Nikon D4 + Voigtländer 125mm f/2.5 — 1/640 sec, f/2.5, ISO 2500 — map & image data — nearby photos
soybeans, prior to becoming tofu
I had a fantastic experience on Friday, part of which included making tofu from scratch with an 80-year-old lady in her old farmhouse in northern Shiga prefecture, about an hour from Kyoto.
She's five-foot-nothing of pure grandmotherly warmth, but was a bit shy of the camera, so my photos of her don't really reflect her incessant beaming smile. I was there as a photographer on behalf of Tour du Lac Biwa, a tour company that arranges off-the-beaten-path “experience” tours in Shiga prefecture, for English-speaking visitors. It's the same tour company that I appeared on TV for, and that arranged this gargoyle-tile workshop visit.
Friday's tofu-making experience is part of this tour about taking life at a slower, countryside pace. Some of my photos will likely find their way to that page.
I was well paid for my photography work, leaving her house with a belly beyond full with her simple, close-to-nature farmer's-wife cooking made with the skill honed during 58 years of marriage and back-breaking by-hand mountain farming. The ultra-fresh hand-made tofu discussed in this post ended up being just one little dish of the entire meal, but that's the subject of a later post.
I had no idea how tofu was made, but now I'm quite the expert, so let me list the ingredients:
- soy beans
- water
- small sprinkle of concentrated sea water (or other coagulant)
- hard work
The beans were apparently soaked in water overnight. As I arrived, she was pouring off the water into a big pot, then blending the beans as seen above.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 62mm — 1/125 sec, f/4.5, ISO 6400 — map & image data — nearby photos
her blender, a Panasonic MJ-140K, likely dates from the 70s.
The pureed beans and the water they had been soaking in are then simmered for about half an hour while being constantly stirred.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 35mm — 1/40 sec, f/10, ISO 6400 — map & image data — nearby photos
Hiromi-san, the president of the tour company, helps stir
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 5000 — map & image data — nearby photos
photo by Hiromi-san
This is in the lady's private house that's been in her family for generations (though she married into it only 58 years ago). What you see is extremely typical of a “modern” old Japanese-farmhouse kitchen. Nothing's for show here.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/50 sec, f/4.5, ISO 6400 — map & image data — nearby photos
with a well-practiced finger
The lady in the foreground, Emi-san, is also an executive at the tour company
Nikon D4 + Nikkor 24-70mm f/2.8 @ 44mm — 1/160 sec, f/4.5, ISO 6400 — map & image data — nearby photos
Despite that we were there to impose on her (she was doing us a favor by running through all this for the camera), her natural kindness as a host could not be curbed, so she insisted we stop helping and have tea. I just wish my photos would have captured the warmth of her presence... she looks a bit severe in the photo above, but was anything but.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 29mm — 1/125 sec, f/2.8, ISO 3600 — map & image data — nearby photos
slowly adding cool water to adjust the temperature slightly
Nikon D4 + Nikkor 24-70mm f/2.8 @ 26mm — 1/100 sec, f/2.8, ISO 2800 — map & image data — nearby photos
After it had simmered for about 35 minutes, it was time to filter out the solids. The hot liquid at this point was now soy milk.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 2800 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 2200 — map & image data — nearby photos
Did I mention that it was hot. Hiromi-san was trying to not get burnt, but Kimiko-san (the old lady) just commented “yup, it's hot, isn't it”. She's done this before. 🙂
Usually she does it all by herself, but this time she had to accommodate “helpers”.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 6400 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 48mm — 1/200 sec, f/2.8, ISO 6400 — map & image data — nearby photos
using the same spatula she's used for 58 years
(she's using the spatula instead of her hands because the stuff is really hot)
I tried soy milk before, from a California supermarket. It was horrible, tasting like what I imagine water wrung from a tree-hugger's old socks would taste like.
On the other hand, this warm, fresh soy milk was excellent. This was perhaps my biggest surprise of the day.
Of course it's not at all related to milk, but “soy milk” sounds better than “simmered-bean juice”.
Nikon D4 + Voigtländer 125mm f/2.5 — 1/640 sec, f/2.5, ISO 3200 — map & image data — nearby photos
66°C (150°F)
The only time she used anything other than her finger and experience to judge the status was when she measured the temperature of the soy milk prior to adding the coagulant. It had cooled a bit more than she wanted (too many cooks in the kitchen slows things down, I guess), but deemed it safe to proceed.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 36mm — 1/160 sec, f/2.8, ISO 5600 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 27mm — 1/125 sec, f/2.8, ISO 2500 — map & image data — nearby photos
I had to look up “bittern”. My dictionary says:
“a concentrated solution of various salts remaining after the crystallization of salt from seawater”
Adding this bit of salt causes the soy milk to coagulate, separating into tofu and water.
Nikon D4 + Voigtländer 125mm f/2.5 — 1/640 sec, f/2.5, ISO 6400 — map & image data — nearby photos
but it's part of the story
She then gently poured the tofu/water combo onto a filter cloth set in a colander...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 31mm — 1/125 sec, f/2.8, ISO 3200 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 40mm — 1/160 sec, f/2.8, ISO 5000 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 38mm — 1/160 sec, f/2.8, ISO 5000 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 56mm — 1/200 sec, f/2.8, ISO 6400 — map & image data — nearby photos
The newborn tofu swaddled tenderly in filter cloth, she set a pan on top and filled it with water. This provides a gentle pressure to slowly, gently squeeze out more water. She let it sit like that for about 40 minutes while she worked on other parts of the meal.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 32mm — 1/125 sec, f/2.8, ISO 1250 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 50mm — 1/200 sec, f/5, ISO 3200 — map & image data — nearby photos
Nikon D4 + Voigtländer 125mm f/2.5 — 1/200 sec, f/5.6, ISO 6400 — map & image data — nearby photos
just add garnish
Unlike soy milk, which I'd tried the one time long ago then never again until today, I've had tofu many many times. Generally it has no taste, and is just a healthful delivery vehicle for garnishes or other tastes.
This fresh tofu was different... it had a sublime soft deliciousness that's hard to describe, but it definitely stood on its own as a tasty part of a meal. I didn't want to spoil it with a garnish, but then Kimiko-san pulled out some home-made miso garnish... but that's a story for another time.
By the way, after straining out the bits of bean pulp from the soy milk after simmering, those bits of bean become a sawdusty-looking substance called okara...
Nikon D4 + Voigtländer 125mm f/2.5 — 1/640 sec, f/2.5, ISO 3600 — map & image data — nearby photos
おから
It has a very short shelf life so commercial producers of tofu usually throw it away, but it's highly nutritious, and not something a farmer is going to waste. (It's also the answer to my soft not-foam-filling “What am I?” quiz from the other day.)
We ended up making a dessert with it.
(Note: if you visit Japan and want to take this tour with the specific intention of making tofu, be sure to mention that because lacking a specific request, what the lady prepares on any given day depends on the season, what she has on hand, and perhaps her whim. So be sure to mention specific requests. Some people specifically avoid tofu, for example, due to allergy or simple dislike of the stuff.)