Nikon D4 + Nikkor 24-70mm f/2.8 @ 27mm — 1/250 sec, f/5.6, ISO 100 — map & image data — nearby photos
Makino, Takashima City, Shiga Prefecture, Japan
(perspective “corrected” in Lightroom to make the trees vertical, and hence the white slivers at the bottom)
The forecast for last night and today was nonstop snow for Kyoto, so it was with disappointment but not surprise that I awoke to find just a thin scatter of snow. Sigh, why do I get my hopes up? Even just a few inches makes things wonderful, like this snow six years ago, but it doesn't happen often in the city.
In the end, Kyoto saw mostly rain, and Anthony's soccer practice was canceled, so we decided to take a drive up north for an hour or two (to near where I took Anthony skiing four years ago) to see whether they might have more snow.
They did, but not much.
The area we visited includes a rural street famous for being photogenically lined with trees. I'd first heard of it years ago when a photo by my doctor of it appeared on his computer's screensaver during an exam and I had to stop to ask about the location, but I'd not gotten to actually visit until today.
It was probably the worst possible time to visit.
The road is surprisingly long, stretching for 2½km (1½ miles) like this, lined with towering dawn redwood. Different areas have different vibes, but today everything was a resonating blah.
Nikon D4 + Nikkor 70-200mm f/2.8 @ 140mm — 1/320 sec, f/4, ISO 800 — map & image data — nearby photos
On this street was a small temple we stopped at because we noticed a huge pile of snow had accumulated under its steep roof, and Anthony was getting antsy to play...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/160 sec, f/4.5, ISO 100 — map & image data — nearby photos
Zuikoin Temple (瑞光院)
Makino, Takashima City, Shiga Prefecture, Japan
The bottom inch or three was pure slush, but the big pile was playable snow, and play we did...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 40mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/500 sec, f/2.8, ISO 100 — map & image data — nearby photos
Fumie sat in the warmth of the car while letting Anthony and me play, and snapped a few photos through the foggy window with her phone...
iPhone 5s at an effective 150mm — 1/120 sec, f/2.2, ISO 40 — map & image data — nearby photos
is unseated
photo by Fumie
iPhone 5s at an effective 150mm — 1/120 sec, f/2.2, ISO 40 — map & image data — nearby photos
photo by Fumie
Nikon D4 + Nikkor 70-200mm f/2.8 @ 82mm — 1/200 sec, f/2.8, ISO 110 — map & image data — nearby photos
(You'll notice that my photo is better than Fumie's, but that's only because I had a better camera 😉.)
Standing on top the snow pile brought me even with the edge of the roof....
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/160 sec, f/2.8, ISO 400 — map & image data — nearby photos
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/160 sec, f/5, ISO 640 — map & image data — nearby photos
At one point I wandered off to take some shots of the tree-lined street, and during that time Anthony returned to the car...
iPhone 5s at an effective 30mm — 1/40 sec, f/2.2, ISO 40 — map & image data — nearby photos
photo by Fumie
Nikon D4 + Nikkor 70-200mm f/2.8 @ 200mm — 1/400 sec, f/2.8, ISO 1250 — map & image data — nearby photos
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/160 sec, f/2.8, ISO 450 — map & image data — nearby photos
On the way home, in the encroaching dusk, we stopped by the southern end of the line of trees, and I snapped this photo of the nearby mountains enshrouded in mist and becoming enshrouded in dark...
Nikon D4 + Nikkor 70-200mm f/2.8 @ 70mm — 1/160 sec, f/8, ISO 450 — map & image data — nearby photos
I have very few photographs of myself as a child with dad because dad always used the camera. Its good to see that Fumie is taking photographs. In forty or fifty years or more those images of you with your son may be very valuable to him.
Even though the overall atmosphere seemed a bit dreary (except for the photos of Anthony, which seem very energetic), I enjoyed this photo set. I probably wouldn’t have commented except for that last photo – wow, how beautifully atmospheric.
“context-aware fill” in photoshop would work nicely on the top picture, for the corners…