
Nikon D200 + Nikkor 85mm f/1.4 — 1/350 sec, f/2, ISO 400 — map & image data — nearby photos
Layer After Layer after Layer
of mini sub-shrines
at Kyoto's Fushimi Inari Shrine
In my running set of posts about my visit to the Fushimi Inari Shrine in south-east Kyoto, I showed the paths lined with thousands of gates that the shrine is famous for, but I ended the most recent installment – Fushimi Inari Shrine: Foxes, Treasure, and More with the teaser that there was so much more than just the gates.
We didn't have a map, so we took what turned out to be a side path that later looped back to the main path....

Nikon D200 + Nikkor 85mm f/1.4 — 1/90 sec, f/4, ISO 500 — map & image data — nearby photos
Anthony on a Side Path
with his two “walking” sticks, that ended up being
more for poking things than anything else
It was great luck to take this side path, because in doing so we discovered a wonderful visual treasure: an area jam packed with a mishmash of a bazillion “sub shrines”.
As I speculated in my first post, it seems that each of these sub-shrines represents an Inari Shrine elsewhere in Japan, providing a physical presence for the real shrine here at the head Inari shrine. (“Inari” shrines being dedicated to business success, material wealth, and foxes, among other things.)

Nikon D200 + Nikkor 17-55mm f/2.8 @ 31 mm — 1/250 sec, f/2.8, ISO 500 — map & image data — nearby photos
Mishmash of Old Sub-Shrines
This small area was just packed with history. You could see generation after generation after generation of additions as it was expanded over time. It's all nestled in the middle of the mountains, so expansion often involved constructing stairs and carving out a flat terrace.
Some of it looked as if it had been completed yesterday – very modern, with proper drainage and smooth, polished cut stone – but more often than not it looked to be hundreds of years old. The photo above shows some very weathered stones.

Nikon D200 + Nikkor 17-55mm f/2.8 @ 17 mm — 1/160 sec, f/4.5, ISO 400 — map & image data — nearby photos
Relatively Modern Area

Nikon D200 + Nikkor 85mm f/1.4 — 1/125 sec, f/4.5, ISO 400 — map & image data — nearby photos
Everywhere, Foxes
It's an incredibly visually-rich area. Anthony ran around and explored as I tried to see what I could capture photographically, but his attention span matches his age (five years old), so I didn't have much time.

Nikon D200 + Nikkor 85mm f/1.4 — 1/160 sec, f/3.5, ISO 500 — map & image data — nearby photos
Gate of Stone
In looking over the photos when I got home, I was struck by how often the sense of scale was totally lost in the photo. For example, the gate in the photo above is about a foot or so tall, with the center plaque thing being about the size of a deck of cards. (You can also see it in the center of the “Relatively Modern Area” photo above.)
On the other hand, the gate in the center of this next photo is huge, with life-sized horses flanking it...

Nikon D200 + Nikkor 17-55mm f/2.8 @ 55 mm — 1/125 sec, f/4.5, ISO 500 — map & image data — nearby photos
Large Sub-Shrine
with horses, no less
At least I think the horses were life sized... they really look like toys in the photo, so I'm not 100% sure.
Near the entrance to the area was a large map showing the location of sub shrines by number...

Nikon D200 + Nikkor 17-55mm f/2.8 @ 35 mm — 1/500 sec, f/6.3, ISO 500 — map & image data — nearby photos
Sub-Shrine Locator Map
showing a sense of clarity and order that is wholly obscured by reality
The map shows no indication of the visual chaos that envelops the site. The map is boring. The site is amazing.

Nikon D200 + Nikkor 17-55mm f/2.8 @ 35 mm — 1/160 sec, f/4.5, ISO 500 — map & image data — nearby photos
Not Boring

Nikon D200 + Nikkor 85mm f/1.4 — 1/500 sec, f/1.6, ISO 400 — map & image data — nearby photos
Nope, Not Boring

Nikon D200 + Nikkor 17-55mm f/2.8 @ 55 mm — 1/90 sec, f/2.8, ISO 400 — map & image data — nearby photos
Sub-Shrine Piled With “Offering Gates”

Nikon D200 + Nikkor 85mm f/1.4 — 1/200 sec, f/2.8, ISO 400 — map & image data — nearby photos
Lotsa' Foxes
Of course, this is Japan, so any area of beauty or interest must be marred with lots of wires, utility poles, etc. It's the law.

Nikon D200 + Nikkor 17-55mm f/2.8 @ 55 mm — 1/320 sec, f/2.8, ISO 500 — map & image data — nearby photos
Par For the Course
sigh
Keep the kitsune coming!
I have loved these statues since I “discovered” them on the Corbis site long time ago.
Why do the foxes seem to have bibs tied on as if ready to dine?
I haven’t the slightest clue, but I, too, would like to know. —Jeffy
I love the first shot in this post, layer after layer. Nice work.
The red bibs are an offering to the kitsune (which are the messengers of the God Inari) and they mean that you’re willing to clothe them, keeping them warm.
The male fox, Osusuki, holds the key to the granary in his mouth and his mate, Akomachi, holding the wishing stone.
Whoops! I’m sorry. I should have started with: DANG! Amazing pictures!!!!
My bad. ^__^