Picking up from yesterday's Part 1 of “My Mt. Hiei Climb Challenge 2013”, where that post ended with a short pause at a clearing half way up...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/800 sec, f/2.8, ISO 100 — map & image data — nearby photos
angle of the sun on the engraved writing makes for some hard shadows
From the clearing, the path up actually goes down sharply for a short while...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 2000 — map & image data — nearby photos
The trail goes up and down very steeply as it crosses several small river ravines, and this is where I worried that my knees would become debilitatingly painful. To my great relief it turned out fine, either because of the stretching I did (mentioned in Part 1), and/or because I was wearing a pair of knee compression straps that are said to help ease the kind of pain I had.
(A note to my mom: the knee straps are fairly bulky, which is why the self portrait in Part 1 showed me wearing very baggy jeans.)
I'll have to try the hike again without the straps, to test whether they were of material help.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 31mm — 1/400 sec, f/2.8, ISO 100 — map & image data — nearby photos
the source of the ravine
The trail crosses several tiny streams like this, each entailing five minutes of very steep downhill, a hop across, and five minutes of very steep uphill.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/1000 sec, f/2.8, ISO 100 — map & image data — nearby photos
This intersection of trails is where Stéphane stops for an energy snack (at least we did last year), so I did so as well, having one of my rice balls.
The other trail that joins here originates near the Shugakuin Imperial Villa, and is apparently The Trail for kids on school trips to use when hiking this mountain. I surmise this because starting from here I came across many junior-high kids before I got to the top....
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/200 sec, f/2.8, ISO 280 — map & image data — nearby photos
There were many groups from many schools strung along the paths, totaling perhaps 500 kids. All 500, it seems, took the opportunity of my obvious foreignness to spit out a poorly-pronounced “Hello” in English. This may sound polite at first blush, but it's done with the same spirit as yelling “Moooo....” out the window as you pass a field with cows.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/200 sec, f/2.8, ISO 1000 — map & image data — nearby photos
And just as with the cows, imagine how frozen with shock you'd be if a cow started mooing back, asking how you're doing, where you're from, and such. I got that kind of deer-in-the-headlights look whenever I responded in English. But mostly I just excused myself (in Japanese) as I passed. The kids, understandably, progress pretty slowly.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/10, ISO 1100 — map & image data — nearby photos
the kid with both hands up has his eyes so crossed they've almost switched places
At one point I came across a photographer that had been asked to document the event for the kids, dressed in street clothes and lugging a large, hard camera case. It looked very uncomfortable...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 50mm — 1/60 sec, f/10, ISO 6400 — map & image data — nearby photos
yet with a smile on his face
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/125 sec, f/10, ISO 6400 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 800 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 1400 — map & image data — nearby photos
are down there somewhere
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/7.1, ISO 2500 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/5.6, ISO 5000 — map & image data — nearby photos
the kids provide a bit
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/2.8, ISO 640 — map & image data — nearby photos
carved into the side of the steepness
Finally past the point of much laughing during last year's climb, I reached the tiny abandoned ski run, where groups of school kids were having their bento lunches...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/640 sec, f/2.8, ISO 100 — map & image data — nearby photos
at the top of Kyoto
A bit further and I got to つつじヶ丘, the hillside of Azaleas that was past its prime when I went last year, which is why I went a couple of weeks earlier this yet....
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/200 sec, f/14, ISO 1600 — map & image data — nearby photos
And finally I got to the rest/view area that was last year's destination...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/14, ISO 720 — map & image data — nearby photos
at the rest area at right
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/10, ISO 220 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/200 sec, f/7.1, ISO 180 — map & image data — nearby photos
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/640 sec, f/2.8, ISO 100 — map & image data — nearby photos
I sat down to have another rice ball, and eventually was joined by Hiroshi (he of hat-saving mountain biking from Part 1), who had already been to the top and was pausing on the return trip before hitting the main descent.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/640 sec, f/2.8, ISO 100 — map & image data — nearby photos
I said I'd take his portrait, and when I pointed the camera his way I expecting to start directing him to a nice pose, but instead he suddenly made a tremendous leap...
Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/8, ISO 1000 — map & image data — nearby photos
leap
That was impressive, but I spent the extra few seconds for a quick normal portrait...
Nikon D4 + Voigtländer 125mm f/2.5 — 1/400 sec, f/8, ISO 900 — map & image data — nearby photos
pose
He eventually went on his way down the mountain, but I intended to continue my own climb to the top.
The leap shot is pretty impressive. Based on what you’ve written it sounds like you weren’t expecting it, either. Did he plan it with you, did you have to do it multiple times, or did you have your camera in burst mode?
“Azalea Hill” and “Nice View” are spectacular shots. Very nice!
The shot you see is from a third leap. I got a nice shot on the first (when I wasn’t expecting it) and second (when I was), but he wasn’t looking at the camera, and I thought that would be more compelling, so imposed on him for a third. —Jeffrey
“I’ll have to try the hike again without the straps, to test whether they were of material help.”
Spoken like a true software engineer. 🙂