
Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/2.5, ISO 200 — map & image data — nearby photos
Backlit and Spacey
Plum blossom at the Kitano Tenmangu Shrine (北野天満宮), Kyoto Japan
As I mentioned in my previous post, the plum is starting to bloom in Kyoto. One of the famous spots for it is the Kitano Tenmangu Shrine (北野天満宮), which has a large orchard that you can visit for 600 yen (about US$7). It's not worth paying to see the orchard yet, though, because the blossoms are pretty sparse. I got my calendar confused, so paid to go in...

Nikon D4 + Nikkor 24mm f/1.4 — 1/3200 sec, f/1.4, ISO 200 — map & image data — nearby photos
Slim Pickings
plum orchard at the Kitano Tenmangu Shrine (北野天満宮)
Close ups on individual branches are still fruitful, but you can get plenty of that in the free open area of the shrine. It's when the orchard is brimming with blossoms that it's worth a specific visit.

Nikon D4 + Nikkor 24mm f/1.4 — 1/2500 sec, f/1.4, ISO 200 — map & image data — nearby photos
Occasional Blossoms

Nikon D4 + Nikkor 24mm f/1.4 — 1/400 sec, f/16, ISO 3200 — map & image data — nearby photos
What You See In Person

Nikon D4 + Nikkor 24mm f/1.4 — 1/3200 sec, f/1.4, ISO 200 — map & image data — nearby photos
Same Scene
with a big-aperture lens

Nikon D4 + Nikkor 24mm f/1.4 — 1/2500 sec, f/1.4, ISO 200 — map & image data — nearby photos
Slightly Different Focus
The slight change in focus to the blossom at the leading part of the branch gives much more depth to the result, I think. (The difference becomes apparent when you view them at the large click-through size.) The final shot has the background more “receding into the distance” than “in the background”, as if the tree is reaching out to the viewer.
I'm probably reading too much into it, but I like “Slightly Different Focus” much better than “Same Scene”.

Nikon D4 + Nikkor 50mm f/1.2 — 1/5000 sec, f/1.2, ISO 200 — map & image data — nearby photos
Somewhat Hazy
I think my 50mm f/1.2 lens needs to be adjusted

Nikon D4 + Voigtländer 125mm f/2.5 — 1/1000 sec, f/2.5, ISO 200 — map & image data — nearby photos
Path and Buds
The next two shots differed only in the aperture, and I can't tell which I prefer...

Nikon D4 + Voigtländer 125mm f/2.5 — 1/1250 sec, f/2.5, ISO 200 — map & image data — nearby photos
Wide Open at f/2.5

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/5.6, ISO 320 — map & image data — nearby photos
Stopped Down to f/5.6

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/5.6, ISO 500 — map & image data — nearby photos
Creamy Bud

Nikon D4 + Voigtländer 125mm f/2.5 — 1/1250 sec, f/2.5, ISO 200 — map & image data — nearby photos
Unfurling

Nikon D4 + Voigtländer 125mm f/2.5 — 1/800 sec, f/2.5, ISO 200 — map & image data — nearby photos
Dish Array

Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/4, ISO 400 — map & image data — nearby photos
Totally Cheating
I brought a small mist-spray bottle of water, to see whether I might get some nice effects. I felt slightly slimy using it, and I don't think the water added much in this case, but it's still a nice shot.
I enjoyed seeing your experiments with depth of field, particularly “Backlit and Spacey”. One other thing you might try is to separate the flower from its background using an off-camera flash (with the exposure in the range of 1/200 to 1/250 and f/11 to f/16). This approach produces an image of the flower on a black background. I’ll e-mail you an image from my garden. Regards, Tom
I’ll have to give that a try. Wish the D4 had an on-board flash to use as a commander, though. I have two speedlights, but one would be less bulky. —Jeffrey