Nikon D4 + Voigtländer 125mm f/2.5 — 1/500 sec, f/2.5, ISO 200 — map & image data — nearby photos
Plum blossom at the Kitano Tenmangu Shrine (北野天満宮), Kyoto Japan
As I mentioned in my previous post, the plum is starting to bloom in Kyoto. One of the famous spots for it is the Kitano Tenmangu Shrine (北野天満宮), which has a large orchard that you can visit for 600 yen (about US$7). It's not worth paying to see the orchard yet, though, because the blossoms are pretty sparse. I got my calendar confused, so paid to go in...
Nikon D4 + Nikkor 24mm f/1.4 — 1/3200 sec, f/1.4, ISO 200 — map & image data — nearby photos
plum orchard at the Kitano Tenmangu Shrine (北野天満宮)
Close ups on individual branches are still fruitful, but you can get plenty of that in the free open area of the shrine. It's when the orchard is brimming with blossoms that it's worth a specific visit.
Nikon D4 + Nikkor 24mm f/1.4 — 1/3200 sec, f/1.4, ISO 200 — map & image data — nearby photos
with a big-aperture lens
The slight change in focus to the blossom at the leading part of the branch gives much more depth to the result, I think. (The difference becomes apparent when you view them at the large click-through size.) The final shot has the background more “receding into the distance” than “in the background”, as if the tree is reaching out to the viewer.
I'm probably reading too much into it, but I like “Slightly Different Focus” much better than “Same Scene”.
Nikon D4 + Nikkor 50mm f/1.2 — 1/5000 sec, f/1.2, ISO 200 — map & image data — nearby photos
I think my 50mm f/1.2 lens needs to be adjusted
The next two shots differed only in the aperture, and I can't tell which I prefer...
I brought a small mist-spray bottle of water, to see whether I might get some nice effects. I felt slightly slimy using it, and I don't think the water added much in this case, but it's still a nice shot.
I enjoyed seeing your experiments with depth of field, particularly “Backlit and Spacey”. One other thing you might try is to separate the flower from its background using an off-camera flash (with the exposure in the range of 1/200 to 1/250 and f/11 to f/16). This approach produces an image of the flower on a black background. I’ll e-mail you an image from my garden. Regards, Tom
I’ll have to give that a try. Wish the D4 had an on-board flash to use as a commander, though. I have two speedlights, but one would be less bulky. —Jeffrey