later...
The characters are clearly the name of the place, 「松殿山荘」, backwards, but the form of the characters are quite different from normal. I recognize one (how they wrote 「山」) as being an archaic form, so perhaps they all are.
And speaking of odd ways to write the characters, the name of the place is also written large above the main entrance, as seen in this detail shot:
Nikon D4 + Nikkor 24-70mm f/2.8 @ 44mm — 1/200 sec, f/2.8, ISO 900 — map & image data — nearby photos
Again, it's written backwards, but the form used is the normal modern form except for the one at the far right, which should be written 「松」, but instead has the left/right parts rearranged in an above/below way as「木公」. I've never seen a “rearrangement” like this in Japanese, so I'm not sure what to make of it.
That 木-over-公 character and also the reverse form, 公-over-木, are on record; the former is classified by zdic.net as a Japanese variant, while the latter is found in the こうきじてん:
http://www.zdic.net/z/1b/js/67A9.htm 枩: 同松(日本汉字)
http://www.zdic.net/z/1b/js/6780.htm 《康熙字典‧辰集中‧木部》 枀: 同松。
i’d say the characters on the tiles are in (slightly archaized) 隷書体(れいしょたい) as can be gleaned by searching google for that term (http://goo.gl/wHsKjw).
Very interesting, thanks. I would have never guessed that it had a Unicode entry (枩). —Jeffrey
2014 11 27 13:30 Burlington, Ontario Canada. Not Thanksgiving Day, we have ours the second Monday in October.
An odd question perhaps. In this site and elsewhere too was there much if any damage inflicted on these photographic locations (specifically temples and gardens) during World Ware II?
And too is there mention of WWII anywhere on these photographic jaunts.
Kyoto was largely untouched by direct bombings during WWII, so there’s not that kind impact. But the war certainly impacted the lives of folks, though I don’t know how it might have impacted the guy who built this place. I know that iron was often confiscated (e.g. as mentioned in passing at the end of this post), but that probably wouldn’t have affected a place like this. —Jeffrey