A couple of weeks ago I had a nice 130km (80 mi) ride with Manseki and Gorm, in an area to the south-east of Kyoto I'd never been. Here's the trip as seen at Strava:

DMC-SZ9 at an effective 26mm — 1/250 sec, f/9, ISO 100 — map & image data — nearby photos
Heading Out Early
8am along the Kamo River in Kyoto
photo by Manseki Kanemitsu
Our exit from Kyoto was on the riverside path toward Osaka. We used my new egress route to avoid the bone-jarring mud and bumps of the riverside route in the southern part of the city, then continued on the riverside path that I first posted about here.
After crossing some big rivers, instead of heading southwest toward Osaka, though, we headed southeast toward Uji. It was my first time on this route.

DMC-SZ9 at an effective 26mm — 1/250 sec, f/9, ISO 100 — map & image data — nearby photos
Heading Toward Uji
photo by Manseki Kanemitsu
We were suddenly in tea country...

Panasonic LX100 at an effective 24mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Rows Of Tea Plants
In the background of the photo above you can see the Kidzu River Nagarebashi (木津川流れ橋), a simple wooden bridge known for being swept away by rushing water fairly often. It just reopened this year after having been closed all of last year after it had been swept away the year before.

Panasonic LX100 at an effective 75mm — 1/640 sec, f/5.6, ISO 200 — map & image data — nearby photos
Walking Across
Kidzu River Nagarebashi (木津川流れ橋)

Panasonic LX100 at an effective 43mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Thick Wire Rope
I'm not quite sure what the wire rope is for. The bridge gets swept away fairly often.... of late, it was swept away in 2011, 2012, 2013, and 2014. After 2014 there was apparently some resistance to spending money to replace it yet again, so it took until this spring for it to be replaced. I was told that this time they used thicker wire ropes, but in looking how they're lightly attached, I'm not sure what they're for. I'd think they'd want them parallel to the force of the water, not perpendicular.
This is normally the kind of situation where I'd think “well, someone must know what they're doing.”, but considering the bridge's recent track record, perhaps not.

Panasonic LX100 at an effective 31mm — 1/500 sec, f/5.6, ISO 200 — map & image data — nearby photos
Gorm and Manseki
We eventually made our way back to civilization and stopped by a convenience store. They had a bike stand for road bikes, where you hook the seat over a bar. One doesn't see this at convenience stores often, so it's an indication of how many frequent this particular location.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Manseki Parks His Bicycle
Finally, 35km (22mi) in, we get to the start of the real ride, a 360m climb (1,170') though what seemed to be a jungle...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Finally Heading Up

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Raw, Natural, Overgrown
felt like a jungle
Most mountain roads in this part of Japan pass through forests of farmed ceder trees. They seem rough and wild, but the trees are all ceder and are well spaced and exceedingly straight. They don't “feel” farmed in that it might be 20 or 40 years of human non-interaction between harvests, but once pointed out, the wildness and variety of an area like the one seen above is stark in comparison.

Panasonic LX100 at an effective 28mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Another Kind of Cyclist
As I went past, I slowed a bit to chat. Never having ridden a recumbent bicycle, I'm left with the impression that it looks awkward and scary. He said it does take some getting used to, but one immediate benefit, he said, is that your butt doesn't hurt.
On that tangent, I usually don't wear “real” cycling pants because I don't like the “bun pads” they have. I think they look ridiculous but would use them if I felt they were needed, but I guess my rear is whatever-enough to not require them. I've done multiple 200+km rides without them and I'm fine. But you wouldn't believe the crap other cyclists give me because I don't conform to the diaper-pants norm.
Anyway, Gorm, Manseki, and I eventually made it to the top, where other cyclists were already resting.

DMC-SZ9 at an effective 26mm — 1/60 sec, f/3.1, ISO 160 — map & image data — nearby photos
Rest at the Top
photo by Manseki Kanemitsu
Continuing down the other side, we soon came to our first nice view of the day...

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Expansive View

Panasonic LX100 at an effective 24mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Three Musketeers
photo kindly taken by a passing cyclist

Panasonic LX100 at an effective 60mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Beautiful, But Sadly Hazy

Panasonic LX100 at an effective 30mm — 1/125 sec, f/4.5, ISO 200 — map & image data — nearby photos
Mini Tea Train
The view spot was at the top of a mountainside tea field, and at the edge was a little monorail used to bring equipment up and down. I would have loved to ride in it. 🙂
The descent down the other side seemed ridiculously steep, and I was glad at the moment to have done it the longer, less steep way.

Panasonic LX100 at an effective 28mm — 1/125 sec, f/4, ISO 200 — map & image data — nearby photos
Quickly Down

Panasonic LX100 at an effective 40mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Tea Even In The Switchbacks
higher-quality tea plants are covered to protect from direct sunlight

Panasonic LX100 at an effective 40mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
Small Tea Community

Panasonic LX100 at an effective 27mm — 1/200 sec, f/5.6, ISO 200 — map & image data — nearby photos
Obvious Photo Op
photo by Manseki Kanemitsu

Panasonic LX100 at an effective 24mm — 1/250 sec, f/5.6, ISO 200 — map & image data — nearby photos
On the Move Again
with tea fields tucked in everywhere around here
Our route then took us up another climb to a “plateau” (sort of) where for the next 30km the road undulated up and down with many short (50-100m) climbs.

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
Little Rural Community
The highest point for us was a little viewing area near where three prefectures come together (Kyoto, Shiga, and Mie).

DMC-SZ9 at an effective 26mm — 1/800 sec, f/3.1, ISO 160 — map & image data — nearby photos
Arrival
photo by Manseki Kanemitsu
There was some drama in getting here, involving a bit of mis-communication and a wrong turn, and Manseki had mistakenly gone down the other side of the mountain past this point. He'd descended 100m of elevation before realizing his mistake when I asked him where he was (thank goodness we both had cell reception), and paid for the mistake by having to reclimb that 100m.
So we were all ready for a little break.

Panasonic LX100 at an effective 24mm — 1/320 sec, f/5.6, ISO 200 — map & image data — nearby photos
What a View
Other than to cartographer geeks, I'd think that the point where three states meet would be fairly uninteresting, but the name of the area (三国, meaning “three countries”, or perhaps more properly in this case, “three kingdoms”) implies that it has a long history dating back to before Japan was a single unified country.
Considering the work it took us to get here on nicely-paved roads, I can't imagine what it must have been like 1,000 years ago, and why they wouldn't pick a more congenial location for inter-kingdom diplomacy.
As well as the highest point of the trip, it was the furthest, and we headed back north. We stopped in one of the small villages for drinks, which had a small traditional market that was the 50-years-ago version of a convenience store.

DMC-SZ9 at an effective 26mm — 1/800 sec, f/3.1, ISO 160 — map & image data — nearby photos
photo by Manseki Kanemitsu

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 — map & image data — nearby photos
Rice-Farming Community
The day's route was one that Manseki had done by himself recently, but for part of the return home I suggested some roads he wasn't familiar with, and it turned out that they were lovely.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 640 — map & image data — nearby photos
Lovely Little CLimb

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.7, ISO 400 — map & image data — nearby photos
3:05pm - taken while moving at 15 kph (10 mph)
In particular, this descent was one of the most beautiful I've ever done. I've no photos because I was just enjoying it too much. It's a descent that one wants to savor and enjoy, so it's not a segment you want to PR on.
After working our way through Otsu and Yamashina and into Kyoto proper, I parted ways with Gorm and Manseki, to head to my corner of Kyoto. On the way I popped up to Shogunzuka, which I used to go to often to (try to) photograph the sunset....

Panasonic LX100 at an effective 75mm — 1/125 sec, f/5.6, ISO 200 — map & image data — nearby photos
Looking Out at Kyoto
Shogunzuka Overlook (将軍塚)
One of my first posts from the area is “Views of Kyoto From Shougun-zuka”, nine years ago, but the list is long. You can get a sense for the variety of views on my photo-proximity search page.
This day the view didn't have anything special in store, with lots of haze and relatively flat light.

Panasonic LX100 at an effective 30mm — 1/1600 sec, f/5.6, ISO 200 — map & image data — nearby photos
It's just as well, since I didn't have a real camera with me.
I felt great when I got home, but soon fell asleep in my La-Z-Boy, so I guess the ride took more out of me than I first realized.
All and all, a great ride with great people.
” I was told that this time they used thicker wire ropes, but in looking how they’re lightly attached, I’m not sure what they’re for.”
Handholds, for the people who happen to be on the bridge next time it’s swept down the river?
“but I guess my rear is whatever-enough to not require them”
Of *course* your butt doesn’t get sore. It’s protected by your helmet!
(I can’t believe there aren’t at least three other identical comments on here already!)
What a great ride and photos–felt like I was riding along with you. Thanks as always.
Janet
Seattle
Funny, just today I saw a documentary about bridges in Japan (on NHK World), specifically explaining the idea behind the Nagare-bashi. You can find an explanation e.g. here as well: http://www.kiis.or.jp/kansaida/yawata/yawata03-e.html